Disclaimer - This is a news site. All the information listed here is to be found on the web elsewhere. We do not host, upload or link to any video, films, media file, live streams etc.
Kodiapps is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content streamed to/from your device.
We are not connected to or in any other way affiliated with Kodi, Team Kodi, or the XBMC Foundation.
We provide no support for third party add-ons installed on your devices, as they do not belong to us.
It is your responsibility to ensure that you comply with all your regional legalities and personal access rights regarding any streams to be found on the web. If in doubt, do not use.
Kodiapps app v7.0 - Available for Android.
You can now add latest scene releases to your collection with Add to Trakt. More features and updates coming to this app real soon.
Tip : Add https://kodiapps.com/rss to your RSS Ticker in System/Appearance/Skin settings to get the very latest Movie & TV Show release info delivered direct to your Kodi Home Screen.
Builders are free to use it for their builds too.
Though the narrative is a little too undercooked here, this film does present us with two characterful performances from Déborah Lukumuena and Le'Shantey Bonsu. The former is "Grace" - a woman who lives in a rundown Glasgow high-rise with her daughter "Ama". Their's is a loving relationship tinged with a little maternal paranoia. "Grace" is forced to work as a cleaner at night and the girl is largely forbidden from leaving the flat - for her own safety - and that, naturally, attracts the attention of the social workers and the school teachers who are concerned for their wellbeing. Things are not helped by a decision to rehouse the family as the demolition men are soon to head to their tower block. When "Ama" befriends a neighbour from her school "Fiona" (a nice effort from Liana Turner), the couple's relationship starts to become severely tested and the two women face the first serious change to the established dynamic of their inter-dependency. The performances do go some way to making this film work, but the absence of context makes it difficult to engage with the story. We don't really know anything about the past that drove them to Scotland. Clearly there has been trauma for "Grace", but again - we know very little about what created that trouble. The direction is also very lethargic. Far too many tracking shots, walking to and fro, almost like director Adura Onashile was paddling out a short story into almost ninety minutes. I also found it to be rather over-scored. The paucity of dialogue does work at times, but the sense of loneliness and fear that generates is all to frequently overpowered by the music. It's an interesting story that is probably illustrative of many families relocated to a strange environment, but I just needed more substance and less meandering images for that to resonate better.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.
The sudden death of her mother brings Myung-eun back home to Jeju island. There she meets her estranged sister Myung-ju and Myung-ju's daughter Seung-ah, still living at their old home, and Hyun-ah who has lived with them for over 20 years like a relative. A career woman whose hard exterior masks her illegitimacy and abandonment issues, Myung-eun tells Hyun-ah she wants to start looking for her father after the funeral. Single-minded in her desire to dig up memories of her father and discover why he left, Myung-eun resents that Myung-ju, who like their mother is a carefree fish trader and an unmarried mother of a young daughter, seemingly doesn't care. At first Myung-ju is reluctant to accompany Myung-eun, but after Hyun-ah persuades her, guilt and her sense of duty as an older sibling prevails. And so the two sisters who are dissimilar in character...
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
A New York gangster and his girlfriend attempt to turn street beggar Apple Annie into a society lady when the peddler learns her daughter is marrying royalty.
