The Haunted the Possessed and the Damned 2024 - Movies (Mar 4th)
The Tale of Texas Pool 2024 - Movies (Mar 4th)
Below the Rim 2024 - Movies (Mar 4th)
Aquarius 2024 - Movies (Mar 4th)
Echo 8 2024 - Movies (Mar 4th)
Small Things Like These 2024 - Movies (Mar 4th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Andrew Schulz LIFE 2025 - Movies (Mar 4th)
Hard Truths 2024 - Movies (Mar 4th)
Heart Eyes 2025 - Movies (Mar 4th)
Levels 2024 - Movies (Mar 4th)
Night Talkers 2024 - Movies (Mar 3rd)
William Tell 2024 - Movies (Mar 3rd)
The House From... 2024 - Movies (Mar 3rd)
The Royal We 2025 - Movies (Mar 2nd)
Snow White and the 7 Samurai 2024 - Movies (Mar 2nd)
South of Hope Street 2024 - Movies (Mar 2nd)
Uppercut 2025 - Movies (Mar 2nd)
I Want to Violently Crash into the Windshield of Love 2024 - Movies (Mar 2nd)
Fight or Flight 2025 - Movies (Feb 28th)
Son of a Critch - (Mar 4th)
Family Feud Canada - (Mar 4th)
Small Achievable Goals - (Mar 4th)
Eva Paus Asian Kitchen - (Mar 4th)
Clean It, Fix It - (Mar 4th)
Make It At Market - (Mar 4th)
Australian Idol - (Mar 4th)
Come Dine With Me- South Africa - (Mar 4th)
Escape to the Country - (Mar 4th)
Four in a Bed - (Mar 4th)
The Real Housewives of Sydney - (Mar 4th)
Crimewatch Live - (Mar 4th)
The Yorkshire Auction House - (Mar 4th)
Richard Osmans House of Games - (Mar 4th)
The 11th Hour with Stephanie Ruhle - (Mar 4th)
Married at First Sight - (Mar 4th)
Australian Survivor - (Mar 4th)
Watch What Happens Live with Andy Cohen - (Mar 4th)
Piers Morgan Uncensored - (Mar 4th)
After Midnight - (Mar 4th)
Some 1960s hackers known as phone phreaks found a way to avoid long-distance charges. Two of those phreaks just happened to be students named Steve Wozniak and Steve Jobs.
The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.
This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.
In this fun and educational piece, animal experts talk about the real creatures that inspired the characters of Rango and the filmmakers explain why they chose specific animals to reflect certain personality traits.
Mother and son turned killers. Mama's Boy is a true crime Australian documentary investigating what drove Samantha Brownlow to convince her son Corey Lovell to murder her stepfather.
The Making of feature for the George Lucas movie 'THX 1138'.
With shared economic, environmental, and humanitarian concerns, communities of local planners, designers, and citizens work toward cross-border collaboration. Ronald Rael, an architecture professor, takes an opportunity to use art to prove the uselessness of building borders.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
Every year at Christmas, the women of the Slavonian Ladies' Auxiliary celebrate their culinary heritage by getting together to make pusharatas (a type of Croatian doughnut) for the people of Biloxi, Mississippi.
“Olive” is a short documentary that follows Olive Hagemeier, an energetic woman, on her daily routine of salvaging, repackaging and redistributing food, and occasional other types of “waste”, across Atlanta, GA. Presented in a quiet observational style, this film is both a character study of a committed and enigmatic volunteer, as well as an ethnographic work that places the audience in the heart of a decentralized, volunteer-run mutual aid network in a “post-COVID” American city.