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Inside the Hilton- Park Lane - (Apr 29th)
The Piano - (Apr 29th)
Engineering Evolved - (Apr 29th)
Tracker - (Apr 29th)
Sullivans Crossing - (Apr 29th)
The Sympathizer - (Apr 29th)
Love Your Weekend with Alan Titchmarsh - (Apr 29th)
24 in 24- Last Chef Standing - (Apr 29th)
Evil Lives Here - (Apr 29th)
Home Town - (Apr 29th)
90 Day Fiance- Happily Ever After? - (Apr 29th)
Naked and Afraid - (Apr 29th)
Match of the Day 2 - (Apr 28th)
CSI- Vegas - (Apr 29th)
Inside with Jen Psaki - (Apr 28th)
Mammals - (Apr 28th)
MotoGP Unlimited - (Apr 28th)
Be My Guest with Ina Garten - (Apr 28th)
Girl Meets Farm - (Apr 28th)
The SmackDown LowDown - (Apr 28th)
When a hip hop violinist busking in the New York subway encounters a classical dancer on scholarship at the Manhattan Conservatory of the Arts, sparks fly. With the help of a hip hop dance crew they must find a common ground while preparing for a competition that could change their lives forever.
Three beautiful creatures bathe in our eyes. Behind three windows, so many women; owners of the places, as free inside themselves as in their antics. Exhibition? No! Exposure. Besides, who's watching? And who is watched? The bodies traversed by so many mental territories, FEMALE SPECIALTIES magnifies this "Second Sex" to flush out the random, the somatic, the elusive. ... not there to be understood but to be touched! ... and hated who thinks badly!
In 2020, the World was closed. Life got cancelled. People were struggling. Here’s an emotional and entertaining true story shot live, during the pandemic, about courageous people who came together, despite the risk, to share their love with one another. The film opens in Times Square on NYE 2020. Everything seemed right with the World. Fast-forward six months into the pandemic, hundreds of artists from all different performance art genres are invited to come together over the course of several consecutive days, culminating in a group costume parade event on 10/10/2020 to witness the only live performances happening ANYWHERE. The goal was to lift each other's spirits during the 2020 Covid-19 pandemic. There were over a dozen genres represented including acrobatics, live music, magic, dance, and even a wedding. Dozens of unscripted live interviews were recorded and the event proved a huge success. The film captures the rawness of what it was like living during this unprecedented time.
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts.
Vodoun Gods On The Slave Coast explores the ceremonial splendor of sacred dance and ritual in Benin, the birthplace and cradle of Vodoun. Formerly known as Dahomey, Benin was also called the Slave Coast due to its importance in the trans-Atlantic slave trade. Today, the worship and supplication of Vodoun gods remains integral to everyday life in Benin.
The final story of Michael Flately's Lord of the Dance series. Spectacular show.
As dancer Ginny Walker performs on stage, a veiled woman in the audience stands up, accuses Ginny of stealing her husband and then fires a gun at her. After Ginny collapses and is taken to her dressing room, the woman, Julia Westcolt, a friend of Ginny's, dashes backstage, discards her veil, and then congratulates her friend on their successful publicity stunt. When Ginny's press agents, Gus Crane and his son Junior, visit their client backstage, she brags about her feat and chides them for not being more creative in promoting her. Horrified at Ginny's brashness, Junior, a conservative Harvard graduate, chastises her and leaves the room.
In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” -Museum of Modern Art