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Accused - (Apr 23rd)
Inside the Force - (Apr 23rd)
NCIS - (Apr 23rd)
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Having seen this four or five times now since I was a kid, I can definitively say this is the best Woody Allen introduction for newcomers. Visually it's his best work (for those who don't know, the cinematographer Gordon Willis did The Godfather Parts 1 & 2 earlier the same decade, so it's no surprise). Not as insightful or engrossing as Hannah or Misdemeanors, but the writing's up there. Mariel Hemingway's a crown jewel and tears me apart. If you're a newbie and can watch this before Annie Hall I highly recommend it. It's aged much better and is _the_ Woody Allen litmus test
**In the shadow of “Annie Hall”.** I decided to watch this film last week, after the visit that Woody Allen himself made to my country, with his jazz band and an interesting lecture at the National Cinematheque for invitations only. Despite having seen several of the director's films and not even considering him bad, he always seemed overvalued to me. He won the Oscar for Best Director and was nominated for the award a few times, but after “Annie Hall” he seems to have made several films using the same premise and based, exclusively, on couples with problems. After seeing “Annie Hall”, I found it difficult to watch this film without feeling that Allen was plagiarizing himself and using the same formula to try to achieve the same success. For the intended purpose, it was a success, and it is difficult to find a professional critic who would say that “Manhattan” is poor, a chewed-up copy of a good film that earned Woody Allen the golden statuette. But that's what I feel, and professional critics and Allen fans forgive me, if they can. In the film, Allen almost seems to play himself, in a similar way to what we saw in “Annie Hall” and which also includes, as usual, unorthodox humor and an apparent pleasure in talking about sex. Diane Keaton does a very well done job and is, by far, the best actress here, but even that ends up not being a complete justification for seeing this film instead of others, much better, by the same director. The auxiliary actors don't help much: they want to appear and be part of the project, and that seems to be enough for them. Technically, the film has some points of value: considering this director's musical ear, it doesn't surprise me that the soundtrack is one of the points where Allen wanted to leave a mark of personal taste. And since he is a born New Yorker, it is clear that the film is a labor of love in which we see the affection that Allen has for his homeland, which he is prevented from visiting due to legal issues. Manhattan was lovingly treated, appearing in all its mythical and fascinating splendor, and George Gershwin's music could not be better chosen and more pleasant. All the editing works very well, even if the film is a little slow. There's only one thing I don't understand: why did Allen decide to film in black and white and with so much grain? The question remains unanswered.
Louise loved Adam. Adam loved Louise. That is how it used to be. But a child has disappeared. Their child. The police said it was a drowning accident. Yet the truth is that their little boy’s body was never found. Lucas, ten years old. How easy it all would have been if the ocean had taken the trouble to throw up a little-swollen child’s corpse onto the beach. Or if a local with alcohol in his blood and blood on his hands had ploughed him down at full speed. An indescribable pain. No more living, no more happiness, but at least no unanswered questions. Unfortunately, that is not how it is for Adam and Louise.
Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
After leaving jail, Víctor is still in love with Elena. But, she's married to the former cop-now basketball player-who became paralyzed by a shot from Víctor's gun.
Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.
Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.
In order to help bring Nazis to justice, U.S. government agent T.R. Devlin recruits Alicia Huberman, the American daughter of a convicted German war criminal, as a spy. As they begin to fall for one another, Alicia is instructed to win the affections of Alexander Sebastian, a Nazi hiding out in Brazil. When Sebastian becomes serious about his relationship with Alicia, the stakes get higher, and Devlin must watch her slip further undercover.
Bruce Nolan toils as a "human interest" television reporter in Buffalo, NY, but despite his high ratings and the love of his beautiful girlfriend, Bruce remains unfulfilled. At the end of the worst day in his life, he angrily ridicules God - and the Almighty responds, endowing Bruce with all of His divine powers.