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Penn and Teller- Bull - (Aug 31st)
Match of the Day - (Aug 31st)
The Beat with Ari Melber - (Aug 31st)
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**Yet another apologetic film about the assumption of homosexuality.** I've had other occasions to say that I'm not a fan of apologetic and contestatory films. I am not against their existence, there is room for them and cinema is a legitimate form for the expression and defense of political, social or moral agendas, theories and ideas. It's simply not a type of cinema that I really like to consume, not least because it's a niche cinema, that is, that tends to please those who already defend those ideas, in addition to trying to convince us to accept them. This film does precisely that with homosexuality. There are more and more films that talk about the subject, some do it with skill and even a healthy neutrality, which leaves us room to think and doesn't try to teach us the opinions we should have. “Dallas Buyers Club”, “Philadelphia” or even “Milk” are good films about the theme and about people who defended well the sacred right of homosexuals (and of any citizen) to live their sex life without being the target of recriminations, as long as obey the laws like all citizens. This movie is not that good. The script focuses on two young people from troubled families in the suburbs of London: after refusing to go home, where he suffers aggression, Steven is welcomed by Jamie's mother. The closeness between the two teenagers eventually leads them to become sexually involved, leading to major complications as their relationship becomes increasingly obvious to everyone who lives there. That is, the film is like so many others, except that it is about homosexuals who live in a kind of urban Babylon where crime, alcohol, drugs, sex and the end of moral values grow more easily than weeds. Supposedly, their relationship is the purest and most innocent thing that is born there... or that's what the film tries to convince us. I wouldn't have so many problems with the moral degradation of that social environment if the story was good, but it's not: it's too sugary, melodramatic, it's full of clichés, and it's approached in a dogmatic way, always around prejudice and shame in being homosexual. The film does not deviate from this tone and, using cheap sentimentality, wants to force us to think in a certain way. Glenn Berry and Scot Neal are two actors I didn't know, and whose careers didn't take off. I don't know where they are today, but I can say that, from what I've seen, they don't seem to be working as actors anymore and haven't achieved any success. Perhaps this is due to the absolute lack of charisma that both suffer from, and that did not help them to sustain their role in this film. Linda Henry is much more effective and competent, even if she cannot save the film. On a technical level, and being an independent film with a limited budget, we can't fault it. The film does a good job with what it has. There just isn't anything that is really notable, or outstanding.
"Jamie" (Glen Berry) lives with his single-parent mum "Sandra" (Linda Henry) on a London housing estate. He's a slight lad who is prone to bullying at school which leads him to skive off now and again to go home and watch musicals on the telly. Next door is his schoolmate "Ste" (Scott Neal) who has a pretty torrid time of his own with a father and brother who thinking nothing of knocking him about. The lads start to bond and are soon firm friends whose relationship could be starting to burgeon into something more... This film has a distinct charm about it. Sure, maybe it's a wee bit stereotypical at times, but there are strong efforts from Neal, Berry, especially Henry and from Ben Daniels as her love interest "Tony" - who appears to be little better than a dope smoking idler initially, but who is actually rather more than that. It addresses issues of brutality, parenthood and pride - but somehow you just know that there is going to be light at the end of the tunnel and by choosing this ostensibly hostile location for the setting, that light becomes all the more potent as our story develops. It's clearly been done on a budget, the production is a bit on the basic side - but this is a story about character - the strengths and depth of it - and it moves along well and quite powerfully for an engaging ninety minutes.
When the grieving student Patricia finally wanted to contact her deceased grandmother via the Ouija board at the scene of the accident, an uninvited guest asked to enter.
The life of gay 16-year-old Daniel goes completely off track as he is being held responsible for the killer of a small boy who was abused and killed.
When London teenager Yemi’s big brother comes to live with him from Nigeria, Ikudayisi’s terrible fashion sense, broad Yoruba accent and misplaced confidence with the opposite sex threaten to destroy Yemi’s already small amount of street cred. When the pair are forced to spend the day together on their Peckham estate Yemi is forced to confront local bullies, the unattainable girl of his dreams and his own African heritage, eventually teaching both of them the values of family and self-respect.
Two years after the death of his beloved wife, Pat O'Brien summons his children back to their homestead in the west of Ireland. Fionn travels from New York, Gareth from London, and daughter Una returns from Dublin, fearing the worst. Pat is not the only family member bearing the burden of a secret. The O’Briens is a modern comedy about a dysfunctional Irish family and the town they grew up in.
The Lindenhof School is expecting a busload of proper young English ladies as exchange students. The shock is great when the students turn out to be teenage boys! But while Mademoiselle Bertoux is delighted to stage “Romeo and Juliet” with real boys, both Hanni and her sister Nanni fall for their “Romeo,” Clyde.
When best friends, Kaitlin and Maddy, go missing during Spring Break, their mothers do everything they can to find them, while realizing that their different parenting styles may have led to their disappearances.
Ernesto is a young Italian Jew of the early 1900s who works in his uncle's factory in Trieste. Not entirely secure with his sexual orientation, Ernesto enters into an affair with one of his uncle's employees.
When Jonas was 14 he met the charismatic but mysterious Nathan. In addition to guiding him in his sexuality, Jonas soon confronts something dark and even dangerous about his new friend. Now an attractive, sexually assured adult, memories still haunt him. Trying frantically to put the missing pieces together, Jonas becomes determined to break the shackles of the past and finally set himself free.
A teenage girl considered by everybody as "difficult" is sent to the village to live with her grandfather.
Interspersed with a commentary by a female narrator,who at times assumes their roles,the father,mother and daughter and son of a black,South London family commence their day and we follow them through it in all its mundanity until it climaxes in a random act of violence,killing one of the family and taking up the after-math.
After a long absence abroad, young Asian American woman Raffi Tang is called home when her estranged mother is murdered. She becomes increasingly drawn into a web of deception and incompetence while at the same time dealing with her own grief.