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After Midnight - (Mar 11th)
The 11th Hour with Stephanie Ruhle - (Mar 11th)
The Real Housewives of Sydney - (Mar 11th)
The Chase - (Mar 11th)
Watch What Happens Live with Andy Cohen - (Mar 11th)
The Voice - (Mar 11th)
Beyond the Gates - (Mar 11th)
Someday at a Place in the Sun - (Mar 11th)
Piers Morgan Uncensored - (Mar 11th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
What? Are you seeing that right? 10 out of 10 stars? Yeah, this movie isn't any good...technically it's horrible, some of the acting his horrible, the plot really stinks, there is a lot that really sucks about this movie... BUT, it entertains. And my policy here is that so long as I can be entertained by a movie, it accomplished its goal. In 2018 retrospect, it's great because there are no politics behind the "girl" part of the title. It doesn't tell you "like this or you are a Nazi," but it was 1984 so...it's really not going to tell you that. And Helen Slater usually seems a little flat. She has rare instances where she actually shines, but she wouldn't be my first choice for a superhero. However, that being said, she DOES pull of "heroic" very well, so as flat as she may be, she did do a good job at being imposing when she needed to be and that helps you suspend your disbelief enough to actually get into the film. And it's hard to get into. There is enough low budget cheese to be a kick. There is enough just awfulness to enjoy the film for what it was. And that is never a bad thing. It can make for fun entertainment even if it makes for a bad film. Really what this film suffers from is an overdose of the early 80s. And really what makes this movie so much fun is an overdose of the the early 80s. You get a Footloose, Karate Kid feel for everything about the film. Too early to be totally Regan Era but not to early to be seriously Middle-America meets emerging New Wave culture and it makes for a great clash. It makes for entertainment, even if it is bad entertainment. So, you won't think this is a great film. But it will entertain you. It's worth watching, but not if you have to pay for it, that is not unless you get a wave of nostalgia wash over you.
'Supergirl' is a second straight dud from this franchise, though I'd honestly say it's ever so slightly more interesting than the preceding 'Superman III'; it at least tries to tell a coherant story around its main character, which can't exactly be said for the aforementioned. Helen Slater is decent as Supergirl, any complaints with the character lie with how she is written rather than how she is portrayed by Slater. The best part of this movie, for me, is actually Faye Dunaway. Selena isn't necessarily a plus, though I think Dunaway's performance held potential. Peter O'Toole has a small part to play, nice to have an actor like him involved - on a similar note, it's a shame Christopher Reeve turned down a cameo, not that you could blame him of course. All in all, this is a disappointing movie. A shorter run time might've helped, fwiw.
Morgan Adams and her slave, William Shaw, are on a quest to recover the three portions of a treasure map. Unfortunately, the final portion is held by her murderous uncle, Dawg. Her crew is skeptical of her leadership abilities, so she must complete her quest before they mutiny against her. This is made yet more difficult by the efforts of the British crown to end her pirate raids.
Superman returns to discover his 5-year absence has allowed Lex Luthor to walk free, and that those he was closest to felt abandoned and have moved on. Luthor plots his ultimate revenge that could see millions killed and change the face of the planet forever, as well as ridding himself of the Man of Steel.
In the final days of World War II, the Nazis attempt to use black magic to aid their dying cause. The Allies raid the camp where the ceremony is taking place, but not before they summon a baby demon who is rescued by Allied forces and dubbed "Hellboy". Sixty years later, Hellboy serves the cause of good rather than evil as an agent in the Bureau of Paranormal Research & Defense, along with Abe Sapien - a merman with psychic powers, and Liz Sherman - a woman with pyrokinesis, protecting America against dark forces.
With his eye on a lovely aristocrat, a gifted illusionist named Eisenheim uses his powers to win her away from her betrothed, a crown prince. But Eisenheim's scheme creates tumult within the monarchy and ignites the suspicion of a dogged inspector.
During China's Tang dynasty the emperor has taken the princess of a neighboring province as his wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.
The Turtles and the Shredder battle once again, this time for the last cannister of the ooze that created the Turtles, which Shredder wants to create an army of new mutants.
A quartet of humanoid turtles, trained by their mentor in ninjitsu, must learn to work together to face the menace of Shredder and the Foot Clan.
The four turtles travel back in time to the days of the legendary and deadly samurai in ancient Japan, where they train to perfect the art of becoming one. The turtles also assist a small village in an uprising.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona's mother and father, the Queen and King. But not everyone is happily ever after. Shrek and the King find it difficult to get along, and there's tension in the marriage. The Fairy Godmother discovers that Fiona has married Shrek instead of her son Prince Charming and plots to destroy their marriage.
In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.
