Pitino- Red Storm Rising - (Mar 19th)
The Joe Schmo Show - (Mar 19th)
Good American Family - (Mar 19th)
The Beat with Ari Melber - (Mar 19th)
All In with Chris Hayes - (Mar 19th)
The Rachel Maddow Show - (Mar 19th)
The Last Word with Lawrence ODonnell - (Mar 19th)
The Real Housewives of Beverly Hills - (Mar 19th)
Kitchen Nightmares - (Mar 19th)
WWE NXT - (Mar 19th)
Sesame Street - (Mar 19th)
A Body in the Snow- The Trial of Karen Read - (Mar 19th)
Calipari- Razors Edge - (Mar 19th)
The Irrational - (Mar 19th)
The Rookie - (Mar 19th)
GRAND SUMO Highlights - (Mar 19th)
The Cook Up with Adam Liaw - (Mar 19th)
Fixer to Fabulous - (Mar 19th)
Daredevil- Born Again - (Mar 19th)
Mythic Quest - (Mar 19th)
1516, Legend has it that the king of Algiers had a wife named Zaphira. When the pirate Aroudj Barbarossa arrives to liberate the city from the Spaniards, he is determined to conquer Zaphira as well as the kingdom itself. But is Zaphira willing to let him, or is she plotting for herself?
In 1906, two American brothers join the French Foreign Legion and, led by a sadistic Sergeant-Major, they defend a fort against Berber and Tuareg attack.
North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.
The life and career of Erwin Rommel and his involvement in the plot to assassinate Hitler.
Shortly after Muzamil was born, the village's holy man predicts that he will die at age 20. Muzamil's father can't stand the curse and leaves home. Sakina raises her son as a single mother, overly protective. One day, Muzamil turns 19.
Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.
A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.
A small British army team is sent deep behind enemy lines to destroy a German petrol dump as part of the preparation for a major attack in the North African campaign. Sea of Sand was distributed in the US in a shortened version, Desert Patrol.
A group of refractory and pacifist Bretons is sent to Algeria. These beings confronted with the horrors of war gradually become killing machines. One of them did not accept it and deserted, taking with him an FLN prisoner who was to be executed the next day. International Critics Prize at the 1972 Cannes Film Festival. Copy restored in 2012
When three brothers join the Foreign Legion to escape a troubled past, they find themselves trapped under the command of a sadistic sergeant deep in the scorching Sahara. Now the brothers must fight for their lives as they plot mutiny against tyranny and defend a desert fortress against a brutal enemy.