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Wild Fighters - (Jun 4th)
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Nine Perfect Strangers - (Jun 4th)
United Gangs of America - (Jun 4th)
Fatal Destination - (Jun 4th)
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Who was murdered? He was! D.O.A. is directed by Annabel Jankel and Rocky Morton and adapted to screenplay by Charles Edward Pogue from a story by Russell Rouse and Clarence Greene. It stars Dennis Quaid, Meg Ryan, Daniel Stern, Charlotte Rampling, Jane Kaczmarek and Christopher Neame. Music is by Chaz Jankel and cinematography by Yuri Neyman. A loose remake of the 1950 film noir of the same name, the story finds Professor Dexter Cornell (Quaid) staggering into a police station proclaiming that he is dying because someone has poisoned him. Told in flashback by Cornell, we see the events that led up to the point he was poisoned, but not who did it, and then track the frantic Professor as he tries to solve the who done it mystery before he keels over and dies. Not as bad as the poor box office returns suggest it is, D.O.A. is still very much a frustratingly shaky experience. Lifting only the basic idea of the 1950 movie, the makers stamp their own mark on the premise but add too many red herrings to the already fishy stew. Some plot developments are daft, as is the casting of Meg Ryan in the key femme role - seriously she is just too cookie cute and homely for this material - while the motive reveal is a bit much to swallow. Yet there's still a lot to enjoy and sample here for the neo-noir faithful. Visually the picture is stylish and appreciative to its noir roots. Opening in black and white to set the story in motion, Jankel and Morton then infuse the film with angled shots and frame distortions. Shadows often come into play, with Venetian blinds and roof rafters impacting, while the addition of a spiral staircase late in the day is most pleasing. Quaid is ever watchable in what is a tricky role that calls for him to garner sympathy whilst not being likable! While elsewhere Stern and Rampling provide good characterisations, even if as written the roles are too small given the importance the characters have to the plot shenanigans. A bit over cooked on the page, and basically a race against time thriller dressed up in neo-noir clothing, D.O.A. is still none the less worthy of a viewing. 6.5/10
A boy is accidentally locked in a bank vault. With less than 10 hours of oxygen left in the vault, it becomes a race to save the boy.
Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. Dahlia is in the midst of divorce proceedings, and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences—and there is a constant drip from the ceiling in her daughter's bedroom…
When their daughter is abducted by experienced kidnappers, the Jennings turn the tables on their seemingly fool-proof plan.
After a local woman is murdered, a group of teenage liars create a warning e-mail of a serial killer named “The Wolf”, coming on the next full moon. The teens describe each death method The Wolf uses, but when the described victims actually do start turning up dead, suddenly no one knows where the lies end and the truth begins.
A contemporary psychological thriller in which a young British couple travelling through the Australian outback become involved with a mysterious and charismatic American whose motive for imposing his friendship upon them becomes increasingly suspect and sinister.
Iva and Marija, a young lesbian couple, rent an apartment in Zagreb, in a building that seems to provide a quiet and safe environment for their love, but over time the atmosphere in the building becomes more and more threatening. The elder landlady Olga dominates the building. Other tenants include her calm husband, her grown-up son Daniel who has a crush on Iva, the prostitute Lidija, an abused housewife, a widower keeping the corpse of his newly deceased wife, a gynecologist performing abortions in one flat of the house, and an ex-soldier who regularly plays martial music at night. After Olga finds out that Iva and Marija are lesbians, the situation escalates .
The police try to arrest expert hostage negotiator Danny Roman, who insists he's being framed for his partner's murder in what he believes is an elaborate conspiracy. Thinking there's evidence in the Internal Affairs offices that might clear him, he takes everyone in the office hostage and demands that another well-known negotiator be brought in to handle the situation and secretly investigate the conspiracy.
People mysteriously start receiving voicemail messages from their future selves, in the form of the sound of them reacting to their own violent deaths, along with the exact date and time of their future death, listed on the message log. The plot thickens as the surviving characters pursue the answers to this mystery which could save their lives.
A group of unwitting teens are stranded near a strange wax museum and soon must fight to survive and keep from becoming the next exhibit.
A young pathology med student suspects that the spirit of a dead cadaver in the hospital morgue where she works is killing off all those who handle or desecrate the body.
In their blue hotel room, a clandestine couple of two married lovers plan an impossible future, as death shutters their already frail tranquillity. Now, the noose tightens more and more around innocents and sinners; but, was there a crime?