Maturita za školou

Reyna Young wrote, directed and co-stars in this anthology horror film influenced by Creepshow and Tales from the Crypt. Kelsey Zukowski and Connie Jo Sechrist also star in this collection of spooky tales about ghosts, serial killers and more.

Three separate stories all concern the relationships between adult children, their somewhat distant parent (or parents), and each other. Each of the three parts takes place in the present, and each in a different country. Father is set in the Northeast U.S., Mother in Dublin, Ireland, and Sister Brother in Paris, France. The film is a series of character studies, quiet, observational and non-judgmental. A comedy, but interwoven with threads of melancholy.

In 1987 Oakland, a mysterious force guides The Town's underdogs in four interconnected tales: teen punks defend their turf against Nazi skinheads, a rap duo battles for hip-hop immortality, a weary henchman gets a shot at redemption, and an NBA All-Star settles the score.

A band of fluffy little creatures are irresistibly drawn to a mysterious light from across the road. If they can even manage to survive the trek over, what awaits them?

Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.

It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.

Every night, in danger of being beheaded, Scheherazade tells King Shahryar unfinished tales to continue them the following night, hence defying his promise of murdering his new wives after their wedding night. Scheherazade tells King Shahryar her stories but these are not those in the book. As in the book, these stories are tragic and comical, with rich and poor, powerless and powerful people, filled with surprising and extraordinary events.

Segment 1 :- An unmarried middle aged couple, Dominique and Gerard checks into a hotel. They proceed to seduce the chambermaid Mara while the desk clerk, Bartolomeo watches over CCTV every erotic encounter going on in various rooms throughout the hotel. He later unleashes a torrent of pent up sexual energy with his very willing partner. Segment 2 :- A divorced couple, Regina and Gianni have run into each other in a park on a Sunday morning. She is looking hot, and he admits that when they were married, he fantasized about watching her being double penetrated by two guys. That sounds like her idea of fun, so she picks up two more guys, and takes all three home. Segment 3 :- To celebrate the beginning of a new century, two men go to the red light district in search of something different. Enzo winds up with an alluring transsexual street walker, Wesly. Peppe picks up Nicole, a very sexy uninhibited hooker at a bar and they get a hotel room.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Four interconnected stories center around the gig economy, hustle culture, and evils of late-stage capitalism.

"Jordan Lisi's got some great ideas about structure here, which he's taken off and run with, hard-the result is this tough little jewel of indie cinema." - Andrew Bujalski