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**_Bill Paxton and Helen Hunt chasing tornadoes on the prairie_** When atmospheric conditions are conducive to tornadoes, a weatherman (Paxton) tracks down his separated wife (Hunt) and inadvertently joins their storm-chasing team in the Midwest because he can’t resist seeing his sensor invention finally put to use. Jami Gertz plays his new love, Cary Elwes a pompous rival and Philip Seymour Hoffman a wild team member. “Twister” (1996) could be categorized as a disaster flick, but with the distinction that the protagonists are constantly chasing the potential disaster. The entire film takes place in the prairies or forests of the Midwest with ominous skies and intermittent destructive tornadoes. It’s called “Twister” and that’s what you get. The writers keep things interesting by adding human interest with the, admittedly contrived, love triangle and the rival storm-chasing team that has corporate sponsors (the horror, the horror). I didn’t mind the love story. When two people belong together, they belong together. Perhaps the fiancé will realize this. Speaking of which, I’m glad they didn’t make her (Gertz) out to be an unreasonable biyatch, like in “The Parent Trap.” At the end of the day, “Twister” gives you what you pay for. It’s not rocket science, but it’s entertaining and full of tornado-oriented thrills, which explains why it was a huge hit at the box office. The movie runs 1 hour, 53 minutes, and was shot in Oklahoma (Guthrie and Ponca City), Iowa (Boone and Ames) and Bolton, Ontario. GRADE: B
'Twister' makes for fun viewing. There's a good chance that this was one of the (if not the) first films that I ever watched, it was released a mere few months after my birth and I have a faint memory of watching it on video as a young kid, I remember my mum had taped it and it was recorded back-to-back with a random music concert that was also on TV at the time - I can still picture myself seeing it switch from the film to the music. With that said, if I did indeed watch it at that time and it wasn't just a memory of actually checking out the concert itself or perhaps someone else doing either/or, I don't recall anything about this movie - not one jot. I did know the general gist of the film though (hard not to, rather self-explanatory!) and that Bill Paxton was in it. The movie itself is entertaining, if naturally not perfect. The special effects have aged, for 1996, rather well, there's a couple of goofy looking moments but again, for its time it's more than adequate. The score is pleasant too. I didn't overly like the lover's quarrel, in fact it kinda annoyed me in parts; Melissa is written weakly, there's kinda no need for Jami Gertz's character to even exist given what (predictably) happens. Helen Hunt puts in a strong showing, probably the standout of the near two hours. Paxton, of course, runs her close in that regard too. Lois Smith and Philip Seymour Hoffman are the ones who stick out most away from Hunt and Paxton. Cary Elwes features too, albeit quite forgettably. Eager to see what they do for this year's standalone sequel with Glen Powell & Co. Based on snippets of the trailer I've seen, I reckon it'll be just as good - if not slightly better - as this original. Time will tell.
Three childhood friends, Martha, Walter and Sam, share a terrible secret. Over time, the ambitious Martha and the pusillanimous Walter have married. She is a cold businesswoman; he is the district attorney: a perfect combination to dominate the corrupt city of Iverstown at will. But the unexpected return of Sam, after years of absence, deeply disturbs the life of the odd couple.
A disastrous great flood sweeps the planet. On what may be the last day on Earth, a desperate fight ensues to save a child from a flooding apartment.
The story of acerbic 1960s comic Lenny Bruce, whose groundbreaking, no-holds-barred style and social commentary was often deemed by the establishment as too obscene for the public.
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Miss Marple and Mr. Stringer are witnesses to the death by heart attack of elderly, rich Mr. Enderby. Yet they have their doubts about what happened. The police don't believe them, thus leading Miss Marple to yet again investigate by herself.
Middle-aged suburban husband Richard abruptly tells his wife, Maria, that he wants a divorce. As Richard takes up with a younger woman, Maria enjoys a night on the town with her friends and meets a younger man. As the couple and those around them confront a seemingly futile search for what they've lost - love, excitement, passion - this classic American independent film explores themes of aging and alienation.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her offices Christmas Party, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.