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The Nature of Things - (Jun 4th)
Apocalypse Hotel - (Jun 4th)
Alone Australia - (Jun 4th)
Gruen - (Jun 4th)
Train Rescue Down Under - (Jun 4th)
The Chase Australia - (Jun 4th)
Glow Up- Britains Next Make-Up Star - (Jun 4th)
NiziU’s Rural Getaway - (Jun 4th)
Claire Hoopers House of Games - (Jun 4th)
The Cleaning Lady - (Jun 4th)
The 11th Hour with Stephanie Ruhle - (Jun 4th)
Watch What Happens Live with Andy Cohen - (Jun 4th)
Destination X - (Jun 4th)
The Valley - (Jun 4th)
The Secret of Skinwalker Ranch - (Jun 4th)
Celebrity Wheel of Fortune - (Jun 4th)
Americas Got Talent - (Jun 4th)
Caught in the Act- Double Life - (Jun 4th)
After Midnight - (Jun 4th)
The Ultimate Fighter - (Jun 4th)
A very good early silent with both exquisite direction and a fine acting performance by John Barrymore. Well-worth checking out for cinephiles with a heightened interest in the origins of American horror cinema.
I'd have to admit that John Barrymore was certainly no oil painting. Unlike so many silent-era film stars, he could actually act, rather then just look longingly into the camera and/or the gal's doey eyes. Here he portrays Robert Louis Stevenson's eponymous characters with quite some menace and skill. The story of the eminently respectable "Jekyll" who is fascinated by the human psyche and who experiments with mind/body altering drugs, discovering his inner and pretty unpleasant id in "Mr Hyde" in the process. There now follows a battle royal between the two personalities, the decent and the monstrous, and it rapidly becomes unsafe for those around him - including "Millicent" (Martha Mansfield), whom "Jekyll" loves, and even music hall girl "Gina" (Nita Naldi), the object of the desires of his alter ego. Barrymore is great, here - though some of his transformation scenes did remind me of a rather crazed Richard III playing an invisible piano. Using some dark and dingy locations, the clever use of shadow and Barrymore's own ability to create a considerable sense of menace, this really does have the hairs on the back of your neck paying attention. The visual effects are effective and John Robertson gives us a good solid, adaptation of an eerie, provocative story that still captures the imagination now, but without the characterisations being compromised or overly relying on CGI and the like to distract us from the on-screen antics. Whilst I wouldn't say it was the best - the 1931 version was a cracker too, it is one of those stories that resonates now, as it did then, and this is a terrific interpretation.
Henry, a struggling Greenwhich Villiage artist, accidentally finds an invitation to Louise Gordon's coming out party. He goes to the party, falls in love with the pretty socialite, but soon decides to leave as he realizes his financial situation is not up to standards. An old friend recognizes him and encourages Henry into lying that he is a successful businessman.
A scientist develops a formula which will cause animals to regress to the form of their primitive ancestors, and tries it on himself with disastrous results.
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
Two young men, one rich, one middle class, both in love with the same woman, become US Air Corps fighter pilots and, eventually, heroic flying aces during World War I. Devoted best friends, their mutual love of the girl eventually threatens their bond. Meanwhile, a hometown girl who's the lovestruck lifelong next door neighbor of one of them pines away.
When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.
A stranger called Allan goes to the House of Usher. He is the sole friend of Roderick Usher, who lives in the eerie house with his sick wife Madeleine. When she dies, Roderick does not accept her death, and in the dark night, Madeleine returns.
Thwarted by his despotic uncle from continuing his love affair, a young man's thoughts turn dark as he dwells on ways to deal with his uncle. Becoming convinced that murder is merely a natural part of life, he kills his uncle and hides the body. However, the man's conscience awakens; paranoia sets in and nightmarish visions begin to haunt him.
A romantic rivalry among members of a secret society becomes even more tense when one of the men is assigned to carry out an assassination.
Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.
After successfully curing a primate's heart condition, Dr. Henry Jeckyll develops a personality-enhancing serum for himself which inadvertently creates an evil alter ego personality, Edward Hyde, who sets out to terrorize college co-eds.
Three Scottish officers, including Sir Archi, murder Sir Arne and his household for a coffin filled with gold. The only survivor is Elsalill, who moves to relatives in Marstrand. There she meets a charming young officer- Sir Archi- and she soon understands that he was one of the murderers.