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After a defecting Russian general reveals a plot to assassinate foreign spies, James Bond is assigned a secret mission to dispatch the new head of the KGB to prevent an escalation of tensions between the Soviet Union and the West.
A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.
The story of Nola Darling's simultaneous sexual relationships with three different men is told by her and by her partners and other friends. All three men wanted her to commit solely to them; Nola resists being "owned" by a single partner.
Marty Mackenzie is an unsuccessful stage actor who takes an interest in private investigating. He takes a job working with Jack Potter, a crusty private eye. They both take a case in Beaver Ridge, a seedy small town where a murder is being planned against a rich gravel pit owner. Marty realizes that private investigating is not as it seemed to be.
A pumpkin is kidnapped from the pumpkin patch, stabbed and disemboweled in a ritual known as "Halloween."
The Army takes a bandleader (Kay Kyser) away from his bride (Ellen Drew) and sends him on a spy mission with a woman (Jane Wyman).
An all-dog cast (with human voiceovers) recreates famous scenes from early musical films, particularly The Broadway Melody. The finale is a chorus line of dogs performing "Singing in the Rain" spoofing Cliff Edwards' original version of the song in The Hollywood Revue of 1929. Also spoofed is Al Jolson's performance of "Mammy" in The Jazz Singer.
At the Tangier airport, a group of people await the arrival of a mysterious plane from behind the Iron Curtain. The reception committee includes Susan, an American; Gil Walker, a free-booting pilot; Danzer, a black market operator; and Danzer's girlfriend, Nicki. The plane crashes and burns. No survivors are found, nor are any corpses. Soon the search begins for a missing courier worth $3 million.
Set in the mid-1950s when Tangier was still an international zone, El Chergui presents the city on the eve of its independence, as Aïcha resorts to magical practices to try to prevent her husband from taking a second wife. Around her, a society of women creates its own form of active resistance even as the larger independence movement grows around it. Through his unique use of montage, Smihi creates arresting images that present a society torn by the contradictions of colonialism, religion, patriarchy, and resistance. (Block Cinema)
