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If you ride like lightning, you're going to crash like thunder. The Place Beyond the Pines is directed by Derek Cianfrance and Cianfrance co-writes the screenplay with Ben Coccio and Darius Marder. It stars Ryan Gosling, Bradley Cooper, Eva Mendes, Emory Cohen, Dane Dehaan, Ray Liotta, Ben Mendelsohn and Rose Byrne. Music is by Mike Patton and cinematography by Sean Bobbitt. A motorcycle stunt rider finds he has a son he never knew about and turns to robbing banks as a way to provide for both the child and his one time lover. This puts him on collision course with an ambitious rookie cop that has serious life changing consequences for both of them... The Place Beyond the Pines (superb title) is a three parter of a character study that examines the critical decisions we make in life whilst putting different characters along a road of reckoning. The atmosphere of palpable human foibles is quickly established by Cianfrance, the introduction of stunt rider Luke Ganton (Gosling mesmerising) the kick start for what will be a multiple character piece even though the narrative core is purely about Ganton and cop Avery (Cooper) and their impact on each other and those connected to each. Such is a key element of events in the story, it's difficult to say too much because this picture demands that spoilers are not dished out willy nilly. Going in blind without knowledge of the story trajectory is a must to garner maximum rewards. What can be said is that for the final third the pic does lose momentum, there's a big shift of emphasis (though critically connected to all that has gone on previously). It's not a film killer, though, for this remains a damn fine film, one that is packed with utterly gripping sequences, but the ambitiousness shown by Cianfrance is almost the undoing of a fascinatingly engrossing experience. The consequences of choices are profoundly explored here, the multigenerational axis riveting in execution by director and writers alike. It also looks terrific, evocative cinematography from Bobbitt (12 Years a Slave) is in turn boosted by Patton's tonally compliant musical score. Ultimately, to enjoy fully you will have to accept implausible contrivances and that the psychological digging never really achieves all that it should. A bit of better thought for the last third and some trimming of the run time would have helped greatly, but this is still quality film making and recommended to grown up film fans for sure. 8/10
Great movie
Bank teller Mike Donovan (Barry Sullivan) takes the first step on the road to Perdition when he fails to report a $49,000 shortage. Accused of theft, Donovan is fired from his job. He is then prevented from finding other employment by Javert-like insurance investigator Gus Slavin (Charles McGraw). Despite many setbacks, Donovan attempts to clear his muddied name.
An emotionally constrained view of the displacement of human feelings in our video saturated society. Van regularly visits his grandmother in a run-down nursing home. His father depends on phone sex for guidance meanwhile erasing family homevideos of happier times with homemade pornography. Will Van rescue his grandmother and memories of his mother in time?
A thief breaks into the home of a wealthy, happily married Beverly Hills couple. He soon finds out, though, that the couple is neither as wealthy as he thought they were and are not as happily married as they appeared.
Through a fluke circumstance, a ruthless woman stumbles across a suitcase filled with $60,000, and is determined to hold onto it even if it means murder.
A wild girl who was raised by bears is found by humans when she rescues an injured man. She is brought to the city against her will, and is put in a stage show. She is discovered and saved by her family, and tries to find a way to take revenge on the people who imprisoned her.
A young orphan wakes up after wetting his bedsheet. Living under the supervision of nuns, he'll spend night and day attempting to amend his "mistake".
Mendy is a young Brookyln Hasid who leaves the strict rules of his insular and repressive community to join his childhood friend, Yankel, who is living securlary in Manhattan. Mendy's struggle to integrate his faith and traditions with the modern world are influenced by his growing friendship with Bianca, Yankel's free spirited Brazilian roommate.
Inspired by the real-life story of a bus hijacking in Northern Greece, HOSTAGE explores the sensitive issue of Greek-Albanian relations through a young Albanian who takes over an intercity bus. Upon hijacking the bus, he takes the seven passengers hostage and demands a ransom of half and million euro, and safe passage to his homeland of Albania. Surrounded by police, the bus trundles towards the Albanian border and the tension mounts until the final harrowing conclusion.
Five different criminals face imminent death after botching a job quite badly.
Renowned oceanographer Steve Zissou has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat by Ned, a man who believes Zissou to be his father, and Jane, a journalist pregnant by a married man. They travel the sea, all too often running into pirates and, perhaps more traumatically, various figures from Zissou's past, including his estranged wife, Eleanor.
From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.