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_**Solid Bond film with Timothy Dalton taking over as 007**_ "The Living Daylights" was the first of two James Bond films featuring Timothy Dalton as 007. It's a solid Bond flick, but rarely cited when the best films of the franchise are discussed. The "problem" isn't Dalton because he makes a fine James Bond and was what the series needed in 1987 (when the film was released). Although the Roger Moore era (1973-1985) is my favorite stretch of the franchise, mainly because they're so all-around entertaining, Roger was just too old in 1987 to continue in the role (he was 60 years-old). Plus I think everyone was craving a more serious Bond by 1987 and Dalton delivers the goods. There’s a lot of good in "The Living Daylights." It features a great opening sequence involving skydiving at the Rock of Gibraltar followed by a Jeep-going-down-the-mountain segment. The events switch to Bratislava, Slovakia (but shot in Vienna, Austria) where everything slows down to dramatic intrigue. A short while later there's a cool winter chase episode with Bond and his romantic interest (Maryam d'Abo) in a car with skis (also shot in Austria). The action-packed last act takes place in Afghanistan (but shot in Morocco and the Mojave Desert). This part of the movie increases in suspense as James and his babe try to get out of the country on a cargo plane, and the film still doesn't end at that point. This climax features three or four excellent suspense scenes and some funny quips as well. Unfortunately, the film is weak in the area of women. D'Abo is decent in a doe-eyed, winsome way, but her presence is never really capitalized on; she looks good in slacks though. Other than her, there are only brief flashes of women with no one particularly standing out, except maybe a blonde in white shorts. The cast also includes Joe Don Baker, Jeroen Krabbé, John Rhys-Davies and Andreas Wisniewski, mostly villains or possible villains. BOTTOM LINE: Although "The Living Daylights" is not a highlight of the series, it's still a worthwhile Bond flick with the usual staples, albeit shaky in the female department. Aside from Timothy Dalton, who makes a refreshing Bond, the opening and ending sequences are the best parts. The film runs 2 hours, 10 minutes. GRADE: B-
Great entry into the series and wonderful debut for Dalton who was charming, and for me far and away better than any of Roger Moore's movies (though found some of his to be entertaining enough). Not all that fond of this theme song but still catchy enough I suppose. Also features some great aerial stuntwork. **3.75/5**
So Roger Moore has handed the baton of Ian Fleming's "007" to Timothy Dalton and this first outing is not at all bad. The story is, perhaps, not the best but this is still an action packed adventure with loads of pyrotechnics and daft gadgets that really does move along swiftly for over two hours. "Bond" is assigned to aid would-be defector "Gen. Koskov" (Jeroen Krabbé) from Berlin, along the way encountering the lethal cellist "Kara" (Maryam d'Abo). A bit of fun with the no-nonsense Julie T. Wallace, a Harrier jump jet and and soon-to-be-trashed English stately home set a scene for the ensuing narrative that mixes perilous international espionage with glamour and plenty of entertainment. Blonde baddie Andreas Wisniewski must have done wonders for the sales of 501s, hammily megalomanic arms dealer Joe Don Baker likewise for the sale of toy soldiers and Desmond Llewelyn continues to provide our hero with plenty of imaginatively designed toys to help him escape from certain death! Art Malik is maybe not the most convincing as an Afghan freedom fighter, and I missed Lois Maxwell's few scenes as the love-struck "Moneypenny", but otherwise this is a thoroughly enjoyable piece of good-humoured and pacily directed cold war bravado. It does look better on a big screen - some of the cinematography, especially the aerial photography - lends itself well to a bigger screen and a bit of A-ha at the beginning sets it all off nicely. Not the best of the franchise, but it augers well for this new incarnation.
I don't understand all the hate on Dalton as 007, I actually thought he was a decent Bond, I thought he brought back some of the cold blooded assassin that personified the first of the Connery Era films. And I think he was a much needed change of pace away from Moore's silliness. However, I think some of the hate comes from the change of pace away from the silliness. You get used to things and a lot of people got used to Moore. But, then again, I was 7 when The Living Daylights came out, this was the first 007 movie I REMEMBER seeing in the theaters, and there is that special place in my heart for the cold blooded assassin style 007. And The Living Daylights is one of the last to have all the 007 tropes in it, the smoking, the harem, the stuff that defined 007 films before they started to move away from them in the 90s. This marks a return to the Dr. No, From Russia with Love, era of Bond, a move away from the silliness and... ... it has one of the best 007 cars, at least in my view. The Living Daylights still has the Aston Martin that I want... and, let's face it, he works with what is really the Taliban before the Taliban became the enemy of the west, when they were still fighting the Russians, and when the west was still taking their side in Afghanistan before the Soviets withdrew. So you kind of get a history lesson that really only people alive in the 80s remember.
The last of the very good 007 films. The last of the fun 007 films for sure. Here, Bond is supposed to stop an assassination of a Russian VIP defecting to the West, but Bond senses something, and instead of killing the assassin (a shapely female violinist), he shoots the weapon from her hand. Something is amiss about the defector, and it's obvious to the viewer, though perhaps not obvious to someone who is in the story. We get lots of great scenery, lots of action, lots of wit, and some great horse play, such as riding a violin case like a sled to escape bad guys. It's perhaps the most "fun" of the Bond films, and that deserves mentioning. After this movie, "fun" was apparently a four letter word to the Generation Xenophobe minded producers.
I also use to not like this that much and again I like it now but I do prefer Licence to Kill.
Based on a Anton Chekhov short story, this slight tale has some good moments as the drama of a young boy's journey unfolds. The lad comes from peasant stock, and one day his family decides it would be best for him to go live with his uncle in the city. The only problem is that the city is all the way across the Russian steppes, and at this time in history, that arduous journey could only be undertaken by horse and carriage. Reminiscent of the American pioneer wagon trains heading West, the tale lacks any attacks from hostile forces but is filled with charming vignettes. In one part of the journey, the boy comes across some fishermen along a river, harpooning their catch for the day. In another segment, he is entertained when some folk dancers do a lively show. But in general, it is too long and unmomentous a journey to hold attention well for nearly two hours.
Straight-arrow policewoman Cooper is excited and thrilled about her next assignment. Her task is to escort Daniella Riva, a wisecracking Colombian beauty, from San Antonio to Dallas so both she and her husband can testify against a drug lord. Plans go awry when Mr. Riva gets ambushed, leaving Daniella a widow. Cooper and her witness must now use their wits to escape from crooked cops and murderous gunmen, while not killing each other in the process.
After serving time, a defiant street thug is incensed to find his town overrun by two yakuza factions. He gathers his crew and takes them on.
Kai Hyuga / Sharivan uncovers the existence of a spy from the Neo Madou organization. In addition to that Kai's friend, Seigi, becomes the new Space Sheriff Estevan. They must find the spy and stop a drug ring from shipping a pain suppressing narcotic called Hyper-M on Earth. But the new Space Sheriff must learn to trust his instincts and that not all is as it seems...
Carpet dealer and UFO photo forger Arif is abducted by aliens and must outwit the evil commander-in-chief of G.O.R.A., the planet where he is being held.
When a mysterious caller puts a bomb under his car seat, Matt Turner begins a high-speed chase across the city to complete a specific series of tasks- all with his kids trapped in the back seat.
As New York City is invaded by alien creatures who hunt by sound, a woman named Sam fights to survive with her cat.
A deranged prison warden with a nasty habit of killing escapees forces the boyfriends of his teenage twin daughters into a shotgun wedding, after they claim to be pregnant. All hope seems lost, until the husbands hatch a madcap plan to rob a money train to freedom.
Rod Steele (aka Agent 0014) is anything but the world's greatest super spy, but when diabolical villainess Tangerina threatens the world again, he's the world's last and only hope.
International terrorists attempt to kidnap a wealthy couple's child. Their plan comes unstuck when a deadly Black Mamba, sent by mistake instead of a harmless snake, escapes and the terrorists and several hostages are trapped in the boy's London home.
Laura Kendall, also known as Emanuelle, arrives at a remote prison with a long, fictional rap sheet that will allow her to go undercover to report on the cruelties behind bars.