Better Man 2024 - Movies (Mar 29th)
Incandescence 2024 - Movies (Mar 29th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Sex-Positive 2024 - Movies (Mar 27th)
Flight Risk 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
MotoGP Unlimited - (Mar 29th)
The Potato Lab - (Mar 29th)
Everybodys Live with John Mulaney - (Mar 29th)
Live from the Other Side with Tyler Henry - (Mar 29th)
My Strange Arrest - (Mar 29th)
Solo Leveling - (Mar 29th)
The Food That Built America - (Mar 29th)
StuGo - (Mar 29th)
Live PD Presents- PD Cam - (Mar 29th)
Neighborhood Wars - (Mar 29th)
Customer Wars - (Mar 29th)
Space Invaders - (Mar 29th)
Casualty - (Mar 29th)
Isekai Onsen Paradise - (Mar 29th)
NiziU’s Rural Getaway - (Mar 29th)
The 11th Hour with Stephanie Ruhle - (Mar 29th)
The Weekly with Charlie Pickering - (Mar 29th)
Masters of Illusion - (Mar 29th)
Penn and Teller- Fool Us - (Mar 29th)
Crime Beat - (Mar 29th)
A bit like with the late Ennio Morricone, I'd love to just sit in a room with Werner Herzog and chat. He's such an enigmatic character who comes across in this documentary as a human being of vision and imagination, sure, but also as a man who cares about ensuring that the audience never bore of his work. The range of his projects is well illustrated here from his embryonic (and not exactly great) stuff from the later 1960s through his successes with "Aguirre" (1972), "Nosferatu" (1979) and "Fitzcarraldo" (1982) whilst we learn of his tempestuous relationship with the headstrong Klaus Kinski as well as how he faced struggles from childhood in post war Germany all the way through to funding films that drag dilapidated paddle steamers across South American hilltops. Of course, there's the obligatory collection of adulatory comments - some more interesting than others, but essentially what makes this work is the time we get to spend with him at his home. His conversation is laced with a sense of goodwill towards his audiences that is at tines quite contagious. His determination never to settle for second best or to churn out same old, same old is palpable and his ability to embrace concepts from differing genres, for differing age groups and to participate in the development and evolution of his medium is really quite inspiring to watch. Unfortunately, there just isn't enough of that intimacy and the film all too often falls into the trap of the supporting quotes. Be they from Wim Wenders or Nicole Kidman, I just don't think they added much to what I wanted to see and that was just him in a room with some fine wine and meandering natter. A charismatic man with a limitless ability to dream - and if you're at all interested in just how cinema got to where it is now (warts and all) then this is well worth a watch.
Adam Bartlett started Gilead Media record label in 2005. His first releases were small runs of LPs and CDs, but fast forward to the present, he now he runs a celebrated underground label that is renowned internationally for putting out black metal, doom, and noise rock releases of well-known bands. He and his partner Dave Adelson from the record label, 20 Buck Spin, put on Migration Fest every two years where heavy music fans from around the world come together to perform, hang out, and create strong personal bonds. Through live performances, interviews, and BTS footage, we meet musicians, learn how they write and perform music as a means to cope with issues such as sexual abuse, depression, childhood indoctrination of Christianity, and grief from loss of loved ones. Features appearance from members of Thou, Neurosis, Enslaved, Panopticon, Emma Ruth Rundle, Yellow Eyes, Couch Slut, Blood Incantation, Krallice, Mizmor, Weigedood, Hell, Leech, Mania, Inter Arma and much more.
Fully authorized, access-all-areas feature doc on the hugely charismatic and globally adored Usain Bolt – officially the fastest man alive. With never-before-seen archive footage of his youth in Jamaica, through to original footage that will be captured at his fourth and final Olympic Games in Rio, where he will compete for the gold in both the 100 and 200 metres races, for a third straight Games before his retirement in 2017. I AM BOLT will reveal the man and define the legacy of this incredible athlete.
From abject poverty to becoming a ten-time boxing world champion, congressman, and international icon, Manny Pacquiao is the true definition of a Cinderella story. In the Philippines, he first entered the ring as a sixteen-year-old weighing ninety-eight pounds with the goal of earning money to feed his family. Now, almost twenty years later, when he fights, the country of 100 million people comes to a complete standstill to watch. Regarded for his ability to bring people together, Pacquiao entered the political arena in 2010. As history’s first boxing congressman, Pacquiao now fights for his people both inside and outside of the ring. Now at the height of his career, he is faced with maneuvering an unscrupulous sport while maintaining his political duties. The question now is, what bridge is too far for Manny Pacquiao to cross?
Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.
Story of Chuck Berry told by his relatives and friends.
The Bit Player tells the story of an overlooked genius, Claude Shannon (the "Father of Information Theory"), who revolutionized the world, but never lost his childlike curiosity.
"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.
Following the 1974 French presidential campaign with Valéry Giscard d’Estaing.
What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven