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**_A luscious Lolita takes over the family..._** ...that's the basic plot of 1992's "Poison Ivy" starring Drew Barrymore in the titular role. The movie comes from a long tradition of films about an alluring babysitter (or nanny or friend) taking control of the family by winning the hearts of the kids and seducing the husband. "The Babysitter" (1980) and "Summer Girl" (1983) are two examples, both TV flicks (available on youtube). In "Poison Ivy" Drew, as Ivy, plays a friend of the awkward misfit Sylvie (Sara Gilbert). Tom Skerritt plays the aloof husband and Cheryl Ladd the withering (but still beautiful) mother. "Poison Ivy" is more stylized than the aforementioned examples and technically better due to a much bigger budget. One of its best highlights is its score, which is equal parts haunting, romantic, melancholic and beautiful. Speaking of melancholic, there's an element of sadness to the proceedings because the family is so wealthy -- living on a mansion on a hill in Los Angeles (shot on location) -- but they're so spiritually bereft. It just goes to show that all the financial success and material possessions in the world can't buy happiness and love. Drew was almost 17 during filming and plays the sultry little tamale well, which brings up why people tend to look down on the film -- it's nothing more than a lethal Lolita tale with a slick garnishment and they write it off as trash exploitation. Regardless, it works for what it is; and, after all, does every film have to be "Ghandi"? Besides, "Poison Ivy" and similar films are more than just "trash exploitation." They're commentaries on the power of a woman or, more specifically, the power of a young beautiful female. In the story, Ivy comes from a troubled past but, as a blossoming woman, she realizes the power she wields and seems to bask in it. I was involved with a church for a number of years and the granddaughter of the pastor was aged 17-22 at the time. She wasn't in Drew's league, as far as beauty goes yet she still had power. She would lie about people and spread rumors and, because she was the pastor's granddaughter, some morons would believe her. She started dating a naive relative of mine, who was 19 years her senior, and it was clear that she was just interested in his money. At some point she was able to get his credit card info and bought over $17,000 worth of merchandise without him knowing it until it was too late. She did everything in her power to move into his house, but his aging mother blocked the last attempt at the last minute. His mom said that she could just see the vixen pushing her down the stairs or whatever to get her out of the picture. It was even discovered that the lil' tart tried to buy life insurance on the guy, which was very odd. You can draw your own conclusions. My point is that these lethal Lolitas exist -- young vixens who use their beauty to take control, cause havoc and ruin lives. Trash exploitation or not, it's good fodder for a movie, particularly if it's done stylishly, like "Poison Ivy". The film is short and sweet at 88 minutes with the unrated version running 93 minutes. GRADE: B+
Inspector Nick Cafmeyer seems to have it all - looks, brains and a successful career. But a dark cloud hangs over his life: since the age of nine, he has been haunted by the unsolved disappearance of his younger brother, Bjorn. Plettinckx, a known sex offender, was questioned but quickly released. Plettinckx lives close by and takes fiendish pleasure in harassing Nick. Then, when a disturbing case comes to light involving a missing nine-year-old, Nick heads a massive search which turns into a relentless manhunt.
Two thieves, who travel in elegant circles, try to outsmart each other and, in the process, end up falling in love.
In 1970s Hollywood, Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.
The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.
Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.
An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.
An exploration of the United States of America's war on drugs from multiple perspectives. For the new head of the Office of National Drug Control Policy, the war becomes personal when he discovers his well-educated daughter is abusing cocaine within their comfortable suburban home. In Mexico, a flawed, but noble policeman agrees to testify against a powerful general in league with a cartel, and in San Diego, a drug kingpin's sheltered trophy wife must learn her husband's ruthless business after he is arrested, endangering her luxurious lifestyle.
Frustrated, because he is forced to produce bad TV-shows, a manager of a TV-station, enters the station and manipulates the ratings, to initiate a TV-revolution.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.
Focuses on three very different siblings, all searching for happiness. Hans-Jörg is a sex addicted librarian, who is interested in young students. Werner is a successful politician with a dysfunctional family. Agnes, a trans woman, works as a table dancer in a night club. The three brothers just have one thing in common: their longing for a happy life.