Happy Howlidays 2024 - Movies (Dec 21st)
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Match of the Day - (Dec 21st)
The Beat with Ari Melber - (Dec 21st)
Secrets of the Royal Palaces - (Dec 21st)
Blue Box - (Dec 21st)
Impact x Nightline - (Dec 21st)
Strictly Come Dancing- It Takes Two - (Dec 21st)
Woolworths Carols in the Domain - (Dec 21st)
Saving Grace - (Dec 21st)
Gutfeld - (Dec 21st)
Hannity - (Dec 21st)
Jesse Watters Primetime - (Dec 21st)
Special Report with Bret Baier - (Dec 21st)
The Five - (Dec 21st)
The Ingraham Angle - (Dec 21st)
The Katie Phang Show - (Dec 21st)
The Tucker Carlson Show - (Dec 21st)
When the Phone Rings - (Dec 21st)
Football Focus - (Dec 21st)
All 4 Adventure - (Dec 21st)
The 11th Hour with Stephanie Ruhle - (Dec 21st)
I’m sure that all of you can always spot a film with good acting, superb plot and great cinematography easily but when it comes to a thriller that possesses all those above quality, it would be such a rarity. OldBoy here, second installment from The Vengeance Trilogy directed by Park Chan-wook (Sympathy for Mr. Vengeance, OldBoy, Sympathy for Lady Vengeance) really have them all, good story, powerful acting and the most horrifying and clever end twist if not genius. In fact no matter how many times you see this, the twist would still be awesome. The theme of revenge here is taken to the next level, to its supremacy for it’s really carefully-planned. OldBoy has a mind-bending assortment of drama, thriller, romance and beautifully spiced up with sadistic plot, shocking elements, ultra violence and clever psychological twist. Imagine yourself captured, locked in a room for 15 years, not knowing why and who did it and when you finally escaped and thought it’s all over, you were wrong and here’s the punching line, the direct punch to your stomach. Min-sik Choi as Oh Dae su really acted well, he really got us carried away by dragging us into the mystery that surrounds his life, into the depression he’s been feeling and into the deep well of his curiosity. Once again, OldBoy is a way too remarkable, when “revenge” isn’t merely knife-chopping or gun-battling. Enough said.
This is definitely one of the films to see before you die. It's seat-squirmingly unsettling, shocking and very violent. It's a journey into a truly disturbed mind; a mind, which - like yours will be - is unable to cope with what it discovers. This film is brilliantly twisted. It has a thread of the most wonderful, blackest humour running through it, a sense of complete disorientation and enough plot twists and turns to sustain your interest. Not one of the best revenge thrillers I've seen - simply THE best!
Just about everyone I’d spoken to about this film recommended it to me. I watched this film with the original Korean-language soundtrack, with English subtitles. Oh Dae-su (Chi Min-sik) is a bit of a flirt (whether he is a womaniser is not made clear) with a wife and young child, who has turned two years old on the day we start the film. Dae-su is in a prison waiting room having insulted a woman he was flirting with. A friend comes and eventually gets him out, but while he’s making a call to his wife to explain he will be home soon, he is kidnapped. Incarcerated in a small room, with only a TV for company, he is fed and looked after, but not allowed his freedom. He unsuccessfully attempts suicide several times. He keeps himself fit by doing exercise programmes he sees on TV and he starts to dig his way out with chopsticks. He sees a TV report that shows he’s been framed for the murder of his wife. Fifteen years later, without a word of explanation, he is released. The rest of the film follows his attempts to find out why he was imprisoned, who did it, and where his daughter is. The film is frenetic, highly charged, and very emotional on several levels. It is also bloody in places, but Dae-su’s obsession for seeking revenge on whomsoever imprisoned him and on finding out where his daughter is drives this film along. There are psychological aspects to the film as well, and the film does eventually resolve itself – it is not one of those open-ended “I wonder who did it” type films. Follow the film through and you will get all the answers. I would recommend it, but I wouldn’t call it light entertainment.
Nakamura Yukinojo gains popularity in Edo's kabuki scene as a handsome onnagata (a male actor who plays female roles). But hidden behind the placid expression of his stage face is a deep grudge for the men responsible for dishonoring his parents' names and leading them to suicide when he was still a child. When he discovers that the mastermind behind those crimes has come to see him act onstage, he begins in earnest to plot his revenge. With the help of a renowned Robin Hood-like thief named Yamitaro, he makes out his first target: the daughter of the man who orchestrated his parents' demise.
There is a long night when Hugo, a civil servant, is sitting on the stairs of the Ministry where he works. He can’t face going home. The images of the mysterious 8 mm films he found in António’s house after he passed away keep coming back to his mind. Hugo remembers the day when Antonio, his superior at the Ministry, told him that he was going to die. Indirectly, Antonio seemed to want to tell him something about Hugo himself. Hugo’s desire to understand what had remained unsaid between the two of them, triggers other memories from the past. Hugo unexpectedly thinks back on the last time he saw the woman he loved, Adriana, and relives once more what he feels has been his unlived life.
A film producer meets an odd couple at a bar. Little does he know, he's about to become part of this couples main course.
A budding detective makes several enemies while staking out his drug-pushing landlord.
After the sudden death of their father, four children face cruel treatment from their ruthless grandmother.
A serial killer dressed in a clown mask and a long black robe terrorizes a small town and murders people randomly and for no apparent reason. A man whose girlfriend gets killed by the clown seeks revenge and enacts his own brand of vigilante justice.
The film will be made up of two stories: "Ishi Okoshi" and "Ayashiki Raihousha." In "Ishi Okoshi," Natsume meets a small youkai called Mitsumi in a forest. Mitsumi is entrusted to wake up the divine youkai "Iwatetsu" from its deep slumber. Mitsumi weighs on Natsume's mind, so he sets out to help Mitsumi with his task. In "Ayashiki Raihousha," a mysterious visitor appears in front of Tanuma. Nearly every day, the visitor visits Tanuma, talks to him a little, and then leaves. Natsume, who knows the visitor is a youkai, worries for Tanuma, but Tanuma enjoys these exchanges with the youkai. The youkai means no harm, but Tanuma's health slowly starts to deteriorate.
A hostess at a Broadway cafe marries one of her many suitors, and finds out her new husband is prone to drinking heavily.
When the Earl of Gurney dies in a cross-dressing accident, his schizophrenic son, Jack, inherits the Gurney estate. Jack is not the average nobleman; he sings and dances across the estate and thinks he is Jesus reincarnated. Believing that Jack is mentally unfit to own the estate, the Gurney family plots to steal Jack's inheritance. As their outrageous schemes fail, the family strives to cure Jack of his bizarre behavior, with disastrous results.