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Good watch, could watch again, but it's hard to honestly recommend. This is one of those movies that is good because it is bad, whether or not that is done on purpose, for the purposes of parody. Otherwise it's just a good old jump in "The Way Back Machine" to see a litany of cameos or cheap parts by almost anyone who was famous in the mid-1990s. Though I do feel like most of the actors I liked were essentially wasted, but it is possible that was by design so the Martians could keep the focus for the majority of the movie. Rethinking on the movie almost makes me want a modernization, it has so many little quirks and nuances that really brings it to a special experience. Even if you think it looks terrible, throw this on your queque and slot it in for a Bad Movie Night.
**A film full of black humor, and for that very reason difficult to digest for many people.** Black humor is doomed to be understood by very few, and this film, which is drenched in black humor from beginning to end, paid the price, becoming a minor failure. I believe that, even today, it is one of the less well-appreciated films of director Tim Burton's career, who made films considerably worse than this one. The action takes place in the 90s and portrays a hostile Martian invasion of our planet. The US government (obviously, the other countries have virtually disappeared from the map and only France is mentioned lightly to show the total destruction of the country) is understandably tense: there are military personnel sexually aroused by the idea of using nuclear weapons against the invaders, there are scientists absolutely convinced that Martian technological superiority is reason enough to believe strongly in the good intentions of the visitors, there are politicians worried about the elections. Of course, when it comes time to showdown, the visitors get the upper hand. Perhaps the best thing about this film is the strength and talent of its cast, filled with good actors who wanted to work under Burton's guidance. Jack Nicholson stands out naturally in the role of the president and does an interesting job, being well assisted by a discreet Glenn Close and a young Natalie Portman. Lisa Marie plays an unforgettable role where she doesn't have to say a single word, while Danny DeVito seems to revisit some previous characters to do his job here, which is little (but it's also true that he wasn't given much to do) . Tom Jones makes an interesting appearance. Pierce Brosnan looks like he's having fun while parodying himself. We also have good contributions from Sarah Jessica Parker, Annette Bening, Martin Short, Michael J. Fox, Rod Steiger and Jack Black. Besides, the film is a gigantic satire on the sci-fi B cinema of the 50s and 60s, where it was common to see martian invaders and visitors. The cinematography is colorful, light, and the environment is light, funny. You can feel that the film doesn't take itself too seriously and doesn't want to be taken too seriously. So it works reasonably well, at least for those who accept dark humor well.
Stuck on the side of the road on their way to a social distance party, two contact-starved millennials try not to connect on an intimate level in this Reform Jewish absurd comedy about grief, changing plans, and the lengths we'll go to avoid direct communication with the people we love.
Albert Steptoe and his son Harold are rag-and-bone men, complete with horse and cart to tour the neighbourhood. They also live together at the junk yard. Harold, who likes the bright lights in the West End of London, meets a stripper, marries her and takes her home. Albert is furious and tries every trick he knows to drive the new bride from his household.
Since Bill died in 1993, his work has reached a new audience and he has become a powerful cult figure. The DVD captures Bill at his very best, with three of his legendary filmed performances: "One Night Stand" - the Old Vic Theatre in Chicago (30 min) "Revelations" - the Dominion Theatre in London (65 min) "Relentless" - Bill’s breakout performance at the Montreal Comedy Festival (70 min)
A Greek warrior must travel to the Underworld and battle killer hellhounds in order to rescue his murdered bride from the clutches of Hades.
It's a slow news day, but slow news is good news, unless you're Gareth Danger; hapless owner of a doomed waxworks museum, due to be closed for being a fire hazard. Live at the scene is mercurial reporter, Malcolm Please, intrepidly bringing the events of the day into your eyes and ears. Nobody could report on a story so momentous with the same heart-wrenching pathos. Well, not with the ability to wrap up just in time for the weather.
In this remake of the classic 1950s sci-fi tale, a boy tries to stop an invasion of his town by aliens who take over the the minds of his parents, his least-liked schoolteacher and other townspeople. With the aid of the school nurse the boy enlists the aid of the U.S. Marines.
DJ kahkoh got a sponsor for a new music video and is looking for friendly donations but his sponsor has other things in his mind.
A modern couple from a typical advertisement: young, attractive, and brand-conscious. As they use the products on their breakfast table they begin to quote lines from the relevant advertisemnet. Soon their behavior departs from the accepted advertising norm as they zealously defend each other´s products to the death.
Two estranged adopted sisters are forced together by their mother's sudden death: Beatrice, an autistic Chinese high school senior who wants to learn to fly, and Talia, a queer black musician who never wanted custody of Beatrice in the first place. Starring the autistic actress the story is based on, the film blurs narrative and documentary styles and showcases a unique and underrepresented perspective on death and grief.
An alien spacecraft lands near New York and destroys everything as it heads toward Washington D.C. If it reaches the capital, it will trigger an invasion. Scientists and the military must stop it before it's too late.