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He went walkabout. New York reporter Sue Charlton hears of a guy in the outback of Australia who survived an attack by a crocodile. For research she meets up with "Crocodile Mick Dundee" and spends time with him out in dangerous Bush Country. Finding a rapport during their time together, Sue convinces Mick to go back with her to New York, which brings interesting results as Mick becomes a big hit by treating the Big Apple, and all that comes his way, the same as he would the Outback. Crocodile Dundee has a standard fish out of water comedy premise, yet with a number of truly funny sequences and an appealing turn from Paul Hogan as Dundee, it became a monster smash hit that the cinema watching public lapped up with glee. In a decade that is often considered or debated to be the worst for film, it may just be that cinema goers were desperate for a pick me up movie? Possibly, but undoubtedly Crocodile Dundee most assuredly is that type of escapist piece. However, to give that credence would, I feel, be doing it a disservice, for in spite of the rickety concept and the obviousness of where we will ultimately end up, it has bundles of earthy charm, a charm that many can identify with. As Dundee goes about his way, meeting pimps, transsexuals and muggers et al, they are not only very funny scenes, they are also points of reference to the ever changing way of the Continents. Not that the film doesn't come dangerously close to falling into a sugary rom-com mire, but with a strong performance from Linda Kozlowski as Sue, and Hogan introducing an icon to 80s cinema, Crocodile Dundee safely hits the target that it was surely aiming for. Besides, the love story here is very easy to get on side with, to support it and hanker for this opposites attract coupling to work out. Two sequels would follow, the first one was a retread reversal and just about passable, the second one, after a gap of 13 years, was bad and evidence that the joke had long since passed. Crocodile Dundee 86 holds up well as the escapist piece of cinema that it is. A nice film to revisit every other year, for it be simple, warm, and yes, I'll say it again, damn funny. 8/10
Loose plot but Paul Hogan shines as Dundee and it's just an all around feel-good film that one can't help but put a smile on your face. Seen this a few times over the years but still holds up. **3.75/5**
Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.
Set during the Cold War, the Soviets—led by sword-wielding Irina Spalko—are in search of a crystal skull which has supernatural powers related to a mystical Lost City of Gold. Indy is coerced to head to Peru at the behest of a young man whose friend—and Indy's colleague—Professor Oxley has been captured for his knowledge of the skull's whereabouts.
Holly Golightly is an eccentric New York City playgirl determined to marry a Brazilian millionaire. But when young writer Paul Varjak moves into her apartment building, her past threatens to get in their way.
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.
Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.
A New York gangster and his girlfriend attempt to turn street beggar Apple Annie into a society lady when the peddler learns her daughter is marrying royalty.
James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Demet and Okan, a married couple, find that the spark in their relationship has disappeared. But life gives them another chance when Okan buys a lottery ticket and happens to win the lottery.