He Aint Heavy 2024 - Movies (Jan 3rd)
Fittest on Earth Final Showdown in Madtown 2024 - Movies (Jan 2nd)
The Mountain Within Me 2024 - Movies (Jan 2nd)
Chasing Amazing Winter Waves 2024 - Movies (Jan 2nd)
No Hamburg No Beatles 2024 - Movies (Jan 2nd)
Kevin James Doyle Diary of a Bald Kid 2025 - Movies (Jan 1st)
Young Werther 2024 - Movies (Jan 1st)
A Flash of Beauty Paranormal Bigfoot 2024 - Movies (Jan 1st)
Beyond the Legend Bigfoot Gone Wild 2024 - Movies (Jan 1st)
Dream Team 2024 - Movies (Jan 1st)
A Different Man 2024 - Movies (Jan 1st)
Dont Die The Man Who Wants to Live Forever 2025 - Movies (Jan 1st)
Wicked 2024 - Movies (Dec 31st)
Mufasa The Lion King 2024 - Movies (Dec 31st)
Trilogy New Wave 2024 - Movies (Dec 31st)
Love in the Big City 2024 - Movies (Dec 31st)
Michelle Buteau A Buteau-ful Mind at Radio City Music Hall 2024 - Movies (Dec 31st)
Avicii - My Last Show 2024 - Movies (Dec 31st)
Avicii - Im Tim 2024 - Movies (Dec 31st)
My National Gallery London 2024 - Movies (Dec 31st)
A Real Pain 2024 - Movies (Dec 30th)
TNA iMPACT - (Jan 3rd)
Southern Hospitality - (Jan 3rd)
Hells Kitchen - (Jan 3rd)
The Ingraham Angle - (Jan 3rd)
Special Report with Bret Baier - (Jan 3rd)
Jesse Watters Primetime - (Jan 3rd)
Outnumbered - (Jan 3rd)
Hannity - (Jan 3rd)
Southern Charm - (Jan 3rd)
The Last Word with Lawrence ODonnell - (Jan 3rd)
Outlander - (Jan 3rd)
Dexter- Original Sin - (Jan 3rd)
The Agency - (Jan 3rd)
Alex Wagner Tonight - (Jan 3rd)
Going Dutch - (Jan 3rd)
The ReidOut with Joy Reid - (Jan 3rd)
All In with Chris Hayes - (Jan 3rd)
Big Fat Quiz - (Jan 3rd)
Building Outside the Lines - (Jan 3rd)
Animal Control - (Jan 3rd)
Were it not for the fact that it features an ex "007", I reckon this would be an almost instantly forgettable gay-themed drama that could easily be found on Dekkoo in a year to two. Anyway, Daniel Craig is the independently wealthy "Lee" and living in a Mexico City where in between tequila and heroine sessions, he tries to pick up young men. He's not a bad looker and so usually gets some entertainment (paid for, or otherwise) but then he spots an enigmatic young man who comes to their local bar to play chess with a red-headed woman. Intrigued, his usually effective introductions seem to fall on beautiful but disinterested eyes and ears, but he persists and soon manages to befriend student "Eugene" (Drew Starkey). Even though they drink and chat together, he still isn't sure if his new challenge is even eligible for some furious jogging. Indeed, the young man is so completely non-committal and tractable that it's impossible for him to be sure about almost anything about him. Napoleon brandy might help provide an answer, and it does - of sorts, but an extremely satisfactory one for the older man who is clearly becoming obsessed with a man who at best displays indifference to him. "Lee" isn't used to this sensation, but he simply has to have something more meaningful with this man. He cannot just be an another notch on the bedpost, and so he turns his mind to a trip round South America and to take a travelling companion. Why there? Well he's read of a secret plant that he believes both the KGB and CIA are using for it's famed telepathic powers. Perhaps if he finds it, he can reach into the very mind of his gorgeous antagonist? What the men do manage to find in the midst of the Ecuadorian jungle is Lesley Manville and at this point the wheels really came off for me. At the very end, the closing slide says "William S. Burroughs' Queer" as if Luca Guadagnino was saying to us - 'don't blame me". Sure there are some sex scenes, but they are all blink and you'll miss them (and in the trails anyway), so what are we actually left with? A story of an ageing drunk and a narcissistic young man playing a rather depressing form of "cat and mouse" meets "house"? To be fair, Craig delivers strongly indeed, but to what end? His character has nowhere to go, and his range of dependencies are neither attractive nor especially plausible as the second half of the story enters the surreal in quite a desperate way. Starkey has very few meaningful lines and so relies on his perfectly man-scaped appearance to present a persona that is easy on the eye but not remotely troubling for the brain, and that's largely in keeping with the whole story that just lacks substance. It's bizarrely unfulfilling on just about every front and really quite characteristically impotent. There's simply nothing natural about it and as tale of flawed humanity goes, well so what - I didn't care. It looks good, sounds good and has an altogether polished finish to it, but like a meringue there's little to delve into.
A transcendent tale of love following two seperated lovers as they navigate the difficulties of their past and the possibilities of their future. Peter has dependents and wants to hide away in the countryside with Jacob. Jacob is proud of who he is and doesn’t want a dead-end life, insisting Peter joins him where queer life is not prohibited.
Chinatown, San Francisco, 1928. Former private detective Dashiell Hammett, a compulsive drinker with tuberculosis who writes pulp fiction for a living, receives an unexpected visit from an old friend asking for help.
Khaila Richards, a crack-addicted single mother, accidentally leaves her baby in a dumpster while high and returns the next day in a panic to find he is missing. In reality, the baby has been adopted by a warm-hearted social worker, Margaret Lewin, and her husband, Charles. Years later, Khaila has gone through rehab and holds a steady job. After learning that her child is still alive, she challenges Margaret for the custody.
Coral Atkins, a British soap star of the 1970s, becomes deeply affected by the plight of children from troubled homes. Against considerable odds, Coral harnesses her celebrity to launch a crusade to establish her own home to care for the children. Based on the memoirs of Coral Atkins.
A spirited young woman finds herself destitute and on the streets before joining a traveling carnival, where she meets a vagabond painter.
Directed in 1980 and released in 2013. On the issue of addiction in Iran in the 1980s. Mohsen's father is going to pass away soon due to an illness, however, Mohsen himself has been missing for 6 months. A BSc medicine student, he has become a drug addict and lost himself in the slums. Setting out to help him out of his conditions, and deliver his mother's care to him, his father starts searching for him. The movie is embedded in the social conditions of the 70s AD Iran, has a 70s Iranian chivalric tincture, religious color-as was the climate of the Iranian society at the time- and is blended with historic state propaganda. For the audience of that time, this movie would have received a fair score, as it touches on religious notions. However, the issue it addresses is far more complicated and sophisticated at this age, and its propaganda outlook can no longer attract significant commercial or critical attention.
A group of students from the Cosmo Academy are about to take their final exam: surviving for over fifty days in a derelict ship. But when they arrive, they discover that instead of ten students, there are eleven. One of them doesn't belong there...
Having recently witnessed the horrific results of a top secret project to bring the dead back to life, a distraught teenager performs the operation on his girlfriend after she's killed in a motorcycle accident.
Yamin and his struggles with loneliness and isolation. His little brother, Dhamin, helps him to find some solace through their shared love of drawing. However, Yamin still feels the need to leave and find his own way in the end. It's a touching story about the power of connection and creativity.