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Good watch, could watch again, but it's hard to honestly recommend. This is one of those movies that is good because it is bad, whether or not that is done on purpose, for the purposes of parody. Otherwise it's just a good old jump in "The Way Back Machine" to see a litany of cameos or cheap parts by almost anyone who was famous in the mid-1990s. Though I do feel like most of the actors I liked were essentially wasted, but it is possible that was by design so the Martians could keep the focus for the majority of the movie. Rethinking on the movie almost makes me want a modernization, it has so many little quirks and nuances that really brings it to a special experience. Even if you think it looks terrible, throw this on your queque and slot it in for a Bad Movie Night.
**A film full of black humor, and for that very reason difficult to digest for many people.** Black humor is doomed to be understood by very few, and this film, which is drenched in black humor from beginning to end, paid the price, becoming a minor failure. I believe that, even today, it is one of the less well-appreciated films of director Tim Burton's career, who made films considerably worse than this one. The action takes place in the 90s and portrays a hostile Martian invasion of our planet. The US government (obviously, the other countries have virtually disappeared from the map and only France is mentioned lightly to show the total destruction of the country) is understandably tense: there are military personnel sexually aroused by the idea of using nuclear weapons against the invaders, there are scientists absolutely convinced that Martian technological superiority is reason enough to believe strongly in the good intentions of the visitors, there are politicians worried about the elections. Of course, when it comes time to showdown, the visitors get the upper hand. Perhaps the best thing about this film is the strength and talent of its cast, filled with good actors who wanted to work under Burton's guidance. Jack Nicholson stands out naturally in the role of the president and does an interesting job, being well assisted by a discreet Glenn Close and a young Natalie Portman. Lisa Marie plays an unforgettable role where she doesn't have to say a single word, while Danny DeVito seems to revisit some previous characters to do his job here, which is little (but it's also true that he wasn't given much to do) . Tom Jones makes an interesting appearance. Pierce Brosnan looks like he's having fun while parodying himself. We also have good contributions from Sarah Jessica Parker, Annette Bening, Martin Short, Michael J. Fox, Rod Steiger and Jack Black. Besides, the film is a gigantic satire on the sci-fi B cinema of the 50s and 60s, where it was common to see martian invaders and visitors. The cinematography is colorful, light, and the environment is light, funny. You can feel that the film doesn't take itself too seriously and doesn't want to be taken too seriously. So it works reasonably well, at least for those who accept dark humor well.
A fancy garden party turns into upper class prey when a colony of killer wasps mutates into seven foot tall predators.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.
Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
In a world in which Great Britain has become a fascist state, a masked vigilante known only as “V” conducts guerrilla warfare against the oppressive British government. When V rescues a young woman from the secret police, he finds in her an ally with whom he can continue his fight to free the people of Britain.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
Beatriz, an immigrant from a poor town in Mexico, has drawn on her innate kindness to build a career as a health practitioner. Doug Strutt is a cutthroat, self-satisfied billionaire. When these two opposites meet at a dinner party, their worlds collide, and neither will ever be the same.
In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.
In the near future, a virus has infected everyone on the planet, and Absolon is a drug that everyone must take to stay alive. One corporation controls the drug. Murchison is the leader of this firm. A scientist who was researching the virus is found murdered, and Norman Scott is the policeman who investigates the crime.