Un jour en France

Annedore takes care of orphan birds. They give her that which humans througout her turbulent life could never give her: love.

A short film that follows key figures of the London kink scene on an exploration into BDSM and the notorious fetish event Klub Verboten. The film touches upon themes of psychology, trauma, LGBTQ+ rights and black representation.

When lock & dam construction along the Monongahela River threatens to flood the quiet town of Greensboro, desperate citizens seek the help of Glenn Toothman, a new young attorney, to save the place they call home. Glenn's ensuing research unearths the town's surprising significance to American history. But is that knowledge enough to stem the tides of modernity?

Nikki is no professional athlete. Still, she swims the English channel to raise money for a good cause.

My debut short film - as I approached adulthood, I created this as a means of reflection towards adolescence and life. A poetic documentary about looking away from the past and being present in the beauty of life.

TV documentary about Manfred Smolka, an officer of the GDR border troops who was executed in Leipzig on July 12, 1960. He had been ambushed after his escape to West Germany and a show trial was held after his arrest.

An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film. Tarthang Tulku, a Tibetan Lama, was the advisor.

Short subject on how fashion is created- not by the great couturiers, but on the street.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.