High Forces 2024 - Movies (Oct 27th)
Thirst 2023 - Movies (Oct 27th)
LOUDER The Soundtrack of Change 2024 - Movies (Oct 27th)
Conclave 2024 - Movies (Oct 27th)
Hangdog 2023 - Movies (Oct 27th)
This Time Each Year 2024 - Movies (Oct 26th)
For Prophet 2024 - Movies (Oct 26th)
Cuckoo 2024 - Movies (Oct 26th)
Slingshot 2024 - Movies (Oct 26th)
In a Violent Nature 2024 - Movies (Oct 26th)
10 Lives 2024 - Movies (Oct 25th)
Keanu Reeves The One and Only 2024 - Movies (Oct 25th)
Venom The Last Dance 2024 - Movies (Oct 25th)
Bad Behaviour 2023 - Movies (Oct 25th)
Move Like a Boss 2024 - Movies (Oct 25th)
The Remarkable Life of Ibelin 2024 - Movies (Oct 25th)
Hijack ’93 2024 - Movies (Oct 25th)
Dont Move 2024 - Movies (Oct 25th)
Spirit in the Blood 2024 - Movies (Oct 25th)
Road Diary Bruce Springsteen and The E Street Band 2024 - Movies (Oct 25th)
Frankie Freako 2024 - Movies (Oct 25th)
On Patrol- Live - (Oct 27th)
Lioness - (Oct 27th)
Great British Home Restoration - (Oct 27th)
Saturday Kitchen Live - (Oct 27th)
House Hunters Renovation - (Oct 27th)
The Fifth Estate - (Oct 27th)
FROM - (Oct 27th)
Have I Got a Bit More News for You - (Oct 27th)
Later... with Jools Holland - (Oct 27th)
The Sunday Show with Jonathan Capehart - (Oct 27th)
The Good Stuff with Mary Berg - (Oct 27th)
Marketplace - (Oct 27th)
The View - (Oct 27th)
Spicks and Specks - (Oct 27th)
The Beat with Ari Melber - (Oct 27th)
The Voice UK - (Oct 27th)
The Kelly Clarkson Show - (Oct 26th)
Lucky - (Oct 26th)
Alex Witt Reports - (Oct 26th)
20/20 - (Oct 26th)
Good watch, could watch again, but it's hard to honestly recommend. This is one of those movies that is good because it is bad, whether or not that is done on purpose, for the purposes of parody. Otherwise it's just a good old jump in "The Way Back Machine" to see a litany of cameos or cheap parts by almost anyone who was famous in the mid-1990s. Though I do feel like most of the actors I liked were essentially wasted, but it is possible that was by design so the Martians could keep the focus for the majority of the movie. Rethinking on the movie almost makes me want a modernization, it has so many little quirks and nuances that really brings it to a special experience. Even if you think it looks terrible, throw this on your queque and slot it in for a Bad Movie Night.
**A film full of black humor, and for that very reason difficult to digest for many people.** Black humor is doomed to be understood by very few, and this film, which is drenched in black humor from beginning to end, paid the price, becoming a minor failure. I believe that, even today, it is one of the less well-appreciated films of director Tim Burton's career, who made films considerably worse than this one. The action takes place in the 90s and portrays a hostile Martian invasion of our planet. The US government (obviously, the other countries have virtually disappeared from the map and only France is mentioned lightly to show the total destruction of the country) is understandably tense: there are military personnel sexually aroused by the idea of using nuclear weapons against the invaders, there are scientists absolutely convinced that Martian technological superiority is reason enough to believe strongly in the good intentions of the visitors, there are politicians worried about the elections. Of course, when it comes time to showdown, the visitors get the upper hand. Perhaps the best thing about this film is the strength and talent of its cast, filled with good actors who wanted to work under Burton's guidance. Jack Nicholson stands out naturally in the role of the president and does an interesting job, being well assisted by a discreet Glenn Close and a young Natalie Portman. Lisa Marie plays an unforgettable role where she doesn't have to say a single word, while Danny DeVito seems to revisit some previous characters to do his job here, which is little (but it's also true that he wasn't given much to do) . Tom Jones makes an interesting appearance. Pierce Brosnan looks like he's having fun while parodying himself. We also have good contributions from Sarah Jessica Parker, Annette Bening, Martin Short, Michael J. Fox, Rod Steiger and Jack Black. Besides, the film is a gigantic satire on the sci-fi B cinema of the 50s and 60s, where it was common to see martian invaders and visitors. The cinematography is colorful, light, and the environment is light, funny. You can feel that the film doesn't take itself too seriously and doesn't want to be taken too seriously. So it works reasonably well, at least for those who accept dark humor well.
George and Jane Jetson scold Elroy for his terrible behavior, hi-jinks ensue.
In comedian Johnny Ray Gill's parody of the Universal horror flick, actor Daniel Rubiano has to face the music when he reports to work the next morning.
A mysterious magnetic spool found during a construction project is discovered to have originated from Venus. A rocket expedition to Venus is launched to discover the origin of the spool and the race that created it.
After a team of surgeons botches his beloved wife's operation, the distraught Dr. Phibes unleashes a score of Old-Testament atrocities on his enemies.
20 years after a set of events, the Time Enforcement Commission (TEC), is still going strong. Now Brandon Miller a TEC operative, believes that they have a responsibility to change history hoping that the world will be better but Ryan Chan another Tec operative stops him but kills the woman he loves in the process.
Unperturbed by the disastrous outcome of his previous meddling with the dead, Dr. West continues his research into the phenomenon of re-animation; only this time, he plans to create life – starting with the heart of his young protégé Dan's dearly deceased Meg Halsey.
Vaalvi is a dark comedy that explores the profound human nature involving selfishness, apathy and self-preservation.
When Earth astronaut Capt. Chuck Baker arrives on Planet 51 - a world reminiscent of American suburbia circa 1950 - he tries to avoid capture, recover his spaceship and make it home safely, all with the help of an empathetic little green being.
Blane is a bodybuilder who happens to get turned on when his dominatrix empties his wallet and loves to be called a little bitch; he's a pay pig.
Lemmy Caution has been assigned by Interpol to work as a double agent. Little does he know how many spies are on to this deception and how dangerous his assignment has become.
In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.