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Rocketeer is directed by Joe Johnston and co-written by Danny Bilson, Paul De Meo and William Dear. It is based on Dave Stevens' comic book The Rocketeer. It stars Billy Campbell, Jennifer Connelly, Alan Arkin, Timothy Dalton and Paul Sorvino. Music is scored by James Horner and cinematography by Hiro Narita. It took eight years to get to the screen, with many rewrites, changes in personal, changes in setting and etc, the only thing consistent was Disney's inconsistency. Once out the film received generally positive reviews but posted only a small profit, in the wake of a Tim Burton inspired reinvention of the Super Hero genre, Rocketeer fell away into cultdom, sequels planned were shelved and its reputation remains to this day one of being a misfire. Unfair say I! Rocketeer is a lovingly crafted adventure film, nodding towards the serials of the 1930s, it's awash with period Hollywood delights, Art Deco imagery, has a damsel in distress, square jawed heroics, Nazi villains, wonderful effects and a blunderbuss Zeppelin finale. Backed by beautiful smooth tone photography and an evocative heart stirring music score, it's a family friendly blockbuster that ticks all the requisite boxes. The quality of the action sequences still hold up today, and Johnston, who wanted the job big time, directs with a knowing grasp of the setting, and crucially he never once loses a grip on tone and pacing. There's no self parody here, no deep Fruedian dissection of the main character, just a honest to goodness good against bad axis, with a romantic cause deftly wafted over proceedings. The role of Cliff Secord (Rocketeer) proved hard to cast, where Vincent D'Onofrio turned it down and "name" actors such as Dennis Quaid, Emilio Estevez, Kurt Russell and Bill Paxton auditioned for the part. Paxton, it's believed, was very close to getting it as well. Disney wanted an A list man, Johnny Depp and Kevin Costner were mooted, but Johnston had a feel for unknown Billy Campbell and managed to convince nervous Disney heads that he was perfect. Much of the scorn that has flown towards Rocketeer has landed at Campbell's door, again, this is unfair. It's hard to tell if one of those A list actors could have made the character work better, for it helps in this instance to not have a familiar face propelling the adventure. There's an innocence, an awkwardness to Campbell's portrayal that just sits right for a guy stumbling upon a rocket pack and finding himself submerged in a chase and harry battle against bad. He also has the looks, a handsome dude who creates a homespun based chemistry with the sensuous Connelly. It's Dalton's movie, though, he's having a devil of a time as the chief villain. Modeled on Errol Flynn and the spurious notion that he was once a Nazi spy, Dalton has the looks, the gusto, the moustache twirling shiftiness and a voice perfect for such material. A roll call of great character actors fill out the support slots, with Terry O'Quinn, Paul Sorvino and Ed Lauter particularly striking the right chords. A smashing piece of escapism, no pretensions or ideas above its station. The willingness to tap into the basic premise of a comic book actioner and entertain in grand Hollywood terms, to be applauded. And I do, and I do love it so. 8/10
Very much enjoyable, this. 'The Rocketeer' exceeded my expectations in truth, I wasn't expecting much given the opening few minutes. However, thankfully, it ends up producing an entertaining 108 minutes. Cool superhero, great score and a likeable cast list. The premise is properly bonkers, especially towards the end, but they make it work and deserve credit for doing so. There are numerous recognisable faces onscreen, all of the main talent give good performances. Billy Campbell plays the lead role, Cliff. I've (relatively) recently become aware of him via television's 'Cardinal' - which is outstanding btw, check it out if you can - and loved him in that, he's also very good in this. Jennifer Connelly (Jenny) and Alan Arkin (Peabody) are also involved, as are Paul Sorvino (Eddie) and Timothy Dalton (Neville). I enjoyed Dalton, he portrays his role very well. The pacing is solid, thanks also to the noteworthy action and James Horner's score. All in all, this is a film I would definitely recommend; it's certainly nearer the top than the bottom of Disney's live-action offerings up until 1991.
Billy Campbell was actually extremely believable in this and, honestly, I don't think that they could have found anyone better to play the evil Nazi Erroll Flynn styled actor than James Bond's Timothy Dalton. But, also, I always kind of feel that Campbell has gotten the short end of the acting stick. In all honesty, it's really a horribly fin superhero movie, right down to that amazing retro 1930s serial feel. The entire thing was great and warranted far more fan fare than it received.
I hadn't seen this for over 15 years but as soon as the opening bars from James Horner's score hit my ears it all started to come back to me. This is a stylish adventure story that amalgamates lots of different themes from 1920s America - gangsters, aviation pioneering and a love story into a tale of good v evil and innovative science; we even have some Nazis! Bill Campbell is largely there for his looks, it has to be said - but as our daredevil hero "Cliff" he does inject some fun into the proceedings. He stumbles upon a rocket suit designed by Howard Hughes and decides to master it and put it to good use. Meantime, a comically menacing Timothy Dalton ("Neville Sinclair") is a British Hollywood actor who shamelessly rips off Errol Flynn movies (amongst others) and is prepared to pay some hoodlums handsomely if they can procure the gadget for him. From here on in, it's becomes a good family cat 'n mouser. Nothing onerous or unpredictable with the script; some decent special effects and classy aerobatics - as well as a nice character performance from Alan Arkin keep this all rolling along nicely.
A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.
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In the years before the Second World War, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children, and brings a new love of life and music into the home.
Set in 1955, French secret agent Hubert Bonisseur de La Bath/OSS 117 is sent to Cairo to investigate the disappearance of his best friend and fellow spy Jack Jefferson, only to stumble into a web of international intrigue.
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A gang of thugs devise a cruel hoax that goes horribly wrong as Melvin, a nerdy emaciated janitor at the local health club, is cast through a third story window into a vat of hazardous toxic waste.
Max Manus is a Norwegian 2008 biographic war film based on the real events of the life of resistance fighter Max Manus (1914–96), after his contribution in the Winter War against the Soviet Union. The story follows Manus through the outbreak of World War II in Norway until peacetime in 1945.
After she is killed in a wave of small town hysteria, Mercy Hawkins is resurrected by a mysterious healer who gives her the power to seek justice against her attackers.
A down and out young punk gets a job working with a seasoned repo man, but what awaits him in his new career is a series of outlandish adventures revolving around aliens, the CIA, and a most wanted '64 Chevy.
A chronicle of Bruce Wayne's establishment and progression into Gotham City’s legendary caped crusader through 6 standalone episodes.