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The black cat has it... Ascenseur pour l'échafaud (AKA: Elevator to the Gallows/Lift to the Scaffold) is directed by Louis Malle and co-written by Malle, Roger Nimier and Noël Calef (novel). It stars Jeanne Moreau, Maurice Ronet, Georges Poujouly, Yori Bertin and Jean Wall. Music is by Miles Davis and cinematography by Henri Decaë. A little ole devil this one, a sly slow pacer that itches away at your skin. Rightly seen as a bridging movie between the classic film noir cycle and the nouvelle vague, Malle's movie is in truth straightforward on narrative terms. Julien Tavernier (Ronet) is going to kill husband of his lover, Florence Carala (Moreau), who also happens to be his boss, but upon executing the perfect murder, he, through his own absent mindedness, winds up stuck in a lift close to the crime scene. Outside Florence is frantically awaiting his arrival so as to begin their life together in earnest, but when a couple of young lovers steal Julien's car, Florence gets the wrong end of the stick and a sequence of events lead to Julien and Florence hitching that ride to the gallows. Simplicity of narrative be damned, Malle's movie is a classic case of that mattering not one jot. There is style to burn here, with bleak atmospherics dripping from every frame, and Miles Davis' sultry jazz music hovers over proceedings like a sleazy grim reaper. The ironic twists in the writing come straight off the bus to noirville, putting stings in the tale, the smart reverse of the norm finding Moreau (sensual) wandering the streets looking for her male lover, while elsewhere he's in isolation and a doppleganger murder scenario is cunningly being played out. Decaë's photography has a moody desperation about it that so fits the story, the use of natural light making fellow French film makers sit up and take notice. While the dialogue, and the caustic aside to arms dealings, ensures we know that Malle can be a sly old fox. He really should have done more noir like pictures. A film that convinces us that Julien and Florence are deeply in love and passionate about each other, and yet they never are once together in the whole movie! It's just one of the many wonderful things about Louis Malle's excellent picture. Remember folks, the camera never lies... 8/10
An ambitious lobbyist faces off against the powerful gun lobby in an attempt to pass gun control legislation.
A convicted racketeer becomes prison trustee when an inmate whom he persuaded to escape is killed.
Secret Service agents make a deal with a counterfeiting inmate to be released on early parole if he will help them recover some bogus moneymaking plates, but he plans to double-cross them.
Mr. Dean's body is found face down in the fireplace, burned beyond recognition. Nightclub-singer Eden Lane is convicted of the crime. She is escorted to prison by one of the arresting detectives when she convinces him that she just spotted the murderer outside their train.
In the midst of Nazi air raids, a postman dies on the operating table at a rural hospital. But was the death accidental?
An intense and imaginative artist, revered Dutch painter Vincent van Gogh possesses undeniable talent, but he is plagued by mental problems and frustrations with failure. Supported by his brother, Theo, the tormented Van Gogh eventually leaves Holland for France, where he meets volatile fellow painter Paul Gauguin and struggles to find greater inspiration.
Marc Hill is the attorney for Emmet Devrey, a real estate developer with a past, who is being blackmailed by his former partner Sam Baggett. When Sam's unfaithful wife Marge cooks up a scheme with her used car salesman lover Jeff Calder to bilk both Devrey and her alcoholic husband, Sam is killed and Devrey is accused of the crime. Mark is called to prove his employers innocence.
An experimental self-portrait, MMXIII explores phenomenological subtlety, intersections of construct and verité, and the ways in which technology, landscape, and beauty coalesce.
"Olivia" captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months.
Three soldiers get trapped in an elevator when terrorists set off a dirty bomb. But when one escapes, her world turns upside down as she realizes nothing is what it seems.
The star of the hit series, The Haunting of Sunshine Girl, Sunshine embarks on a new adventure with her best pal, Nolan and a new sidekick Andrew. They head to Portland, Oregon in search of her favorite urban legend, Black Eyed Kids. Here they meet several witnesses who have seen BEK. This is a whole new adventure for the group and far from her normal ghostly adventures. Little does she know the BEK world is far more dangerous and evil than any of them could imagine. Will she make it out alive?
