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Warwick Davis is great in this fantasy as the eponymous fellow charged with keeping a young baby from the evil clutches of the wicked queen "Bavmorda" (Jean Marsh). It has been foretold that this youngster will prove to be the undoing of the reign of terror that has permeated the land, and so this task is going to be perilous to say the least. Arriving at the crossroads, his townsfolk friends decide to abandon him and his quest but fortunately he has recourse to the trapped "Madmartigan" (Val Kilmer) who has been caged up and left to die. Pursued by the queen's battle-hardened daughter "Sorsha" (Joanne Whalley) and her henchman "Kael" (Pat Roach) what now ensues is a grand spectacle of high adventure that features some inspired special effects, a good solid story and some equally engaging characterisations that deliver a traditional good vs. evil scenario. I always support the baddies in movies, and here was no different - but I was very nearly tempted by the courage and decency of "Willow" to switch sides. Kilmer is on good form, his role allows him to flourish with some witty dialogue and plenty of swash and buckle as the denouement - and a magical one at that - looms large. Ron Howard and George Lucas have let their imagination take control here, and I felt it worked rather well. The photography and action scenes work well, and though maybe the story is a bit of an hybrid of others, it still doesn't stop this being an enjoyable David and Goliath style battle that is peppered with some strong supporting performances, some familiar faces and , I think, gets better with age.
**Warwick Davis' life movie isn't bad, but it's not really good either.** Fantasy cinema has experienced moments of brilliance thanks to the creativity of a good number of directors and screenwriters, and also due to the possibilities brought by technology. However, in the past, things were simpler: directors and technical teams of fantasy films were those people used to improvising a lot and thinking outside the box. That skill is a talent, surely, and sometimes it's preferable to do something more traditional than to use CGI resources so absurdly fake that they don't even deserve to be there. This film, despite being far from being good or deserving a praise, is not a waste of time and there are several details where we can observe redeeming qualities. The film's value begins with the more or less direct involvement of several prominent people in the film industry at the time: a film written by George Lucas and directed by Ron Howard cannot properly be considered a B-movie. Howard directs impeccably, but the truth is that Lucas could have made an additional effort in the script: the story that guides the film is funny, it has good moments, but it is also full of clichés and strange little peculiarities that do not fail to lift us up doubts every moment. Despite the projection given to Val Kilmer and Joanne Whalley in advertising (it is an understandable maneuver since they are well-known actors), the real protagonist is the dwarf Warwick Davis. Yes, it's not a pristine performance worthy of an award, but he couldn't be much better: the actor was still young and inexperienced, but he managed to show talent and resoluteness, making the most of this beautiful opportunity that appeared in his life. Val Kilmer, although more famous, doesn't need to do much and has few real challenges, while the beautiful Whalley and Jean Marsh are authentic attention grabbers and do an equally satisfying job. Technically, it is a film whose value lies in the very well-designed sets and costumes, and also in the soundtrack, skilfully composed but a little forgettable. It has several special effects, most of them quite dated, but functional. The problem is that, for a film of the fantasy genre, it ends up having a little less "magic" than would be desirable. And despite the story being a little convoluted, the film picks up a high enough pace that this ends up not being a problem.
After watching the film "Willow" for the first time, it was perceived as a corny yet lovable movie with entertaining moments, albeit with cheesy and lacking depth. While the film has its charm, it may not be one that warrants repeat viewings, as it falls short in terms of overall enjoyment. The storytelling and character development were deemed subpar, failing to create an enchanting or immersive experience as initially anticipated. Despite "Willow" becoming a cult classic, it ultimately fell into the category of films that are predominantly corny and cheesy. The television series that attempted to capitalize on the movie's cult status failed to live up to expectations, leading to its cancellation after one season. The series struggled to capture the essence of the original film, resulting in a lackluster and unengaging viewing experience. In conclusion, both the movie and the television series based on "Willow" failed to leave a lasting impact and were ultimately deemed uninspiring and difficult to follow. While the film may have its moments, it may not be enough to warrant a recommendation for viewers looking for a captivating and enjoyable cinematic or television experience.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
Harry Potter has lived under the stairs at his aunt and uncle's house his whole life. But on his 11th birthday, he learns he's a powerful wizard—with a place waiting for him at the Hogwarts School of Witchcraft and Wizardry. As he learns to harness his newfound powers with the help of the school's kindly headmaster, Harry uncovers the truth about his parents' deaths—and about the villain who's to blame.
Cars fly, trees fight back, and a mysterious house-elf comes to warn Harry Potter at the start of his second year at Hogwarts. Adventure and danger await when bloody writing on a wall announces: The Chamber Of Secrets Has Been Opened. To save Hogwarts will require all of Harry, Ron and Hermione’s magical abilities and courage.
Year three at Hogwarts means new fun and challenges as Harry learns the delicate art of approaching a Hippogriff, transforming shape-shifting Boggarts into hilarity and even turning back time. But the term also brings danger: soul-sucking Dementors hover over the school, an ally of the accursed He-Who-Cannot-Be-Named lurks within the castle walls, and fearsome wizard Sirius Black escapes Azkaban. And Harry will confront them all.
When Harry Potter's name emerges from the Goblet of Fire, he becomes a competitor in a grueling battle for glory among three wizarding schools—the Triwizard Tournament. But since Harry never submitted his name for the Tournament, who did? Now Harry must confront a deadly dragon, fierce water demons and an enchanted maze only to find himself in the cruel grasp of He Who Must Not Be Named.
Returning for his fifth year of study at Hogwarts, Harry is stunned to find that his warnings about the return of Lord Voldemort have been ignored. Left with no choice, Harry takes matters into his own hands, training a small group of students to defend themselves against the dark arts.
After a defecting Russian general reveals a plot to assassinate foreign spies, James Bond is assigned a secret mission to dispatch the new head of the KGB to prevent an escalation of tensions between the Soviet Union and the West.
When a powerful satellite system falls into the hands of Alec Trevelyan, AKA Agent 006, a former ally-turned-enemy, only James Bond can save the world from a dangerous space weapon that - in one short pulse - could destroy the earth! As Bond squares off against his former compatriot, he also battles Xenia Onatopp, an assassin who uses pleasure as her ultimate weapon.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".