The Crimson Wing: Mystery of the Flamingos

The Ebola outbreak in West Africa seen through the eyes of the local populations, village officials, aid workers, the sick and those who recovered.

Pasolini seeks in Africa the peasant and revolutionary authenticity he had sought in the Roman villages. This hope will end in a new disappointment: Africa is a reservoir of irremediable contradictions that will explode in the massacres of yesterday and today. It is an Africa that starts from the outskirts of Rome, but thousands of non-EU citizens flock to the sub-proletariat of the villages.

A glimpse of life as seen through young people at a Zimbabwean children's home.

Brother Howie is a Jamaican Rastifari who dreams of the land of his ancestors: Africa. On a journey in search of his roots and his identity he travels through three continents and (with great humor and sensitivity) discovers the world and Africa.

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.

In northern Morocco lies the Spanish enclave of Melilla: Europe on African Land. On the mountain above live over a thousand hopeful African migrants, watching the land border, a fence system separating Morocco and Spain. Abou from Mali is one of them – the protagonist in front of the camera, as well as the person behind it. For over a year, he has ceaselessly persisted in attempting to jump the fence.