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Eye eye, what we got ere then? There's a running eyeball motif throughout this revamp/reimaging of Bob Clark's much revered culter of the same name (1974), after sitting through it you may, like me, feel like extracting your own eyeballs and playing ping-pong with them! Bunch of pretty sorority girls get menaced and mangled by a deranged killer who has come home for Christmas... This lacks everything that made Bob Clark's film so effective. The less is more approach has gone, thus there is very little suspense, and in place is a gigantic back story for the killer. The characterisation of the girls, some acted by some very capable actresses, is practically non existent, so very little emotional heft to draw you into a state of caring for them. There's some good gore on show, but since tonally the pic is all over the place, it's never once scary or ironically funny. A poor show all round. 3/10
Obviously doesn't hold a candle to the original, and some of the acting is pretty genuinely bad, but it knows what it wants and it goes for it. What it wants, here being: To be hamstrung to keeping in step with its predecessor but also being wildly different enough to piss anyone off who was expecting an actual "remake". _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
_**More entertaining than the original, but marred by a ridiculous tacked-on ending**_ During Christmas Eve at a sorority house in New Hampshire, the students & housemother are harassed by a killer who likes to gouge out eyes. For some strange reason the mad slasher knows all the inner rooms and crawlspaces of the house (attic, basement, etc.). “Black Christmas” (2006) is the first of two remakes of the original film from 1974 (the other being released in 2019 and is a remake-in-name-only). This version is more colorful and entertaining than the original, but also more twisted, highlighted by a superior cast of women, including Michelle Trachtenberg (Melissa), Lacey Chabert (Dana), Mary Elizabeth Winstead (Heather), Jessica Harmon (Megan), Leela Savasta (Clair) and Katie Cassidy (Kelli). Written & directed by Glen Morgan, the film is inventive with its backstory and the way the killer haunts the innards of the house, spying & preying on the girls. This is genuinely compelling stuff. Unfortunately, the film's tone and ending were marred by the interference of studio exec Bob Weinstein, who wanted a more over-the-top horror flick with cartoonish embellishments. The preposterous ending in particular seems tacked-on and (almost) ruins the movie. Thankfully some versions of the film are closer to Morgan’s original vision, at least as far as the climax goes. The movie runs about 1 hour, 30 minutes, with a couple other versions longer or shorter by 4-5 minutes (depending on which ending was used). The film was shot in Vancouver, British Columbia, with the hospital scenes done at Riverview Hospital in nearby Coquitlam. GRADE: B
A former serial killer with Alzheimer's fights to protect his daughter from her mysterious boyfriend who may be a serial killer too.
The Zodiac murders cause the lives of Paul Avery, David Toschi and Robert Graysmith to intersect.
An agoraphobic psychologist and a female detective must work together to take down a serial killer who copies serial killers from the past.
An arrogant, high-powered attorney takes on the case of a poor altar boy found running away from the scene of the grisly murder of the bishop who has taken him in. The case gets a lot more complex when the accused reveals that there may or may not have been a third person in the room.
The boyfriend of an abducted woman never gives up the search as the abductor looks on.
A demented widow lures unsuspecting children into her mansion in a bizarre "Hansel and Gretel" twist.
To cover up his infidelities and protect his upcoming marriage, a star advertiser helps free an accused rapist by giving a false alibi and suffers the brutal revenge of the victim.
Withdrawn and sensitive teen Carrie White faces taunting from classmates at school and abuse from her fanatically pious mother. When strange occurrences start happening around Carrie, she begins to suspect that she has supernatural powers.
Freddy enlists Jason to kill on his behalf on Elm Street, after realizing that he can't haunt dreams because people no longer fear him.
A young student comes to grips with her gruesome past when her college friends take her to a "haunted" house on the edge of town. The coeds find themselves at the wrong place at the wrong time as an escaped killer is holed up in the house.