Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Black Cab 2024 - Movies (Nov 8th)
Husband Father Killer The Alyssa Pladl Story 2024 - Movies (Nov 7th)
Lovely Dark and Deep 2023 - Movies (Nov 7th)
It Ends with Us 2024 - Movies (Nov 7th)
Curtains for Christmas 2024 - Movies (Nov 7th)
Look Back 2024 - Movies (Nov 7th)
Where the Heck is My Period 2024 - Movies (Nov 7th)
Arcadian 2024 - Movies (Nov 7th)
My Old Ass 2024 - Movies (Nov 7th)
The 430 Movie 2024 - Movies (Nov 7th)
Ex-Husbands 2023 - Movies (Nov 7th)
American Highway 2024 - Movies (Nov 7th)
Afraid 2024 - Movies (Nov 6th)
Strange Darling 2024 - Movies (Nov 6th)
Blink Twice 2024 - Movies (Nov 6th)
Made in England The Films of Powell and Pressburger 2024 - Movies (Nov 6th)
Meet Me Next Christmas 2024 - Movies (Nov 6th)
Gardening Australia - (Nov 8th)
After Midnight - (Nov 8th)
After the First 48 - (Nov 8th)
Dateline- The Smoking Gun - (Nov 8th)
Doctor Odyssey - (Nov 8th)
The Bay - (Oct 2nd)
Unsolved Mysteries - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Angel of Death - (Nov 8th)
Interrogation Raw - (Nov 8th)
Mountain Men - (Nov 8th)
The Cage - (Nov 8th)
Crime Scene Kitchen - (Nov 8th)
TNA iMPACT - (Nov 8th)
Aussie Shore - (Nov 8th)
Ant Anstead- Born Mechanic - (Nov 8th)
Hannity - (Nov 8th)
Jesse Watters Primetime - (Nov 8th)
Outnumbered - (Nov 8th)
Special Report with Bret Baier - (Nov 8th)
Andrew McCarthy’s latest documentary had the potential to be a nostalgic masterpiece, reminiscent of an era that defined a generation. However, it ultimately fell short, primarily due to McCarthy's involvement. As a fan of the films of the 'Brat Pack', I believe this documentary missed the mark in several key areas. This documentary, clocking in at ninety minutes, feels like an extended exercise in grievance rather than an insightful exploration of the "Brat Pack" phenomenon. McCarthy’s evident resentment toward the term "Brat Pack" permeates the film, transforming what could have been a celebratory reflection into a personal vendetta. Rob Lowe emerges as the standout element of this documentary. His pragmatic and almost philosophical take on the "Brat Pack" label illustrates why his career has endured far longer compared to some of his peers. Lowe’s commentary offers a stark contrast to McCarthy’s bitter tone, highlighting a significant thematic divide within the film. For instance, when Lowe discusses embracing the label and moving forward, it provides a refreshing perspective that the documentary sorely lacks overall. The documentary might have been more engaging if it had included a narrative arc where McCarthy evolves to appreciate the title. Unfortunately, this journey of self-awareness is conspicuously absent. Instead, viewers are left witnessing McCarthy struggle with a term that continues to haunt him. This lack of growth or resolution undermines the film's potential impact. Imagine if the documentary had culminated in McCarthy’s acceptance and understanding of the "Brat Pack" label, much like how documentaries such as "Won't You Be My Neighbor?" successfully showcase personal and professional transformations. The final few minutes of the documentary attempt to offer some praise towards the "Brat Pack" moniker. However, McCarthy’s apparent discomfort with this positive shift renders it ineffective. It feels like a last-ditch effort to garner sympathy or agreement after realizing that his peers have moved on. The film would have been significantly more compelling if it had focused on this reconciliatory tone throughout, rather than relegating it to the closing moments. Think of documentaries like "20 Feet from Stardom," where the ending brings a sense of closure and triumph, something McCarthy's film could have greatly benefited from. In conclusion, while there are fleeting moments of introspection and commendation, McCarthy’s documentary ultimately flounders in its bitterness. The best parts of the film are ironically the credits, leaving viewers to wonder what could have been if the entire documentary had embraced a more reflective and less antagonistic approach. For a documentary that could have celebrated the legacy of the "Brat Pack" and provided a cathartic journey for its creator, it instead serves as a reminder of how unresolved resentment can overshadow the opportunity for meaningful storytelling.
Most Gen Xers will remember with fondness the infamous “Brat Pack,” a group of young stars who ruled the entertainment world back in the mid-1980s. Nobody was bigger than these actors, including Rob Lowe, Ally Sheedy, Demi Moore, Emilio Estevez, Molly Ringwald, and Judd Nelson. But with that superstardom and unfortunate moniker came decades of sadness, regret, and pain. One of the original members of the Pack, Andrew McCarthy, decided to make a film to deal with the group’s shared experiences after being collectively labeled by an article in New York magazine in 1985. The result is “Brats,” a deeply personal and surprisingly insightful documentary. This is a terrific film, especially if you’re interested in the subjects. McCarthy has a personal connection that gives him more intimate access to his former co-stars (many of whom he hasn’t seen nor spoken to in over 30 years). Some are more forthcoming than others (the raw honesty and heartfelt interviews resemble difficult therapy sessions, especially with an incredibly open Moore and a standoffish, obviously still-pained Estevez), and a couple of the former Brat Pack refuse to talk to him at all. But what is revealed is fascinating in a way that’s unexpected, and it’s clear almost all of them have been living with a heavy burden from the typecasting that significantly impacted their careers and personal lives. McCarthy has created a cathartic experience for all of the actors involved, but he also includes perspectives from fans and cultural critics. He’s chosen an interesting mix of subjects to interview, and most of them are eager to discuss the enduring legacy of the Brat Pack films and their place (that’s firmly cemented) in cinematic history. It’s a ton of fun to revisit the actors that defined a generation, but this documentary is so much more than just a nostalgic trip back to the 80s. What makes “Brats” so powerful is the way McCarthy’s introspective journey grows into a deep dive into the psychology and consequences of fame and the weight of labels. The film is a reflection on the power of words and their lasting impact, and is a reminder of how important it is to chose them carefully. By: Louisa Moore / SCREEN ZEALOTS
The story of the extraordinary final chapter of Freddie Mercury’s life and how, after his death from AIDS, Queen staged one of the biggest concerts in history, the Freddie Mercury Tribute Concert at Wembley Stadium, to celebrate his life and challenge the prejudices around HIV/AIDS. For the first time, Freddie's story is told alongside the experiences of those who tested positive for HIV and lost loved ones during the same period. Medical practitioners, survivors, and human rights campaigners recount the intensity of living through the AIDS pandemic and the moral panic it brought about.
The Fall tells the remarkable story of a South African barefoot runner, an American track-and-field prodigy, and the events behind one of the most memorable moments in sporting history – the 1984 LA Olympics. The film charts two journeys, from rural South Africa under apartheid and the rolling hills of Southern California, to the starting line of the women’s 3,000 metres. It uncovers a tale of betrayal and exploitation, of the blurred lines between politics, media and sport, and of the dedication and sacrifice required to compete at the highest level. It’s a story that split governments and divided nations, but at its heart is a tale of two young women who, despite the turmoil in their lives, just wanted to run.
Years ago, artists would walk around the muck at the edge of the San Francisco Bay in Emeryville, and build loads of sculptures out there on the flats, created from driftwood and found objects that drivers would enjoy as they motored south on the old Highway 17 (known in numerous radio ads as 'Highway 17, The Nimitz'). Grabbing material off someone else’s work was considered fair game and part of the fun, and contributed a kinetic dynamic to the ongoing display. Now the place is a park, and the sculptures are gone, but you can see what it used to be like in this neat and funny documentary by Ric Reynolds, augmented by Erich Seibert’s wonderful musique-concrète/time-lapse sequences. The flashback circus sequence includes Scott Beach and Bill Irwin. Sculptors interviewed include Walt Zucker, Tony Puccio, Robert Sommer, Ron & Mary Bradden, and Bob Kaminsky.
Documentary about the legendary Spanish Post-Punk band Paralis Permanente. A band that has gained a world wide cult following for their unique sound, while only having released one album. The album is highly regarded as the record that spawned the spanish darkwave sound known as "onda siniestra".
Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
The portrait of a woman who remembers. Sheila tells the story of Sheila, without concessions or evasions. Her childhood, her parents, her beginnings, the rumors, her love affairs, her marriage, her son, her successes, her farewells, her return, her mourning. The journey of an extraordinary popular icon who never stopped fighting. The courage of an artist who never gives up. "Sheila, toutes ces vies-là" is also a journey through time. 60 years of pop music, punctuated by numerous archives, personal films, timeless hits and illustrations by Marc-Antoine Coulon. But also 60 years of fashion, through a legendary wardrobe (her TV show outfits) that Sheila invites us to rediscover.
The inside story of the rise and fall of Harvey Weinstein reveals how, over decades, he acquired and protected his power even when scandal threatened to engulf him. Former colleagues and accusers detail the method and consequences of his alleged abuse, hoping for justice and also to inspire change.
Her story is well-known — the lonely child who yearned for affection and approval which she finally seemed to find as Hollywood's greatest love goddess. But even though she scaled heights few could even dream of, she was one of the loneliest of stars.
This program illustrates how video activists have developed sophisticated use of small format video, with poetic and powerful imagery, complex mixes of sounds and scores and an effective editing style that belies the urgency under which it is being made. The video movement in Taiwan has made successful use of home cassette distribution, via both mail and street vendors. The Green Team collective has pioneered in this effort with over 100 titles in distribution, documenting the struggles of farmers, students, workers and environmentalists.