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If you ride like lightning, you're going to crash like thunder. The Place Beyond the Pines is directed by Derek Cianfrance and Cianfrance co-writes the screenplay with Ben Coccio and Darius Marder. It stars Ryan Gosling, Bradley Cooper, Eva Mendes, Emory Cohen, Dane Dehaan, Ray Liotta, Ben Mendelsohn and Rose Byrne. Music is by Mike Patton and cinematography by Sean Bobbitt. A motorcycle stunt rider finds he has a son he never knew about and turns to robbing banks as a way to provide for both the child and his one time lover. This puts him on collision course with an ambitious rookie cop that has serious life changing consequences for both of them... The Place Beyond the Pines (superb title) is a three parter of a character study that examines the critical decisions we make in life whilst putting different characters along a road of reckoning. The atmosphere of palpable human foibles is quickly established by Cianfrance, the introduction of stunt rider Luke Ganton (Gosling mesmerising) the kick start for what will be a multiple character piece even though the narrative core is purely about Ganton and cop Avery (Cooper) and their impact on each other and those connected to each. Such is a key element of events in the story, it's difficult to say too much because this picture demands that spoilers are not dished out willy nilly. Going in blind without knowledge of the story trajectory is a must to garner maximum rewards. What can be said is that for the final third the pic does lose momentum, there's a big shift of emphasis (though critically connected to all that has gone on previously). It's not a film killer, though, for this remains a damn fine film, one that is packed with utterly gripping sequences, but the ambitiousness shown by Cianfrance is almost the undoing of a fascinatingly engrossing experience. The consequences of choices are profoundly explored here, the multigenerational axis riveting in execution by director and writers alike. It also looks terrific, evocative cinematography from Bobbitt (12 Years a Slave) is in turn boosted by Patton's tonally compliant musical score. Ultimately, to enjoy fully you will have to accept implausible contrivances and that the psychological digging never really achieves all that it should. A bit of better thought for the last third and some trimming of the run time would have helped greatly, but this is still quality film making and recommended to grown up film fans for sure. 8/10
Great movie
Three detectives in the corrupt and brutal L.A. police force of the 1950s use differing methods to uncover a conspiracy behind the shotgun slayings of the patrons at an all-night diner.
Freddy Heflin is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.
The Driver specializes in driving getaway cars for robberies. His exceptional talent has prevented him from being caught yet. After another successful flight from the police a self-assured detective makes it his primary goal to catch the Driver. He promises pardons to a gang if they help to convict him in a set-up robbery. The Driver seeks help from The Player to mislead the detective.
On their cross-country drive, a married couple, Jeff and Amy Taylor, experience car trouble after their SUV breaks down. Stranded in the New Mexico desert, the two catch a break when a passing truck driver offers Amy a ride to a nearby café to call for help. Meanwhile, Jeff is able to fix the car and make his way to the café, but Amy isn't there. He tracks down the trucker - who tells the police he's never seen Jeff or his wife before. Jeff then begins a desperate, frenzied search for Amy.
Elisabeth and Gudrun are two Swedish divorcées, both over 40, who meet when Elisabeth parks her car on a loading zone and is ticketed by Gudrun. Despite this shaky start, a friendship grows between the two. Elizabeth, a gynecologist, is sexy and confident. She leads the shy Gudrun through the dangerous waters of single life. But as they cavort through the dance floors and bars of Stockholm's nightlife they are led to a deeper examination of the relationships with men.
Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy—but who does he work for?
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
Bourne is brought out of hiding once again by reporter Simon Ross who is trying to unveil Operation Blackbriar, an upgrade to Project Treadstone, in a series of newspaper columns. Information from the reporter stirs a new set of memories, and Bourne must finally uncover his dark past while dodging The Company's best efforts to eradicate him.
In his delirium from his return from war, Francesco Bernardone goes back in his memories to the days when he lived for parties and carnal pleasures. He slowly recovers, but after the illness he is no longer the Francesco that everybody knew. Instead of spending hours in taverns, he meditates on the beauty of God's creatures, soon renouncing his riches and his family with plans to rebuild an abandoned church and his life.