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Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Sebastian 2024 - Movies (Oct 2nd)
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A Quiet Place Day One 2024 - Movies (Oct 2nd)
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Venom The Last Dance 2024 - Movies (Jan 15th)
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Den of Thieves 2 Pantera 2025 - Movies (Jan 14th)
Diddy The Making of a Bad Boy 2025 - Movies (Jan 14th)
Very Important People - (Jan 17th)
Deadline- White House - (Jan 16th)
The Beat with Ari Melber - (Jan 17th)
Beat the Chasers - (Jan 17th)
Someday at a Place in the Sun - (Jan 17th)
Malta- The Jewel of the Mediterranean - (Jan 16th)
The Traitors- Uncloaked - (Jan 16th)
Love Island- All Stars - (Jan 16th)
GRAND SUMO Highlights - (Jan 16th)
The Traitors - (Jan 16th)
Sandis Great British Woodland Restoration - (Jan 16th)
Chris Jansing Reports - (Jan 16th)
I Escaped to the Country - (Jan 16th)
Gogglebox Ireland - (Jan 16th)
Richard Osmans House of Games - (Jan 16th)
Tyler Perrys Sistas - (Jan 16th)
The Nature of Things - (Jan 16th)
Katy Tur Reports - (Jan 16th)
Junior Bake Off - (Jan 16th)
Andrea Mitchell Reports - (Jan 16th)
This is quite a fascinating documentary following the fate of a cinema that even John Waters said "shocked him". It wasn't always on the same site in Central London, but the "Scala" name quickly became a magnet for all those who didn't conform to the more mainstream - with their own behaviour and/or attitudes and/or taste in films. Using an astonishing amount of well researched actuality and some interviews with the folks who worked there or attended over the years, we learn of a place that offered a venue for any combination of the Bohemian, the decadent, the drugged up, boozed up, gay - and, yep, even the serious film goer as it originally opened and closed many years later with "King Kong" (1933)! I did live in London in the late 1980s and King's Cross was a dump - full of hookers, rent boys and you never strayed far from an heroin needle. The "Scala" thrived amidst this alternative and hedonistic environment and though I don't know that I quite qualify for the groups that regularly used the place after midnight, my two visits were fun and never intimidating - the sound system there was not the best! Porn, horror, martial arts, cartoons - nothing was off limits until the local council took exception to "A Clockwork Orange" (1971) and the subsequent legal fracas pretty much put paid to the place as a cinema. It's split into parts that illustrate the rise and fall of what was essentially an establishment that didn't really matter in which building it was located. Sticky floors, sticky seats, dark "back massages" offering a range of facilities from a sleeping berth to a shagging one. It can't resist the usual bit of Mrs. Thatcher-bashing at the end which adds a bit of authenticity to a cinema that existed precisely because it was so anti-establishment and pro free-spirit. It reminded me a little of the "Studio 54" (2018) documentary. A place that was legendary and fun and necessary - probably still is. Very watchable on a big screen if you can.
ONLY IN THEATERS, a film by actor/director Raphael Sbarge, is an intimate and moving journey taken with the Laemmle family, spanning nearly three years of challenges, losses, and personal triumphs. Laemmle Theatres, the beloved 84-year-old arthouse cinema chain 3rd generation family business in Los Angeles, is facing seismic change and financial pressure. Yet the family behind this multigenerational business – whose sole mission has been to support the art of film – is determined to survive.
Downtown Recife’s classic movie palaces from the 20th century are mostly gone. That city area is now an archaeological site of sorts that reveals aspects of life in society which have been lost. And that’s just part of the story.
For two decades, Cine Marrocos, a movie theatre in the heart of São Paulo, was one of the most popular and opulent of the city. After it was closed, in 1972, it was occupied by a homeless workers' movement. The documentary tells the story of the people who lived there, alternating scenes from an acting class with those of the movies exhibited there in the past.
From the first movie nickelodeon on Canal Street in New Orleans at the turn of the century to the mega-plex theatres in the suburbs of the city, this film traces their history. With interviews from the people that were working in silent movie theatres to the visionaries that knew that "if you built them they will come", this is fascinating look at a history in a city that is a joy in everyone's memory.
An affectionate and entertaining look at our nation's obsession with cinema from the early days of silent cinema, through the golden age of the picture palace, to the modern multiplexes and beyond. A celebration of Norfolk-area cinemas past and present that introduces some colourful characters who kept audiences coming back for more, this film also asks: Is this the final reel in the story of cinema or just another chapter in its continuing development?
In the silent film era, movies were never really silent. In the background of films that made figures like Charlie Chaplin and Buster Keaton into cultural icons, were the musical giants whose compositions defined the very films that captivated a generation of movie-goers. Arthur Kleiner converses with the still-living legends from that bygone golden age of cinema.
In the heart of the Finnish forest, the long-closed foundry of the little town of Karkkila has come back to life thanks to director Aki Kaurismäki and his creation of the town's first cinema. The peace and calm of the little town of Karkkila, nestled deep in the Finnish forest, is interrupted by unexpected sounds. In the abandoned foundry, noisy building work is taking place. Inside the building, Aki Kaurismäki is both builder and site manager of what is soon to become the Kino Laika cinema. The creation of the cinema is the talk of the town. In the factory still in activity, in a 1960s Cadillac, in a bikers' club, in the local pub, in the woods or in Aki Kaurismäki's former editing room, people start talking about cinema again.
A filmmaker celebrates his inspiration for movies by recreating what it was like for his 9-year old self in 1972 when he journeyed downtown to spend a magical Saturday afternoon at the movies.
Handbook of Movie Theaters' History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and fiction, and is enriched by interviews to some of the most important voices of Turin cinematography. The film follows the evolution of movie theaters by enlightening its main milestones: the pre-cinema experiences in the late 19th Century, the colossals and the movie cathedrals of the silent era, the arthouse theaters, the National Museum of Cinema, the Torino Film Festival, the movie theaters system today and the main hypothesis about its future. The mission of Handbook of Movie Theaters' History is to explore and give back to the audience a deep reflection about the identity and the value of movie theater, in its social and anthropological role and as a mass media, and to analyze the experience of the viewer.
A feature-length documentary that goes behind the scenes to get to know the families who own and operate drive-in theaters.
In the excitement of the roaring 20s, a new kind of movie palace was constructed by the Bay. More than 90 years later, Tampa Theatre has become known as one of the most haunted buildings in the city, This Documentary uncovers the rich history and explores the unexplained events with a Team of Historians, Ghost Hunters and Staff.