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The Pitt - (Mar 21st)
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Surface - (Mar 21st)
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Law dis-Order - (Mar 21st)
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The Beat with Ari Melber - (Mar 20th)
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Deadline- White House - (Mar 20th)
The Apprentice - (Mar 20th)
GRAND SUMO Highlights - (Mar 20th)
Piers Morgan Uncensored - (Mar 20th)
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**A shame.** If “Dragonheart” managed to make an impact and assert itself as an iconic epic adventure, the same cannot be said of its sequels. In the review I wrote for the initial film, I spoke a little about its popularity and impact… and when a film achieves this effect, it already makes a series of sequels designed to “milk the cow” and monetize the success obtained. This was the first sequel, and it was so weak that it would have been better not to exist. We already know that sequels are rarely as good as the original movies (although we can name several examples of sequels as good or better than the originals), but this movie is so weak and had such a limited budget that I have doubts about the real effort. from the studio to bring the project to a successful conclusion. The most praiseworthy and redeeming aspects of this film reside in some of its technical characteristics. In fact, the film has a good soundtrack (in good part a recycling of the first film's musical themes) and tries its best to be fun, engaging, friendly and enjoyable for the whole family. There's plenty of humor, although the jokes don't always work: burning flatulence or drool dripping over a human are situations we've seen before on film, and much better. Everything else is woefully weak: the script, based on an implausible prophecy and a dragon's egg left behind by Draco, is rather weak and riddled with problems; there are several action-packed scenes, but almost all of them are overly choreographed, imaginative and uninteresting, plus the climax was clearly cobbled together in a hurry. The sets and costumes also suffer from the excesses of imagination applied to the script, turning the Middle Ages into Middle Earth, or almost. There are clearly problems with the lack of good taste in the design of some sets and costumes. The film used CGI and computer effects quite intensively, both for the castles and the dragon itself. Its use, however, should have been more punctual, since nothing is real, and we clearly understand that. I, for one, don't remember seeing many movies with such clearly fake and amateurish CGI and effects! There are also pacing problems, which reveal faulty editing and many shortcomings in the post-production work. About the actors, I can only say that we shouldn't hope for miracles. We are dealing with a very weak cast, with weak talent and little able to shine. The main character is the CGI-created dragon, but despite Robby Benson's good voice work, he's a jerk. The best interpretations are by Christopher Masterson and Harry Van Gorkum. Masterson is the classic hero and Gorkum is the Machiavellian villain. What unites them? Both are crooks.
Batman must face his most ruthless nemesis when a deformed madman calling himself "The Joker" seizes control of Gotham's criminal underworld.
Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.
Set ten years after the events of the original, James Cameron’s classic sci-fi action flick tells the story of a second attempt to get rid of rebellion leader John Connor, this time targeting the boy himself. However, the rebellion has sent a reprogrammed terminator to protect Connor.
It's been 10 years since John Connor saved Earth from Judgment Day, and he's now living under the radar, steering clear of using anything Skynet can trace. That is, until he encounters T-X, a robotic assassin ordered to finish what T-1000 started. Good thing Connor's former nemesis, the Terminator, is back to aid the now-adult Connor … just like he promised.
A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.
In the style of a documentary this tragic comedy tells the story of a relationship crisis between two married couples and their longing to break out of their miserable daily lives. In this East German post-wall movie Andreas Dresen introduces the sad everyday life of two couples from Frankfurt an der Oder in a honest and tolerable manner.
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.
Batman must face The Penguin, a sewer-dwelling gangleader intent on being accepted into Gotham society. Meanwhile, another Gotham resident finds herself transformed into Catwoman and is out for revenge...
After her fiancee admits to infidelity while on a business trip in France, a woman attempts to get her lover back and marry him by traveling to Paris despite her crippling fear of flying. On the way she unwittingly smuggles something of value that has a charming crook chasing her across France as she chases after her future husband.
