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The opening film, The Lost Paradise by Anil Krishnan, is a silent film about a convict who is released from prison and makes his journey home. It is cloyingly sentimental and the background score is filled with wailing violins that keep nudging us to empathize with the character. Gopakumar's Agavizhi is a genuine head-scratcher (it's a compliment, by the way) involving a triangular romance that as the filmmaker puts it in the end is about the collision of subconscious minds. It if filled with inner monologues (and English dialogues) that will make Gautham Menon blush. Puzhu is perhaps the most audacious film of the lot. The director, Charukesh Shekar, throws us directly into the climax of a story and we see two fatally injured men, burning with hate for one another, scrambling to kill the other first. It is shot in black and white with wide shots of the rocky, desolate landscape and extreme close-ups of the two men which give it the effect of a Western. Next, we get a "message movie" in the form of Nalladhor Veenai, which is directed by Monesh. It is about a teenaged school student being sexually abused by his tuition master trying to save a fellow student and it checks all the "message movie" cliches, confusing in-your-face treatment for hard-hitting storytelling. Madhu is totally mainstream. It is about a loser (someone who "has arrear in committing suicide") who tries to end his life one more time after the girl he is love with gets engaged, and his two friends try to stop it with the help of the girl. The director, Rathnakumar RM, has a light touch and the lines are genuinely hilarious with some of the vibe of Siva Manasula Sakthi, though he makes an ill-advised decision and slaps the tale with an extended bittersweet ending. But don't be surprised if this short, like Pannaiyarum Padminiyum and Mundasupatti, becomes a feature film in the near future. The final film, Neer, is by Karthik Subbaraj and takes place on a fishing boat in mid-sea, and is about three fishermen (one of whom is played by Vijay Sethupathi) and their encounter with the Sri Lankan navy. You are reminded of the film Neerparavai at some point but it is a quietly powerful that manages to quietly make a political statement as well. Given that even feature films find it hard to get screens these days, the fact that Bench Talkies has managed to find theatres is in itself an achievement. And, as a first-of-its-kind initiative, it makes for a good enough watch, though some of the films and the filmmaking clearly have not managed to transcend the Naalaya Iyakkunar ethos.
Tenth exploitation anthology from the twisted minds of established and up and coming directors from across the globe.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
L'Ultimo Metro: It can happen. Any night in any metro station. It can happen that a hurried girl comes out of the bathroom without realizing that she is badly arranged in her skirt. And it can happen that two guys are going to commit behind her to attend a fabulous show. But it is only the beginning of an incredible erotic game between rails and trains. Sogno: Alone on a deserted beach, a girl undresses and falls asleep. The sun rises. As a reflection of the erotic dream she is having, the girl touches herself moaning and enjoying. The beach fills up... Fine Settimana A Lecco: Mischievous and spicy chronicle of the meeting between two friends who, after playing the slave and the mistress, vent their excitement on a talented and enthusiastic gardener.
Centered around a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.
Covering only the first 22 chapters of the Book of Genesis, vignettes include: Adam and Eve frolicking in the Garden of Eden until their indulgence in the forbidden fruit sees them driven out; Cain murdering his brother Abel; Noah building an ark to preserve the animals of the world from the coming flood; and Abraham making a covenant with God.
While directing an anthology of short films through different regions of Colombia Helena and her director of photography, encounter through intense creative differences.
Go! Princess Pretty Cure: Go! Go!! Gorgeous Triple Feature!!! is the 12th Pretty Cure movie produced by Toei Animation. The movie was released in Japanese cinemas on October 31, 2015. It consists of 3 features; A Precious Treasure of Pumpkin Land, Lefy's Wonderful Night, and Cure Flora and A Mysterious Mirror.
Series of tales. The framing story: a group of women are doing their laundry and begin to tell lusty tales.
The main character buys a special seed from the pharmacy, from which she plans to grow an ideal man. She wanted love. Desperation brought her to the pharmacy, and the pharmacist sold her illegally grain. Having planted the grain, she began to wait. In a barrel, feeding on her care, He sprouted. Still a fragile, unintended sprout, but an ideal man of her expectations. How many shy fantasies she had on this subject. It was only necessary to wait...
