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_This movie was screened at Panic Fest._ The gruesome shocker of an opening scene is almost all that director Ariel Vida‘s “Trim Season” has going for it, and it’s all downhill from there. With a kickoff like that, it makes the rest of the sluggish film seem even slower than it actually is. I don’t want to hear any of that “but it’s a slow burn!” talk: if a movie is unhurried to the point it’s no longer entertaining, then it’s not a success. Horror fans are going to be disappointed with just about everything up until the bloodbath of a finale, which is teeming with plenty of gore, carnage, and supernatural violence. In this stoner folk horror story, recently unemployed Emma (Bethlehem Million) is in desperate need of rent money. When she and her best friend Julia (Alex Essoe) learn about a lucrative temporary job working on a marijuana farm, they see it as a chance to make some quick cash. The women sign up to become plant trimmers, but when they learn that the remote location of the fields and their new workplace is a creepy cabin in the woods, concerns begin to grow. After meeting their new coworkers and the big boss Mona (Jane Badler), it’s clear something isn’t right. Julia and Emma uncover the location’s dark secrets and must find a way to escape the mountain and its deadly history before it consumes them all. The film is wide open to interpretation, which feels passive and lazy. There’s a ton of obnoxiously glaring symbolism too, which comes across like a film school project gone wrong. I suppose some of the ideas raised about female empowerment and gender assumptions are at least thoughtful (one of the actors, Bex Taylor-Klaus, and their character is nonbinary, and representation in films is commendable), but the more intriguing concepts are lost. There are some haunting visuals that are striking, but the atmospheric lighting and overall mood just isn’t enough to salvage the film. The story is sparse and the performances are stiff. The supernatural mystery elements work decently with the horror-minded narrative, but the ending somehow manages to be both frustrating and polarizing, which is far from a magic combination. The film’s bookends will appease horror fans, and there’s a lot of bloody gore (especially at the end). The problem is that the plot is too long and drawn out, the pacing is sluggish, the dialogue is boring, and the character development is stagnant. The majority of “Trim Season” is insufferable. ** By: Louisa Moore / SCREEN ZEALOTS / WWW.SCREENZEALOTS.COM**
Stranded in the aftermath of a deadly outbreak, a brother fights to protect his sister while he desperately searches to find refuge and avoid an infected population with a thirst for blood.
Terror strikes when a promising young football player gets invited to train at a team's isolated compound.
A small-town couple finds the perfect apartment in the big city, except there's one catch: the apartment is home to the ritualistic suicides of a deranged cult.
In 2007, a teen girl from a posh L.A. suburb must deal with the grizzly murder of her family while trapped in the company of their killers.
Two police detectives Numata and Tosaka infiltrate a group of underground black market human organ dealers. Things go haywire during a raid on the group's surgical headquarters. Numata barely escapes, while a wounded Tosaka gets left behind. Through a series of surreal and gory events, the identities of the organ dealers are revealed as Numata plans his revenge.
With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family.
A couple passing through a small Oklahoma town discover that it has been taken over by a homicidal cult that worships a crow god-and that all the cult members are children.
Residents of a suburban community enjoy a night at home with their friends and family, while an ominous threat looms just outside their doors.
In the middle of a devastating Los Angeles earthquake, terrorists and bank robbers battle over a deadly super-virus.
A Mexican outlaw known as "The Stranger" is part of a band of thieves that steal a cargo of gold from a stagecoach. However, the Americans in the band betray him, and shoot all the Mexicans. The Stranger is not completely dead though, and crawls his way out of his shallow grave, continuing his pursuit of the gold, and exacting a bloody vengeance.