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Great little charmer. But avoid the sequels like a bad Christmas sweater I think you need to like romantic comedies to enjoy this movie, and that eliminates a lot of guys who tolerate Rom-Coms for the sake of their ladies. And I wonder if they hadn't chosen the actors and actresses for the dozen or so lead and supporting roles so well, this film would have been more of a stinker. But they procured a fine ensemble cast and that keeps the smell down to a bare minimum. There are awkward, cringe-worthy moments that don't make me giggle as they are supposed to - too much gray in my hair, perhaps? (And there isn't that much really!) But despite those awkward lines, to paraphrase a line in the movie, I like it just the way it is. And I think it should have been kept just the way it was. I am now referring to the sequels. Don't get me started, please. The follow-up turned into what just referred to, what the original film could have been like if they hadn't kept their eye on the proverbial ball. As for the second sequel, I just found out today that it exists and I will keep my distance. Stick to the original, I say, and let the rest of the franchise float unbidden out there, just beyond the corner of your eye.
_**Edgy, cute and amusing romcom with Renée Zellweger, Hugh Grant and Colin Firth**_ A cute female in London (Renée Zellweger) is concerned about spinsterhood & other womanly issues and so starts an honest diary that narrates her misadventures catching the eye of her suave boss at a publishing company (Hugh Grant), her quirky friends and her relationship with a boring man she hates but somehow finds quietly attractive (Colin Firth). “Bridget Jones’s Diary” (2001) is an English romcom that tries to be edgy, cute and amusing simultaneously. While it goes overboard with the cussing (less is always more) and the accents are too thick to grasp at times, the flick eventually won me over because it tries so hard and everything builds to a comical melee. It helps that Renée is adorable in a roundish way and is tastefully shown in alluring apparel, including a playboy bunny outfit. The film runs 1 hour, 37 minutes, and was shot London, Surrey, Gloucestershire and Hertfordshire, England. GRADE: B
Two sisters pontificate on the lives they could have led while observing the current guest, a listless writer, staying in their family’s vacation home in upstate New York.
Set in a games arcade, schoolgirls Pandora and Ria are engrossed in a shoot-em-up. Their jokes turn to jibes and soon insults start to fly. The arcade becomes a surreal place as the girls confront their frustrations with deadly consequences.
Drifting through his gap year with its internships and travel plans, Jack has always suspected there was more to life than this. A chance encounter with the beautiful and ethereal Evelyn swerves his life radically off course.
A Puerto Rican saying haunts single women in their 30s: "If such a woman is not married by this time, she must be a slut, a lesbian, or a prude". This is the story of that woman. Gabi Padilla lives a life of pleasure and independence. But after her mother's unexpected death, she is forced to return to her rural hometown—a place where Gabi's sensual flair is not welcome.
Nawara works as a housemaid for a family closely linked to the Mubarak regime. On the eve of the 2011 revolution the family decides, for safety, to leave the country temporarily and ask her to look after the villa. Flush with cash for expenses, Nawara calls her fiancé Mustafa and the two are soon enjoying a taste of life at the top. Her journey from the alleys of her poor neighborhood to the luxury compound brings with it the worries of the people and their simple dreams—and an experience she could never have imagined.
Adèle, a thirty years old woman decides to contact Vidal, a musician she admires. He answers and she’s surprised. Messages are exchanged, a date is arranged. Adèle goes to the met, radiant with joy, but also worried : there’s a detail she forgot to mention, she’s pregnant.
Years after she related to him the story of her parents’ death in a fire, for which – rightly or wrongly – she feels responsible, Japanese psychiatrist Dr. Sanada meets his former patient Azusa once again. Back then, she lambasted him for being wrong for the job. Back then, he let slip that she isn’t actually crazy. Now she’s a prostitute living in precarious circumstances in Los Angeles and is accused of murder, with her memories once again moving inexorably towards a fire. Sanada assesses her in the presence of an investigator who appears not to understand Japanese. Is Azusa now mentally ill for real? Was she back then? And why does the description of her tormentors upset him so?
Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.
Left heartbroken after Romeo begins to pursue her cousin Juliet, Rosaline schemes to foil the famous romance and win back her guy in this comedic twist of Shakespeare's Romeo and Juliet.
A chronicle of the life of Louis Zamperini, an Olympic runner who was taken prisoner by Japanese forces during World War II.