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All In with Chris Hayes - (Apr 2nd)
The Rachel Maddow Show - (Apr 2nd)
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Daredevil- Born Again - (Apr 2nd)
The Studio - (Apr 2nd)
Berlin ER - (Apr 2nd)
The Cleaning Lady - (Apr 2nd)
Fixer to Fabulous - (Apr 2nd)
Street Outlaws- Locals Only - (Apr 2nd)
Finding Your Roots - (Apr 2nd)
Night Court - (Apr 2nd)
For the Love of Dogs - (Apr 2nd)
The Beat with Ari Melber - (Apr 2nd)
FBI- Most Wanted - (Apr 2nd)
St. Denis Medical - (Apr 2nd)
George Clarkes Amazing Spaces - (Apr 1st)
Deadline- White House - (Apr 1st)
QI - (Apr 1st)
The Future of Nature - (Apr 1st)
Our Welsh Chapel Dream - (Apr 1st)
It’s frustrating to watch a movie that gets most everything right but ends up going off the rails when it really counts. Such is the case with writer-director Erica Tremblay’s third feature outing about a Native American woman (Lily Gladstone) from Oklahoma’s Seneca-Cayuga Reservation who goes in search of her missing sister (Hauli Gray) at the Grand Nations Powwow in Oklahoma City with her 13-year-old niece (Isabel Deroy-Olson) in tow. But the duo’s road trip odyssey soon turns into a statewide crime-ridden misadventure not unlike the narrative in “Thelma & Louise” (1991). Much of this multilayered tale is actually carried off quite skillfully, spotlighting the challenges that indigenous people (especially women) face and presenting a story with a capably executed, tension-filled, edge-of-your-seat quality, prompting viewers to wonder what’s coming next. However, as the story wears on, it becomes increasingly implausible, culminating in a climax that’s more than a little difficult to believe, its heartfelt sentiments notwithstanding. There are also some intriguing back story elements scattered throughout that, quite frankly, could have been better developed and resolved. That’s indeed a shame, considering how these shortcomings undermine the production’s many strong points. These weaknesses also take away from the outstanding performances of Gladstone (who turns in even better work here than in her Oscar-nominated role in “Killers of the Flower Moon” (2023)) and Deroy-Olson in her big screen debut, as well as an outstanding cast of supporting players. This AppleTV+ original truly has a lot in its favor, but it’s unfortunate that it didn’t carry through on its strengths throughout the entire film. A near hit but one that doesn’t live up to its promise or potential.
Ted Morgan has been treading water for most of his life. After his wife leaves him, Ted realizes he has nothing left to live for. Summoning the courage for one last act, Ted decides to go home and face the people he feels are responsible for creating the shell of a person he has become. But life is tricky. The more determined Ted is to confront his demons, to get closure, and to withdraw from his family, the more Ted is yanked into the chaos of their lives. So, when Ted Morgan decides to kill himself, he finds a reason to live.
A beautiful 14-year-old girl has just reached marriageable age in a village in Senegal. She has many suitors; however, she is in love a poor student who has returned to the village while the university is on strike. At birth, she had been promised in marriage to Diogoye, who went away to work in France. Diogoye, who supplied her parents with many things over the years, has now sent a dowry, and asked that she be married to him in the village in his absence; she would then be sent to France.
When Terri Hansen (Mary McDonnell) emerges from a fiery car crash as a widow, the local sheriff at first believes her account of the accident. But there's a snag in her story. Namely, a bullet in her dead husband. Just what did happen on that dark desert road? Through a series of telling flashbacks, we and the jury learn the bizarre truth. Randy Quaid and Sam Elliott costar in this riveting drama.
An unmarried aristocrat (Jacqueline Bisset) resists the advances of the adventurous man (Peter Weller) whom she actually desires, causing him to turn his attentions to her new ward (Amy Locane) and a young maid (Karen Dwyer).
When her niece is cast in The Philadelphia Ballet’s production of the Nutcracker, a jaded ex-ballerina is forced to come to terms with the life and love she left behind.
When Alice, a beloved neonatal intensive care unit supervisor, is forced to take early retirement, her young colleague Jenny decides to turn the upcoming staff Christmas party into a surprise celebration for her. The plan is complicated by Matt, the hospital’s new CFO, who’s been tasked to cut costs. Initially at loggerheads, Jenny and Matt get to know and understand each other —a sweet Christmas gift neither saw coming.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
Shirin is struggling to become an ideal Persian daughter, politically correct bisexual and hip young Brooklynite but fails miserably in her attempt at all identities.
Alma returns to Mexico seeking the man who caused the loss of her childhood home. He is not easily found, but the road to him brings her closer to her late father, and the secrets he took with him to his grave.