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If you ride like lightning, you're going to crash like thunder. The Place Beyond the Pines is directed by Derek Cianfrance and Cianfrance co-writes the screenplay with Ben Coccio and Darius Marder. It stars Ryan Gosling, Bradley Cooper, Eva Mendes, Emory Cohen, Dane Dehaan, Ray Liotta, Ben Mendelsohn and Rose Byrne. Music is by Mike Patton and cinematography by Sean Bobbitt. A motorcycle stunt rider finds he has a son he never knew about and turns to robbing banks as a way to provide for both the child and his one time lover. This puts him on collision course with an ambitious rookie cop that has serious life changing consequences for both of them... The Place Beyond the Pines (superb title) is a three parter of a character study that examines the critical decisions we make in life whilst putting different characters along a road of reckoning. The atmosphere of palpable human foibles is quickly established by Cianfrance, the introduction of stunt rider Luke Ganton (Gosling mesmerising) the kick start for what will be a multiple character piece even though the narrative core is purely about Ganton and cop Avery (Cooper) and their impact on each other and those connected to each. Such is a key element of events in the story, it's difficult to say too much because this picture demands that spoilers are not dished out willy nilly. Going in blind without knowledge of the story trajectory is a must to garner maximum rewards. What can be said is that for the final third the pic does lose momentum, there's a big shift of emphasis (though critically connected to all that has gone on previously). It's not a film killer, though, for this remains a damn fine film, one that is packed with utterly gripping sequences, but the ambitiousness shown by Cianfrance is almost the undoing of a fascinatingly engrossing experience. The consequences of choices are profoundly explored here, the multigenerational axis riveting in execution by director and writers alike. It also looks terrific, evocative cinematography from Bobbitt (12 Years a Slave) is in turn boosted by Patton's tonally compliant musical score. Ultimately, to enjoy fully you will have to accept implausible contrivances and that the psychological digging never really achieves all that it should. A bit of better thought for the last third and some trimming of the run time would have helped greatly, but this is still quality film making and recommended to grown up film fans for sure. 8/10
Great movie
Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.
Army psychiatrist Colonel Kane is posted to a secluded gothic castle housing a military asylum. With a reserved calm, he indulges the inmates' delusions, allowing them free rein to express their fantasies.
When a kindly priest is murdered while waiting at a street corner in a quiet Connecticut town, the citizens are horrified and demand action from the police. All of the witnesses identify John Waldron, a nervous out-of-towner, as the killer. District Attorney Henry Harvey is then put on the case and faces political opposition in his attempt to prove Waldron's innocence.
Bumbling bank janitor Ernest P. Worrell is assigned to jury duty, and soon finds himself in trouble when he is covertly switched with a look-a-like crime boss. Ernest must escape from jail to expose the mix-up.
One of puppet-maker Geppetto's creations comes magically to life. This puppet, Pinocchio, has one major desire and that is to become a real boy someday. In order to accomplish this goal he has to learn to act responsibly. This film shows you the adventures on which he learns valuable lessons.
A framed man escapes prison and takes a wealthy woman's Jaguar with her in it. After she tries to escape numerous times, they begin to develop feelings for each other, and enter a road race that ends in Mexico.
In the early 1960s, teenager Adam Stafford (Cameron Bright) becomes obsessed with his new neighbor, Catherine Caswell (Gretchen Mol), a divorcée and free spirit. Stafford spies on Caswell as she meets with strange men, and, despite the warnings of his conservative parents, he begins working for her as a gardener. Amid rumors of her affair with President Kennedy, the two become close, but political intrigue surrounding her acquaintances soon infringes on their friendship.
A bank robber and his hostage spend the night in a hotel where they are visited by a man who sends the story on an unexpected path full of twists and turns.
A troubled woman seeks out the child she gave up for adoption; a gay motel owner takes in a handsome drifter; and the wife of a preacher frets that a gay couple has moved in across the street. All of their lives will intersect as Loggerheads subtly draws out their secret losses and desires.
Quiet, withdrawn 13-year-old Rynn Jacobs lives peacefully in her home in a New England beach town. Whenever the prying landlady inquires after Rynn's father, she politely claims that he's in the city on business. But when the landlady's creepy and increasingly persistent son, Frank, won't leave Rynn alone, she teams up with kindly neighbor boy Mario to maintain the dark family secret that she's been keeping to herself.
This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.