La dama de Beirut

Samar, a child of the war, finds relief from the chaos around her through Egyptian movies she watches on television. Karim, an artist in retreat from life, remains in his apartment in war-torn West Beirut, confident that he is safe in his familiar neighborhood. An unlikely bond is formed between the two as they face the devastating civil war.

Zeina (Nadine Acoury) is a Catholic student whose good friend Haidar (Haithem El Amine), a Muslim, has always been particularly close. After a futile attempt to get together (he gets caught in traffic), they each decide to make an audio tape trying to explain, based on their own ideas, why there continues to be fighting in Lebanon now, in 1977, and why they are against it. Zeina is about to leave for the United States and Haidar is to meet her at the airport, where they will exchange their tapes. Alas, fate intervenes because when he arrives early at the airport, he is harassed by someone looking to prey on gullible refugees and he gets so angry that he grabs a taxi out of there, throwing his tape away as he does so. When Zeina arrives and realizes he is not there, she is broken-hearted. In a strange twist at the end, the cast and the director (Borhane Alaouie) have a discussion as to whether or not the character of Haidar should kill himself.

German composer Richard Wagner wrote Parsifal, which is a three-act opera that tells the story of the title character's quest to save the Knights of the Holy Grail by returning the Holy Spear, healing King Amfortas, and carrying out the sacred ceremony of uncovering the Holy Grail.

Like a Spiral is a dialogue between Beirut and five women, migrant domestic workers, under the Kafala system. Expressing their belonging to a society in collapse, the women's voices rise through the film's grainy images to denounce their stolen freedom with an inalienable thirst for existence. Their memories dance in the rhythm of oppression. Caught within life's spiral, they lift themselves up to not sink into oblivion.

Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.

Frustrated at his failed romance, Saravanan decides to steal from his landlady’s house. Even as he comes up with clever ways to outsmart the cops, he realises that his actions are echoes from the past.

Lord Shiva accuses Yama for saving the life of a criminal-politician when the latter tries to stop a little girl from dying. Yama is given a few days' time to rectify his action.

To support her younger sisters, Polly Vance finds work as a live-in companion to the aging Johanna Webb. Johanna's nephew, Chester Creigg, quarrels with his aunt and severs relations with her, because of her cruel treatment of her new employee, after which Polly returns to her old home. Then, when a fire breaks out at Polly's house, Chester rushes over to save her sisters, but loses his eyesight during the rescue. Convalescing from his burns, Chester learns that Johanna has died and marvels at the similarity between her and the old housemaid who is now taking care of him.

Two cowboys, Jim and Johnny Little Bear, discover a rich mine and decide to spend some of their money traveling. Their travels lead them to the kingdom of Queen Sylvia, who is being warred upon by the neighboring monarch Ferdinand because she will not marry him. Sympathetic to the Queen's plight, the cowboys wire to America for the rest of the gang, who arrive just in time to rout Ferdinand's attack.

Hartley, fascinated by the vampish Leonie, steals and serves a term in prison. Not satisfied with this downfall, Leonie again works her womanly charms upon Dr. Gerald, who is engaged to Johanna, the adopted daughter of Dr. McLean. Learning of the woman's designs on the young doctor, Hartley denounces her in Gerald's presence. In response, Gerald foolishly renounces Johanna and his friendship with Dr. McLean. However, when Leonie discovers that Johanna is her own daughter whom she had deserted as a child, she becomes conscience-stricken, gives up the young man and begs forgiveness.