아수라장: 범털들의 전쟁

In a women's prison in Brazil, the inmates are young and beautiful, the warden is a sadist, all but one of the guards are cruel, and the nurse is an incompetent cuckoo. To make it difficult for the inmates to hide contraband, they wear no underwear. They are alternately murderous and orgiastic with each other, and they engage in sex play with some of the guards. The warden pimps out inmates to wealthy lesbians. With the help of the nurse and under the cover of Carnival, three inmates stage an escape. Once out, will they contrive to stay undiscovered, or will their natures guarantee an ill-fated end to their attempt?

Mr. Morris, the owner of a large metropolitan department store, gives jobs to paroled ex-convicts in an effort to help them reform and go straight. Among his 'employed-prison-graduates' are Helen Roberts and Joe Dennis, working as sales clerks. Joe is in love with Helen and asks her to marry him, but she is forbidden to marry as she is still on parole, but she says yes and they are married. In spite of their poverty-level life, their marriage is a happy one until Joe discovers she has lied about her past, in order to marry him. Disillusioned, he leaves, goes back to his old gang and plans to rob the department store.

A moll, imprisoned after participating in a bank robbery, helps with a breakout plot.

In 1932, a prisoner escapes from a women's prison in northern China. Inspector Song Donglu is summoned to investigate the escape.

Uptight lawyer Peter Sanderson wants to dive back into dating after his divorce and has a hard time meeting the right women. He tries online dating and lucks out when he starts chatting with a fellow lawyer. The two agree to meet in the flesh, but the woman he meets — an escaped African-American convict named Charlene — is not what he expected. Peter is freaked out, but Charlene tries to convince him to take her case and prove her innocence. Along the way, she wreaks havoc on his middle-class life as he gets a lesson in learning to lighten up.

A woman who killed her husband by accident comes out of prison after sixteen years to meet with her two children at municipality office. Before children's arrival, she recalls her supposedly happy marriage that turned into a nightmare when her husband's brother came back from Germany and begun to influence her husband in a bad way.

The story of Michael Berg, a German lawyer who, as a teenager in the late 1950s, had an affair with an older woman, Hanna, who then disappeared only to resurface years later as one of the defendants in a war crimes trial stemming from her actions as a concentration camp guard late in the war. He alone realizes that Hanna is illiterate and may be concealing that fact at the expense of her freedom.

During the Second World War, three downed English airmen hide out with women's internment camp in France.

In a remote village in occupied Europe, the SS pursue their inhuman treatment of captured partisans in efforts to force them to betray their comrades.... while Fraulein Krast, a sadistic biologist, concentrates her efforts on the womenfolk with refined tortures and humiliation, leaving them to the mercy of a sex-crazed half-man, half-beast she has created with experimental injections.... And as advancing Allied forces approach the village, Krast herself becomes a victim of her own fiendish rituals....

A café in Chicago, 1942. On a rainy night, veteran reporter Homer Howard tells an increasing audience the story of Roxie Hart and the crime she was judged for in 1927.

In Paradisum relates two disturbing stories simultaneously. The female narrator tells her personal tale of imprisonment as the wife of the notorious Estonian serial killer, Andreas Hanni. Although her story is bizarre, it touches familiar themes that run throughout modern life: the desire to be loved and the fear of being alone. Pille Hanni's tale unfolds over cinema vérité images of life in several Estonian prisons. At times the images reflect in a literary way the events of the narration, yet they are representations and impressions, rather than traditional documentary style footage of the people involved. This opens the story to a more general interpretation, often with unsettling results. The parallel contents reveal, at two levels of story and social organisation, how the bizarre and inhuman can be tolerable and even addictive in the face of our fears.