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I’m sure that all of you can always spot a film with good acting, superb plot and great cinematography easily but when it comes to a thriller that possesses all those above quality, it would be such a rarity. OldBoy here, second installment from The Vengeance Trilogy directed by Park Chan-wook (Sympathy for Mr. Vengeance, OldBoy, Sympathy for Lady Vengeance) really have them all, good story, powerful acting and the most horrifying and clever end twist if not genius. In fact no matter how many times you see this, the twist would still be awesome. The theme of revenge here is taken to the next level, to its supremacy for it’s really carefully-planned. OldBoy has a mind-bending assortment of drama, thriller, romance and beautifully spiced up with sadistic plot, shocking elements, ultra violence and clever psychological twist. Imagine yourself captured, locked in a room for 15 years, not knowing why and who did it and when you finally escaped and thought it’s all over, you were wrong and here’s the punching line, the direct punch to your stomach. Min-sik Choi as Oh Dae su really acted well, he really got us carried away by dragging us into the mystery that surrounds his life, into the depression he’s been feeling and into the deep well of his curiosity. Once again, OldBoy is a way too remarkable, when “revenge” isn’t merely knife-chopping or gun-battling. Enough said.
This is definitely one of the films to see before you die. It's seat-squirmingly unsettling, shocking and very violent. It's a journey into a truly disturbed mind; a mind, which - like yours will be - is unable to cope with what it discovers. This film is brilliantly twisted. It has a thread of the most wonderful, blackest humour running through it, a sense of complete disorientation and enough plot twists and turns to sustain your interest. Not one of the best revenge thrillers I've seen - simply THE best!
Just about everyone I’d spoken to about this film recommended it to me. I watched this film with the original Korean-language soundtrack, with English subtitles. Oh Dae-su (Chi Min-sik) is a bit of a flirt (whether he is a womaniser is not made clear) with a wife and young child, who has turned two years old on the day we start the film. Dae-su is in a prison waiting room having insulted a woman he was flirting with. A friend comes and eventually gets him out, but while he’s making a call to his wife to explain he will be home soon, he is kidnapped. Incarcerated in a small room, with only a TV for company, he is fed and looked after, but not allowed his freedom. He unsuccessfully attempts suicide several times. He keeps himself fit by doing exercise programmes he sees on TV and he starts to dig his way out with chopsticks. He sees a TV report that shows he’s been framed for the murder of his wife. Fifteen years later, without a word of explanation, he is released. The rest of the film follows his attempts to find out why he was imprisoned, who did it, and where his daughter is. The film is frenetic, highly charged, and very emotional on several levels. It is also bloody in places, but Dae-su’s obsession for seeking revenge on whomsoever imprisoned him and on finding out where his daughter is drives this film along. There are psychological aspects to the film as well, and the film does eventually resolve itself – it is not one of those open-ended “I wonder who did it” type films. Follow the film through and you will get all the answers. I would recommend it, but I wouldn’t call it light entertainment.
Abang and Adi are undocumented orphans living in present-day Malaysia. While the older brother, a deaf mute, has resigned himself to a life of poverty, his younger sibling burns with indignation. A brutal accident upsets the fragile balance of their relationship.
In 1970s Hollywood, Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.
Private eye Philip Marlowe and his bride move to a desert town, where he uncovers a land scheme.
The Autobots must stop a colossal planet-consuming robot who goes after the Autobot Matrix of Leadership. At the same time, they must defend themselves against an all-out attack from the Decepticons.
Young teenager Sam Witwicky becomes involved in the ancient struggle between two extraterrestrial factions of transforming robots – the heroic Autobots and the evil Decepticons. Sam holds the clue to unimaginable power and the Decepticons will stop at nothing to retrieve it.
A reporter on the trail of a sinister cult wakes up in a morgue to find herself a member of the undead. She goes on a personal vendetta for a group a cultists that are responsible for her death.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
Lady Bird McPherson, a strong willed, deeply opinionated, artistic 17 year old comes of age in Sacramento. Her relationship with her mother and her upbringing are questioned and tested as she plans to head off to college.
Rob West is a down on his luck ex-con who is trying to change his ways for the better. But when he gambles away twenty grand, he must try to escape the wrath of his bookie and is forced to come out of retirement for one last job.
While transporting a dying man to the hospital, two paramedics find a million dollars in cash sewn into his clothing. When the man dies, they decide to keep it, setting them on a path for a hellish night of violence and mayhem.