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Set in New York City in the 1990s, community activists seek to rid their neighborhood of the anguish, brutality, and violence associated with local drug dealers.

Three sailors are talked into trying LSD and marijuana-which, this film implies, are basically the same thing-and the effects of the drugs endanger the lives of their fellow sailors aboard ship.

Jeanette, a pretty high school student, is looking for “kicks”. She starts hanging out with a wild crowd, and begins popping bennies, uppers and other pills. Soon she graduates from barbiturates to marijuana…

It is never wrong, to do the right thing!

Cautionary anti-drug film based on a true story about the effects on Jean Stapleton and Arthur Hill when their teenage son (John Putch, Stapleton's real-life son) gets spaced out on a marijuana joint laced with PCP, or "angel dust," and the family is forced to wrestle with the crisis.

Norwegian propaganda film and cult drama about Eva (16) and Arne (17), both from well established homes, attend a class where a professor says that cannabis is safer than alcohol. Together with some friends they decide to try the drug. The start of a drug hell for all involved. The film was poorly received by the critics, but it nonetheless became one of the highest-grossing theater films in Norway in 1969

A new principal comes to the underdeveloped village school that is affected by lazy teachers and drugs.

Anti-drug film set in Harlem.

Early "shockumentary", apparently shot in Egypt, which documents the habits of opium addicts. The interiors of drug dens are shown, and at the conclusion the film an addict is shown collapsing on a sand dune; the booming voice of the narrator informs us that the addict has perished. Footage used is from the silent film Dope Fiends.

1967 Navy training film MN-10507-A. Navy physician talks about the dangers of LSD or "Russian roulette in a sugar cube." National Archives Identifier: 6379 "How LSD was discovered, the extreme dangers of using it and how it affects the brain and body."

Marty, a "good boy," experiments with marijuana and experiences "profound mental and emotional disturbances." As in all anti-drug films of this vintage, marijuana leads straight to "H," and Marty's decline continues until he is busted, rehabbed and reformed. Drug Addiction's stilted view of the urban drug culture and unrealistic portrayals of stoned slackers make it entertaining viewing today. It belongs to that little-known "second wave" of anti-drug films, the postwar scare stories about middle-class kids overcome by junkiedom. What this wave of films reveals is that drugs were an issue for white adolescents long before the psychedelic Sixties, and that the official response to the threat expressed a general, not specifically targeted paranoia.