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Heated - (Nov 7th)
Letters and Numbers - (Nov 7th)
The Day of the Jackal - (Nov 7th)
The 11th Hour with Stephanie Ruhle - (Nov 7th)
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James May and the Dull Men - (Nov 7th)
Return to Las Sabinas - (Nov 7th)
After Midnight - (Nov 7th)
Las Bravas F.C. - (Nov 7th)
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Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Hold on to this gem tightly, because movies like _Matilda_ will probably never get made again. _Final rating:★★★★ - Very strong appeal. A personal favourite._
**An excellent family comedy with some social criticism in the mix.** The film is one of the most famous family comedies of the 1990s, adapting the story of the same name by Roald Dahl for the screen, where a girl, who was born into an idiotic family unable to understand it, decides to win the right to go to school and to learn, which their parents do not value. However, at school, she comes across a cruel and sadistic headmistress who will become her biggest adversary, while her teacher becomes her best friend. It's a very good and enjoyable film, with a nice comedy genre and some fantasy. The characters are reasonably well done, albeit a bit artificial in their conception, and the cast is very good. Mara Wilson, despite her youth, shone in the lead role and guaranteed the start of her acting career. Danny DeVito, who also ensures an effective and well-executed direction, does a very intelligent job as an actor, being well assisted by Rhea Perlman. And while Embeth Davidtz delivers a good performance, it's Pam Ferris's overwhelming and committed performance as a villain that steals our attention, in a work that is as iconic and striking as it is histrionic and over-the-top. It may go unnoticed, in the midst of the comedy and lightness of the film itself, but I felt that there is here, well marked in the Wormwoods, a harsh sarcastic critique of a certain American middle class: like many American families, they learned to do everything, or almost everything, in front of the television screen, and they do not value each other, being in every respect a largely dysfunctional family. He's a crook, she's vain, vain and addicted to gambling, the eldest son doesn't seem to have any prospects for the future or know what he wants from his own life. As a family, they value nothing but easy money, as evidenced by the weird TV show style they adore and the cheap, tasteless decor of their home. Despite everything, they think they are much smarter than others for being that way. Technically, it's a low-key film. The cinematography is in line with what one would expect in a comic film of this decade, prolific in good comedies, and the sets and costumes are good and convincing, particularly the school. The film has some special, visual and sound effects, most of which do their job well, without demerits. The soundtrack, composed by David Newman, doesn't bring anything really remarkable.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
A student of the occult encounters supernatural haunts and local evildoers in a village outside of Paris.
After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.
Loving but irresponsible dad Daniel Hillard, estranged from his exasperated spouse, is crushed by a court order allowing only weekly visits with his kids. When Daniel learns his ex needs a housekeeper, he gets the job - disguised as a British nanny. Soon he becomes not only his children's best pal but the kind of parent he should have been from the start.
At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.
Despite their social differences Luise, called Pünktchen, a girl from rich parentage befriends Anton, a boy who has to earn his own money in order to afford life for his sick mother and himself. Together they undergo different adventures, even preventing a theft in Pünktchens home
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
Princess Jasmine grows tired of being forced to remain in the palace, so she sneaks out into the marketplace, in disguise, where she meets street urchin Aladdin. The couple falls in love, although Jasmine may only marry a prince. After being thrown in jail, Aladdin becomes embroiled in a plot to find a mysterious lamp, with which the evil Jafar hopes to rule the land.