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Hasn't aged flawlessly, made some stylistic decisions that probably would have come across as weird even at the time, and not the sort of thing (American comedy) that typically appeals to me. But I can still absolutely see why _Coming to America_ is remembered as fondly as it is. I liked it by and large more than the most similar offerings of today. _Final rating:★★½ - Not quite for me, but I definitely get the appeal._
I didn't enjoy it as much as expected, but 'Coming to America' is nevertheless still good. Eddie Murphy is unsurprisingly the star of the film. Any notable scenes include him, which isn't a shock given the obvious and the fact he plays a number of characters; on that note, only Akeem amused me - the barber shop guys... not so much, to be honest. James Earl Jones (Jaffe), John Amos (Cleo) and Frankie Faison (landlord) are the most noteworthy in terms of those away from the lead, while there is even an appearance from someone named Samuel L. Jackson - what ever happened to that guy?! I wanted/anticipated much stronger humour, if only due to Murphy's presence. I can't say I laughed that much, which is disappointing. The romance parts are probably more memorable to me, even if it's kinda familiar in those regards. With all that said, I can see why loads thoroughly enjoy this - it just didn't fully land on me, personally. Still worth viewing and I'm very much up to see the sequel.
_**My all-time favorite comedy**_ In "Coming to America" (1988) Eddie Murphy plays the likable prince of a rich African kingdom, Akeem. He comes to Queens to find his future queen accompanied by his best friend & servant, Semmi, played by Arsenio Hall. He understandably wants a wife who will love him for who he is and not for his great riches. So they get hired at McDowell's, a McDonald's knock-off, where he meets the shining daughter of the owner (Shari Headley). Is she the one? Will she find a fast-food mop boy appealing enough to marry? As noted in my title blurb, "Coming to America" is my all-time favorite comedy. Why? Simply because it's a laugh-riot from beginning to end. The first time I saw it was on TV in 2000 and I couldn't stop laughing; I saw it again last night (after purchasing it) and it had the same effect. Everything works here -- the characters, the jokes, the story -- to make "Coming to America" one of the greatest comedies ever made. GRADE: A+
Really good watch, would watch again, and can recommend. A very good approach to a "Pauper and Prince" trope mix with a culture shock trope. The excellent cast involved really takes it a long way with good writing to help it along. It's admittedly not a very original story structure, so while it is not all that refreshingly unpredictable, but it's good to see a foreign royalty in an American setting, and an African one at that. I do think this is consistently funny and has maintained over 30 years, so definitely check this out if you haven't.
_Coming to America_ is a classic 80's comedy with excellent performances by Eddie Murphy and Arsenio Hall. The film's humor holds up well over time, and the duo's ability to portray a variety of different characters is impressive. While some aspects of the film may be dated, it remains a hilarious and heartwarming story about love and acceptance. Overall, _Coming to America_ is a timeless classic and one of the greatest comedies of the 80’s. I would highly recommend it to anyone looking for a good laugh.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.
In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.
Charles Duchemin, a well-known gourmet and publisher of a famous restaurant guide, is waging a war against fast food entrepreneur Tri- catel to save the French art of cooking. After having agreed to appear on a talk show to show his skills in naming food and wine by taste, he is confronted with two disasters: his son wants to become a clown rather than a restaurant tester and he, the famous Charles Duchemin, has lost his taste!
Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.
A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.
Young sweethearts Billy and Kate move to the Big Apple, land jobs in a high-tech office park and soon reunite with the friendly and lovable Gizmo. But a series of accidents creates a whole new generation of Gremlins. The situation worsens when the devilish green creatures invade a top-secret laboratory and develop genetically altered powers, making them even harder to destroy!
After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop the nuclear strike.