最強OLパチンカー珠美

A sad love story with a hint of saspense about a master detective who seduces women with sophisticated technology, his target, a beautiful model, and the madness of the stalker who hunts her down.

A sensual drama that carefully depicts the conflicts of a hotel lady, set in an office whose names are all fruits. Hitomi Kurosawa, who is known for her voluptuous proportions, delicately portrays the complex feelings of a prostitute who has no illusions about her love life. Melon (Hitomi Kurosawa), who lies to her hometown girlfriend's parents that she works as an office lady and works as a hotel lady in Tokyo, is proposed to by her regular customer Kageda (Yutaka Ikejima). Melon has arranged a date with Kageda on Christmas, which is also her birthday, and asks her to give him sunflowers, which are out of season.

A couple of men and women who look happy. However, each of them was living another life that the other did not know. Their words, which at times seem to betray their own feelings, crystallize into a dry ending.

Kazumi has a cram school that is in financial difficulties, and she sneaks into a franchise contract company as a thief.

Kaito is a university student who moved to the city because of its cheap rent. While killing time at home, a beautiful woman suddenly appears in front of him. Kaito and the woman continue to have sex, but Kaito senses something is wrong.

A sensual drama that carefully examines the crossroads faced by an elderly man who has had a spectacular career with women. Director Yutaka Ikejima, who also plays the lead role, skillfully portrays the sadness of a popular man's old age while performing various erotic scenes himself, and this is a good film that won the Top 10 Pink Award. Ezaki (Yutaka Ikeshima) was asked to divorce his wife Kumi (Satomi Shinozaki) on the day he retired due to cheating, and his partner introduces him to his friend Kaori (Yuna Kawamura), but her mother... ・Etsuko (Ayumi Taguchi) and her younger sister Yayoi (Kyoko Hashimoto) are former mistresses, and when they reunite, they develop a strange friendship.

The sequel depicts Yuki's love affair with a young brothel owner who was once a Noh singer, and his complicated relationship with a woman who follows him around. Their love triangle nearly dissolves in Yuki's favour, but takes a sudden turn after an intervention of a perverted painter who believes in fatalism.

36-year-old Shoko Morimura (Aika Yukihira) is raising her daughter on her own while working as a temporary worker. At a high school reunion, she reunites with her first love, obstetrician-gynaecologist Kitada Kazuki (Sho Aoyagi), and has a one-night stand with him. Shoko is once again excited, but becomes upset when Kazuki proposes that she become his "sex friend." Part one of a two-part film adaptation of the popular manga by Yoriko Minato. Directed by Hideo Jojo On the Edge of Their Seats, the film depicts the emotions of a man and woman who spend the night together at a class reunion.

Yuria (Kimito Ayumi) puts an end to her life in Tokyo to marry Yoshiharu, the eldest son of a farmer whom she met at a matchmaking party. Yoshiharu's family home is in the countryside, and she lives with her father-in-law (Kozo), who lost his wife three years ago. Kozo warmly welcomes Yuria, who came to meet the farmer's wife shortage, as he is short of women and wives. Yuria is confused by her first experience of farming and her husband Yoshiharu's intense sexual desire, but she does her best as a wife. However, Yoshiharu gradually begins to have a complex about Yuria, who grew up in the city. Then, Yoshiharu is seduced by Madoka, the daughter of his ex-girlfriend, the landowner...

This erotic drama depicts the struggles of a nurse who faces various problems at her dream workplace. Hatsumi Saki, popular for her cute face and voluptuous body, makes her first starring role as an innocent new nurse who is torn between work and love. Her long-held dream comes true as Eri (Hatsumi Saki) begins working as a nurse at the hospital where she has been cared for since she was a child. While she has feelings for a fellow doctor, she is so overwhelmed by the daily work that she begins to have doubts about her job, but she is also at the mercy of disturbing movements within the hospital, which is facing financial difficulties.

The Slit-Mouthed Woman is a striking example of Pink Cinema that mixes horror with eroticism in a way that is both unsettling and genuinely original. A young couple enter a hospital after rumours that a demonic spirit known as the slit mouthed woman had been seen there. Once inside, they are possessed by an overwhelming desire to have sex and sneak off into an empty room to satiate their lusts. Then out of the darkness a perverse and disfigured woman appears and confronts them.The Slit-Mouthed Woman, a.k.a Kuchisake, is an original hybrid of pink erotica and horror from the controversial J-sploitation director Takuaki Hashiguchi whose previous films include the disturbingly nasty Woman Prisoner Torture. The Slit-Mouthed Woman features impressive special make-up effects from Takashi Oda, who worked alongside the acclaimed actor/director Beat Takeshi Kitano on his Yakuza action film Sonatine.