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Sometimes we can all use a little help in changing our behavior when we aren’t able to do so on our own, and hypnosis is one of the most commonly employed practices. But, in some cases, it can work so well that we may unintentionally end up overcompensating, prompting us to act out in ways that yield a whole new crop of issues to contend with. Such is the case with Vera (Asta Kamma August), who gives hypnosis a try to quit smoking, a behavior she regards as unhealthy and antisocial. However, Vera’s hypnotherapist (Karin de Frumerie) suspects that her patient’s reluctance in explaining her reasons for seeking out treatment suggests that she’s there for more than just kicking the habit. This hunch leads her to conduct a profoundly impactful hypnotherapy session that produces a radical, albeit somewhat ill-defined, change in her subject’s behavior. And, even though Vera seems to relish the effects of this change, it couldn’t have come at a worse time: just as Vera and her business and romantic partner, André (Herbert Nordrum), are about to pitch their new commercial venture to a group of select international investors at an elite pitch fest, an event where they receive guidance from a high-profile pitch coach (David Fukamachi Regnfors). During preparation for their presentation, Vera begins acting strangely unpredictably, even disorderly, toward others, including those whom she and André are most trying to win over. So what’s going on here? And what, if anything, can André do to salvage matters before everything falls apart? Writer-director Ernst De Geer’s delightfully quirky debut feature takes a humorously absurdist look at questions of social conformity, particularly when it comes to differentiating behavior that’s gleefully playful from that which is wholly unacceptable, especially in earnestly serious “grown-up” situations. It accomplishes this goal through a captivating mix of hilariously dry wit and cringeworthy drama, one that often makes viewers squirm while questioning exactly what’s going on. In fact, at times, the mix can be perplexing enough that audiences may be uncomfortably puzzled by what’s transpiring on the screen and what the director is going for – that is, until the surfacing of the big reveal, the one that exposes the source behind the emergence of Vera’s erratic behavior, one that plants a rollicking punctuation mark on this often-uproarious offering. Much of the credit for this goes to the film’s fine script and its superb ensemble cast, particularly protagonists August and Nordrum, who play off each other well and create a wry sense of humorously driven dramatic tension. I love movies that make it a point to stick pins in sanctimonious balloons and push over sacred cows, and this one does as good a job at that as I’ve seen in a while. “The Hypnosis” may not be everyone’s cup of tea, but I’m only too happy to take more than a few good sips. Pass the milk and lemon, please.
The life and rather obscure hardships of a Slovenian feminist author and human rights activist Angela Vode.
The 43rd edition screens Neighbors, with five segments about the theme “neighbors”: not only about physical proximity, but also about relationships. In Brazil, Olga is a 90-year-old black woman who lost her husband one year ago; her neighbors, who come from different parts of the world, interrupt her grief. In Russia, an employee tries so hard to please his boss that he becomes inconvenient. An Indian woman, with the help of her male friend, decides to learn how to drive, an uncommon practice for women in the country. In China, an elderly, owner of an old and decadent barbershop, argues with his son, who wants to change the business. In South Africa, a group of homeless fights for the right to housing.
Would-be feminist Yoanna, running her own company, is insulted in a phone booth by a stranger named Yong-ho. While searching for a job, Yong-ho applies to a magazine named 'The Modern Woman,' not knowing that the company's boss is in fact Yoanna. She hires him with the intention of paying back the humiliation she received. But his masculine attitude captivates her and she ends up marrying him. She resigns her post and becomes a housekeeper, handing over the company to her husband.
In a dystopian city, where women are merely the possession of men, the 17-year-old Valentina escapes from Zéro’s grasp. Vulnerable and alone, she gets rescued by Alex, the leader of a group of young, strong women who fight together against the injustice in the world.
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
Gina, a modern business woman in her late forties, has a lover named Adrian, a journalist, who she sees once in a while just to have sex. They are both attracted to the historic figure of Pancho Villa: he admires his power while she admires his virility. As Gina helps Adrian to write a book about Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers, and that Villa's revolution never included her, nor the rest of the female half of the human species. Can the love of a woman and a man survive machismo?
It is the 1980s. Jens and his brothers live in a single-family house in Risskov, a suburb of Aarhus, Denmark. Here, the family's patriarch psychologist and self-appointed God, Uffe, rules the roost in his dressing gown and underwear. Changes threaten the peace when Uffe decides to write his memoirs.
A prom queen-to-be must break free from her small town’s ominous legacy of prom queens who die after their crowning.
Tom is a perfect macho, whose prejudices are challenged when he loses his job, his apartment and his girlfriend and has to move in into a house with three feminists. Without his knowing the three start an experiment to convert him into a sensitive person showing respect for women and her problems. Not able to pay his rent Tom is forced to earn it by doing the housework and babysitting. This helps him changing his attitudes towards women and his housemates who at first treated him indifferently, start to fall in love with him.
The charismatic Snaporaz encounters an alluring woman on a train and pursues her through a forest. He ends up at a hotel populated by women gathered for a feminist conference, where he is an unwanted presence. Snaporaz soon discovers he’s entered a phantasmagoric world where women have taken power.