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Black Girls 2024 - ()
Freelance 2024 - ()
Sebastian 2024 - ()
Hounds of War 2024 - ()
A Quiet Place Day One 2024 - ()
Cabrini 2024 - ()
Flight Risk 2025 - ()
Dark Night of the Soul 2024 - ()
Juror #2 2024 - ()
The Fish Thief A Great Lakes Mystery 2025 - ()
Wicked 2024 - ()
In Between Stars and Scars Masters of Cinema 2024 - ()
Loch Ness Monster Captured 2024 - ()
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - ()
The Pushover 2024 - ()
A Real Pain 2024 - ()
The Tattooist’s Son Journey to Auschwitz 2025 - ()
Tom Green I Got a Mule 2025 - ()
Monster on a Plane 2024 - ()
The Fire Inside 2024 - ()
A wonderful parable of love, relationships and the place in both for fantasy and imagination. Certainly much more enjoyable to watch, not to mention better acted and directed, than recent delvings into that subject matter, like Lars von Trier's Nymphomaniac (though that wasn't the latter's point). Intensely beautifully photographed, with wonderful performances, most especially by Catherine Deneuve. You can't go wrong with 60's and 70's Bunuel, that's for sure.
A blunt surprise insofar as the movies stark depictions of both a young woman's eccentric erotic fantasies alongside a rather harsh alternative lifestyle. In the middle there is a very conventional and ordinary real life tale of a married couple where the husband has no idea what's going on within his wife's mind, and life, both past and present. Reality and fantasy seem to blend in a young woman's mind implicitly suggestive of prior experiences that influenced the lead character's real and imaginary manifestations. Not for children.
The slightly kinky opening scenes of this film go some way to explaining just why "Severine" (Catherine Deneuve) isn't so satisfied with her handsome yet sexually uninspiring husband "Pierre" (Jean Sorel). Indeed, quickly we gather that they are yet to consummate their nuptials at all! Increasingly exasperated, she hears of a "facility" run by "Madame Anais" (Geneviève Page) where some of those kinks might be ironed out! Initially a little apprehensive, she proceeds to make a wide variety of new friends as her daytime occupation soon fills in the gaps left lacking in her still happy marriage to the oblivious "Pierre". It's when she is introduced to the rather enigmatic young "Marcel" (Pierre Clémenti) that things become a bit more fraught. He has an impressive array of metal teeth, for a start - and as he becomes more of a regular he becomes a bit infatuated. She takes steps to distance them, but when he finds where she lives things turn a bit nasty. Deneuve is great here as the classy hooker with fetish tendencies, as is Page as the sagely and businesslike mistress. It's Buñuel's clever adaptation of the quirky Joseph Kessel novel that really does allow Deneuve to deliver an engaging, if not always likeable, "Severine" character effectively. Developing her into one that's both loyal, independent and genuinely conflicted whilst loving her erotic peccadilloes and so, ultimately, might we as we watch her juggle with increasing aplomb her two, contradictory, existences. The film is almost opulent - without the need for "period" grandeur, and the score breathes extra life into this potent story of a woman's search for fulfilment and fun!
A drama set in the 1920s, where free-spirited Janie Crawford's search for happiness leads her through several different marriages, challenging the morals of her small town. Based on the novel by Zora Neale Hurston.
It is Christmas Eve. Separated from her young son, Helly struggles for money. A solitary man, Didier pays her to play his fiancée for the night. But the act comes to a tragic end. Left stunned, Helly meets Marie, who takes her in, on her way to the coast. There they encounter Chris. All three will end the night together. It’s their last move in joy and perdition.
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
In the future, the government maintains control of public opinion by outlawing literature and maintaining a group of enforcers, known as “firemen,” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation…
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He starts a love affair with air hostess Nicole, which Pierre is hiding, but he cannot stand staying away from her.
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
Adèle Hugo, daughter of renowned French writer Victor Hugo, falls in love with British soldier Albert Pinson while living in exile off the coast of England. Though he spurns her affections, she follows him to Nova Scotia and takes on the alias of Adèle Lewly. Albert continues to reject her, but she remains obsessive in her quest to win him over.
Esther's life is panning out nicely. She will soon move in with her boyfriend Vincent and she seems set to get a permanent position at the public relations company where she freelances. All would be fine if Esther didn't accidentally discover a piercing curiosity about her own body.
Marie, who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois for 12 years and has a two-year-old son. Though she is relatively content with her life, she feels something is wanting. Enter 50-year old African-American Bill. Initially she is annoyed by his insouciance, but she finds that she is irresistibly attracted to him. Soon the two are in the midst of sordid illicit affair. She knows little about her new lover, and he seems uninterested in learning about her, but the long sessions of lovemaking are something else entirely. Feeling out of control, Marie is increasingly repelled by her own actions. Psychologically, she struggles to reconcile her torrid encounters with Bill and mundane domestic chores such as bathing her son. Moreover, she finds herself incapable of hiding her adulterous behavior, rather she comes home with scratches and hickeys all over her body, to the devastation Francois.
A Russian poet, Andrei and his interpreter, Eugenia travel to Italy to research the life of an 18th-century composer.