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**_The Fisher / Buttafuoco story with winsome Drew Barrymore as Amy_** Based on the infamous true story that caused media hysteria in the 90s, a 16 years-old girl (Barrymore) from Long Island foolishly enters into a relationship with a 35 years-old married man, Joey Buttafuoco (Tony Denison), just a few miles from Jones Beach. A year later she confronts his wife at her doorstep (Laurie Paton), shooting her in the side of the head. “The Amy Fisher Story” was released by ABC on January 3, 1993, just 7.5 months after the shooting. The CBS version was simultaneously aired while the NBC rendition beat both by six days, airing at the end of 1992. Let’s compare the three: The NBC version, “Amy Fisher: My Story,” aka “Lethal Lolita,” sticks to the bare facts with Amy narrating her experience from a jail cell. While it starts off too by-the-numbers, it becomes compelling in the second half with an outstanding depiction of the front door confrontation between Amy and Mary Jo. It features actors who most resemble their real-life counterparts. Moreover, arrogant Joey’s reasoning to justify his unfaithful actions are superbly presented. The CBS interpretation, “Casualties of Love: The Long Island Lolita Story,” features Alyssa Milano in the role of Amy, but supports the Buttafuoco fiction that Joey never had sex with her, which he later admitted was false in light of the glaring evidence (e.g. motel receipts). As such, “Casualties of Love” depicts Joe as an irresistible stud who’s curiously stalked by an attractive girl that imagined their relationship, resulting in the shooting of Mary Jo. This version by ABC has the star power of Drew Barrymore in the title role, only 17 years-old during filming. It’s based on the chronicling of New York Post writer Amy Pagnozzi (Harley Jane Kozak). Like “Amy Fisher: My Story,” aka “Lethal Lolita,” I didn’t get the feeling that this version was unbalanced. Fisher’s flaws and foolishness are plainly revealed. A semi-abusive relationship with her father and sexual abuse by an unnamed relative are hinted at as reasons for why she made such bad decisions. No matter how you slice it, the near fatal shooting that scarred Mary Jo for life, split up two marriages and shattered two families by putting them through hell on earth can be traced to egotistical Joey’s unwise seduction of an underaged girl and ongoing sexual relationship. This version starts as a compelling coming-age-drama due to Drew’s charisma & beauty and reveals more details about Amy’s situation before meeting Joey. Unfortunately, it bogs down into mechanical storytelling by the second half with a way less effective depiction of the critical confrontation between Amy and Mary jo compared to “Amy Fisher: My Story,” aka “Lethal Lolita.” The latter movie is the exact opposite: It starts weak but ends strong. If you’re interested in the story and don’t mind television productions, it's best to view both versions since each have their strengths & weaknesses. Disregard the more fictional version with Alyssa Milano unless, of course, you’re an uber-fan of Ms. Milano. The film runs 1 hours, 36 minutes, and was shot in Vancouver, British Columbia. GRADE: C+
Lucien, a modest engineering student, discovers that his steady girl friend Mireille is using him to cover up her dates with Mario, an older man. Lucien wanders about the streets of Paris and meets Joëlle, a sophisticated teenager who supports herself with a job in a sleazy nightclub. It is late when they meet, and Joëlle invites Lucien into the club and demonstrates her stripping act to her one-man audience. A feeling of rapport develops as they go from place to place seeking entertainment; in the morning the two discover they have fallen in love. Mireille learns of the romance and, on a bet, plots with Philippe and other friends to break up the affair. Neither Lucien nor Joëlle, however, succumbs to the propositions of Mireille and Philippe. Later at a nightclub, Mario gives the appearance of seducing Joëlle. Enraged, Lucien rushes at him and they fight. Lucien is reunited with Joëlle-he has learned of the complexities of love, and she has acquired from him a sense of stability.
Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
Two couple of friends, one very rich, the other almost homeless, decide to go on Holiday. Julie, a single mother, joins them too. Once at seaside, it starts a complicate love cross among them that will involve also a transsexual, a jealous brother, a Latin Lover and another nervous stressed couple. Not to mention about the daughter of one of them that is secretly in Chicago with one of her father's employees... At the end of the summer, all of them will join the same party...
A seductive teen befriends an introverted high school student and schemes her way into the lives of her wealthy family.
A young woman seduces an older man and reveals her sinister intentions over a dinner date.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
A mystery novelist devises an insurance scam with his wife's lover – but things aren't exactly as they seem.
A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband.
Helmut and Sabine Halm have always managed vacations of lazy privacy at their favorite retreat on Germany′s Lake Constance. So when the energetic, handsome Klaus Buch turns up with his beautiful girlfriend Helene, Helmut is quite ready to dismiss this dimly familiar acquaintance. But Klaus is overjoyed to recognize his old schoolmate Helmut, eager to recall every incident of their shared time, and to display every detail of this successful lifestyle as a fit sportsman and author. The precious days of privacy give way to an unwanted and awkward intimacy, as the Buchs and the Halms hike, dine and sail together. Their joint activities aggravate myriad psychological tensions among the four characters, which are all the more intensely ironic for their peaceful veneer and which must eventually erupt.
Juliette Hardy is sexual dynamite, and has the men of a French coastal town panting. But Antoine, the only man who affects her likewise, wouldn't dream of settling down with a woman his friends consider the town tramp.