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Melanies Grave 2024 - Movies (Feb 8th)
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Black Diamond 2025 - Movies (Feb 7th)
Horror Able 2024 - Movies (Feb 7th)
Fight Another Day 2024 - Movies (Feb 7th)
Down Below 2024 - Movies (Feb 7th)
Over The Red River 2024 - Movies (Feb 7th)
Modì Three Days on the Wing of Madness 2024 - Movies (Feb 7th)
Daytime Revolution 2024 - Movies (Feb 7th)
Night of the Dead Sorority Babes 2025 - Movies (Feb 7th)
The Lion King at the Hollywood Bowl 2025 - Movies (Feb 7th)
Can You Feel the Beat The Lisa Lisa Story 2025 - Movies (Feb 7th)
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Disco’s Revenge 2024 - Movies (Feb 7th)
The Coddling of the American Mind 2024 - Movies (Feb 6th)
Death Without Mercy 2024 - Movies (Feb 6th)
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Mafia Wars 2024 - Movies (Feb 5th)
Love Hurts 2025 - Movies (Feb 5th)
Cinderellas Revenge 2024 - Movies (Feb 5th)
Gangland Chronicles - (Oct 1st)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
On Patrol- Live - (Feb 9th)
New York Homicide - (Feb 9th)
Michael McIntyres Big Show - (Feb 9th)
Love Island- All Stars - (Feb 8th)
The 1 Club - (Feb 8th)
The Masked Singer - (Feb 8th)
Irelands Fittest Family - (Feb 8th)
Match of the Day - (Feb 9th)
Yellowstone to Yosemite with Kevin Costner - (Feb 9th)
The Sunday Show with Jonathan Capehart - (Feb 9th)
The Beat with Ari Melber - (Feb 8th)
Sarah Beenys New Life in the Country - (Feb 8th)
The Masked Singer- AfterMask - (Feb 8th)
Solo Leveling - (Feb 8th)
Alex Witt Reports - (Feb 8th)
James Martins Saturday Morning - (Feb 8th)
Marketplace - (Feb 8th)
A bleak and somewhat beautiful piece, “Handling the Undead” had my curiosity the moment it was announced. The first act was great though, with a haunting and mesmerizing score, which is consistent throughout the film. The ending is BIZARRE though, and is haunting as well. Unfortunately, it drags throughout the middle, and the protagonists act about as human as the zombies. Have no idea how they managed to waste Renate.
Given how much I enjoyed Let the Right one In, I had high hopes for Norwegian production, Handling the Undead. Hopes that were slowly eroded, over the course of this film. Yes, I could talk about this being haunting and meaningful, on a vague and nebulous level but I wont. In reality, this essentially is a slow burn zombie film with an outcome no different from any other zombie flick. The key departure is this film is maudlin, lacks pace, an underlying meaning and is generally, downright depressing. I could have rated this down further but there is nothing wrong with the quality of the acting, cinematography, etc, its the underlying script, for me, that doesn't work. In summary, whilst Let the Right One in was amazing, I felt this is its antithesis. Without beating around the bush, trying to unearth some hidden meaning, in this reviewers opinion, its simply crummy. My advice, if you like zombie flicks, most are better than this.
Even at four times speed (MX Player won't play faster), it's excruciatingly slow. At least you get a few laughs, because a two-minute shot of an old guy walking looks hilarious in quadruple speed, or a three-minute trumpet solo or weeping session for the camera sounds tear-inducingly funny. I like slow movies with long shots when there's a script and a point to it, but this is just toe-cringingly pathetic and pretentious with zero talent or story to back it up. What a boring clown show. It also looks like poop. 90% of scenes have grays instead of blacks (even a scene where the entire power grid is down, and it's supposed to be pitch dark), and it looks like someone made an analog copy of a copy of a copy, dragged it through mud, and then scanned it. On the upside, it's time for bed, I've been having trouble falling asleep lately, but right now I'm almost nodding off while writing this.
Ex intelligence agent Ki-heon is tasked with safely transporting Seo Bok, the first ever human clone, who holds the secret of eternal life. Several forces try to take control of Seo Bok to serve their own agendas.
Kim Ji-young, an ordinary woman in her 30s, suddenly shows signs of being inhabited by other women from her life, past and present.
A resourceful 12-year-old, who secretly lives alone in her flat in a working-class suburb of London, makes money stealing bikes with her best friend Ali and keeps the social workers off her back by pretending to live with an uncle. But when her estranged father turns up out of the blue, she's forced to confront reality.
On the streets of a damp metropolis lie the corpses of hundreds and hundreds of boys and girls. No one can give them a resting place because of a law enacted by a repressive State. But the young Antigone, with the help of a foreigner, Tiresias, violates this rule in the name of pietas, undermining the established order.
Based on the literary classic by Thomas Hardy. Bathsheba Everdene, attracts three very different suitors: Gabriel Oak, a sheep farmer, captivated by her fetching willfulness; Frank Troy, a handsome and reckless Sergeant; and William Boldwood, a prosperous and mature bachelor. This timeless story of Bathsheba's choices and passions explores the nature of relationships and love – as well as the human ability to overcome hardships through resilience and perseverance.
Bank manager Frank and writer Patrizia meet by coincidence again and again at the airport. They commute between Dusseldorf and Paris, but behind their travels are two fateful stories. Frank wants to complete the business of his life, Patrizia visits her lover, who is in a coma since a car accident. For both life comes out of joint and they each suffer heavy losses. What connects them is the search for hold, a listener, the need to be needed and the hope that there is a beginning in each end.
A young woman, living with her parents and siblings on a remote farm in harsh, picturesque northern Québec, has three suitors: a steady and unimaginative farmer, Eutrope, the Americanized and wealthy Lorenzo, who has sought his fortune in Boston, and François Paradis, a rough and virile logger who captures her heart despite the warnings of her parents and the village priest. For a year, marked by seasonal change in an atmosphere charged with the strangeness of Indians and the demons of the woods, we see Maria at work and prayer, struggling with decisions, choosing to stay in Canada, in love with François, seeking to change his rough behaviors, and dealing with extraordinary loss.
Nola grew up living on a van with her father, Clint; two nomads against the world. When tragedy strikes, Nola must confront the reality of life on the road alone, learning to own her grief, her past and her new destination.
Giorgi is 16 years old when he discovers another world through American films forbidden in all Soviet Union until then. Since the post-revolutionary chaos in his home town, Tbilisi, Giorgi has wanted to have succeeded by following the path of his idols: Tony Montana and Vito Corleone. He has almost reached his goal when he is confronted with a dilemma; how can he stop his little brother who is 12 years old to follow his path when he could become a famous pianist? All this in a world that only knows chaos.
Alma returns to Mexico seeking the man who caused the loss of her childhood home. He is not easily found, but the road to him brings her closer to her late father, and the secrets he took with him to his grave.