National Christmas Tree Lighting 2024 - Movies (Dec 25th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
A Christmas in New Hope 2024 - Movies (Dec 25th)
Lost in Tomorrow 2023 - Movies (Dec 24th)
The Forge 2024 - Movies (Dec 24th)
Christmas in Maple Hills 2024 - Movies (Dec 24th)
Christmas with the Prince 2023 - Movies (Dec 24th)
Christmas with Jerks 2023 - Movies (Dec 24th)
Christmas at Keestone 2023 - Movies (Dec 24th)
A Novel Christmas 2024 - Movies (Dec 24th)
Chiefsaholic A Wolf in Chiefs Clothing 2024 - Movies (Dec 24th)
A Fireman for Christmas 2024 - Movies (Dec 24th)
Your Friend Nate Bargatze 2024 - Movies (Dec 24th)
SuperKlaus 2024 - Movies (Dec 24th)
Our Christmas House 2024 - Movies (Dec 24th)
The Order 2024 - Movies (Dec 24th)
The Last American Vagabond - (Dec 25th)
The Chase Australia - (Dec 25th)
Letters and Numbers - (Dec 25th)
The Chase - (Dec 25th)
Lets Make a Deal - (Dec 25th)
Richard Osmans House of Games - (Dec 25th)
Carols from Kings - (Dec 25th)
The Count of Monte Cristo - (Dec 25th)
The Great British Bake Off - (Dec 25th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
It seems unfair to even review a movie like this. After all, I didn’t find it to be particularly entertaining and I didn’t feel the adaptation from the book was done well. That usually would translate into a low rating for a film, right? But I don’t feel it is appropriate to pan a movie that was made 100 years ago. The film industry was in its infancy and indeed, the world was a different place. I would want to see a lot of the other silent movies before I even attempt a critical review. Lacking that, I will just make some observations about stuff I found interesting. This version begins showing a scene not in the book. In fact, we are ten minutes into the film before we get to where the book starts. It might have been done to establish the nature of Pollyanna and to show her father dying, an event not specifically described in the book. I didn’t quite buy into Pickford looking like a young girl, as others seem to have done. She has the body shape and size to play a child, but her face screams adult to me. That is odd, as some pictures of Mary Pickford do look rather young to me. Perhaps the make-up needed on film worked against the character’s age. I often think modern movies utilize actresses who are too beautiful to portray a plain woman, sometimes having her transform into a more beautiful lady. But oddly, I thought the Aunt Polly actress was too plain, so that when her hair was done up, there seemed to be no improvement to my eyes. That was weird. There are cute scenes here and there. I am guessing Pickford enjoyed physical humor. She leaps around like a young girl, and her face was expressive. It did jar me when she used the phrase “wife beater.” That didn’t seem like Pollyanna. I guess the script is also based on a play being performed at the time. Perhaps it came from that, which would be seen by more adults. This is an hour long, so they did the best they could developing the plot under such a time constraint. As I said, my rating is probably meaningless in this case. I would have rated it lower based only on how entertained I was, but perhaps higher if I knew more about the quality and production value of other silent movies of this era.
Join Little Joe and his rootin' tootin' French pea brothers on an adventure that will take them from an abandoned mineshaft all the way to Dodge Ball City-with Little Joe's faith being tested every step of the way! It's a Wild West yarn that teaches us to keep the faith when facing hardship because, in the end, god can work all things out for good. Yee-haw!
Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.
The Vampire is a surviving 1915 silent film drama directed by Alice Guy and starring Olga Petrova. It is one of Petrova's and Guy's few surviving silent films.
This kid has to move to a farm in his summer vacation and don't get to go to Norway Cup as he had planned for. Out on the country there is bad cellphone reception, cow smell and inbreed farmers as far as the eye can see. The family Volvo get stolen and the foreigners in the small town automatically gets blamed. From there is a chase to discover what truly happened...
The student politics in a government college has for long revolved around the students' organisation KSQ. Subhash and Paul attempts to change the political scenario by launching a new movement called SFY based on their ideologies.
With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organise a daring new heist.
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.
Juliette Hardy is sexual dynamite, and has the men of a French coastal town panting. But Antoine, the only man who affects her likewise, wouldn't dream of settling down with a woman his friends consider the town tramp.
Punk-rocker turned suburban mom, Kelly, is nostalgic for a life she can no longer have and uncertain of a future she doesn’t yet fit in. Seventeen-year-old Cal is frustrated at his lack of control over the hand he's been dealt. When the two strike up an unlikely friendship, it's the perfect spark needed to thrust them both back to life.
Wilbur the pig is scared of the end of the season, because he knows that come that time, he will end up on the dinner table. He hatches a plan with Charlotte, a spider that lives in his pen, to ensure that this will never happen.
When an impulsive boy named Kenai is magically transformed into a bear, he must literally walk in another's footsteps until he learns some valuable life lessons. His courageous and often zany journey introduces him to a forest full of wildlife, including the lovable bear cub Koda, hilarious moose Rutt and Tuke, woolly mammoths and rambunctious rams.