Sledge Hammer! is an American satirical police sitcom produced by New World Television that ran for two seasons on ABC from 1986 to 1988. The series was created by Alan Spencer and stars David Rasche as Inspector Sledge Hammer, a preposterous caricature of the standard "cop on the edge" character. Al Jean and Mike Reiss, best known for their work on The Simpsons, wrote for the show and worked as story editors.
Ironside is a Universal television series that ran on NBC from September 14, 1967 to January 16, 1975. The show starred Raymond Burr as a paraplegic Chief of Detectives, Robert T. Ironside. The character debuted on March 28, 1967 in a TV movie. When broadcast in the United Kingdom the show was initially titled A Man Called Ironside. The show earned Burr six Emmy and two Golden Globe nominations.
A new television series having the same name, Ironside is currently under development and is scheduled to debut on October 2, 2013.
TV Show Star Rating : 7.3 Read More
Nash Bridges is an American television police drama created by Carlton Cuse. The show starred Don Johnson and Cheech Marin as two Inspectors with the San Francisco Police Department's Special Investigations Unit. The show ran for six seasons on CBS from March 29, 1996 to May 4, 2001 with a total of 122 episodes being produced.
The show has aired in over 70 countries. It currently airs in the Middle East on MBC's newly launched Action block MBC Action, DR2 in Denmark, Crime & Investigation Network, WGN America, Universal HD in the United States, TV1 in Australia, 13th Street in The Netherlands and Universal Channel in Serbia.
TV Show Star Rating : 6.7 Read More
A team of Vancouver investigators, led by homicide detective Angie Flynn, sets out to uncover the motive of each puzzling murder by discovering the killer's connection to the victim. Viewers get a glimpse of the killer before and after the crime is committed.
TV Show Star Rating : 6.4 Read More
The Philadelphia homicide squad's lone female detective finds her calling when she is assigned cases that have never been solved. Detective Lilly Rush combines her natural instincts with the updated technology available today to bring about justice for all the victims she can.
TV Show Star Rating : 7.6 Read More
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.
TV Show Star Rating : 6.6 Read More
Through four series and a few specials, Edmund Blackadder and his greasy sidekick Baldrick conjure up cunning plans as Edmund tries to take advantage of desperate times. These situation tragedies had obvious parallels from the Dark Ages to Elizabethan times, the rule of mad George III, and The Great War.
TV Show Star Rating : 7.9 Read More
Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.
TV Show Star Rating : 8.3 Read More
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