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Like a big baby with buttons all over. I push the buttons. Internal Affairs is directed by Mike Figgis and written by Henry Bean. It stars Richard Gere, Andy Garcia, Nancy Travis, William Baldwin and Laurie Metcalf. Music is jointly produced by Figgis, Brian Banks and Anthony Marinelli and cinematography is by John A. Alonzo. Stylish neo-noir that has Gere as Dennis Peck, a crooked cop under investigation by IAD operatives Garcia and Metcalf. Peck is a master manipulator, a devious bastard who has his fingers in so many mud pies he could start his own bakery. Gere is on fire with the role, imbuing Peck with a menacing nastiness that’s a constant throughout the entire play. Once Figgis and Bean have laid the character foundations, the plot turns into a psychological battle of wills and skills between Peck and Raymond Avila (Garcia), with Peck always one step ahead because he knows where Avila’s weakness is. Figgis slow burns the tension with great aplomb, then unleashes the beasts for the thriller aspects of Bean’s screenplay. The look and feel of the piece is that of doom, deftly positing Peck’s vileness within a city awash with crooks, hookers and hitmen for hire. 8/10
The possibility of Oscar gold holds the cast and crew of an independent film in its grip after the performance of its virtually unknown, veteran star generates awards buzz.
Newly arrived in Hollywood from England, Dennis Barlow finds he has to arrange his uncle's interment at the highly-organised and very profitable Whispering Glades funeral parlour. His fancy is caught by one of their cosmeticians, Aimee Thanatogenos. But he has three problems - the strict rules of owner Blessed Reverand Glenworthy, the rivalry of embalmer Mr Joyboy, and the shame of now working himself at The Happy Hunting Ground pets' memorial home.
Quite a bit can happen over the course of a single day in L.A., and when smooth-talking scam artist Johnny decides to throw a bachelor party for his best friend Bill the events of the day take a bizarre turn. As the festivities get underway, the appearance of a transvestite prostitute, a trigger-happy ex-con, and a notorious porn king signal that this isn't going to be a typical night out.
Small-town bartender Owen Peadman goes to Los Angeles to raise money to help save his father's Minnesota restaurant. He tries to find a way into Hollywood society, where he meets socialite Lisa and her uptight actor boyfriend. Can he balance his growing feelings for Lisa with surviving the sordid lifestyles of the Hollywood elite?
Fletch is a fish out of water in small-town Louisiana, where he's checking out a tumbledown mansion he's inherited. When a woman he flirts with turns up dead, he becomes a suspect and must find the killer and clear his name.
Chasing jewel thieves, Captain Carson and Magpie head for the border where Carson, posing as a Chinaman, opens a store that buys jewelry. To flush the thieves into the open, Carson wins all their money at poker. They agree to sell him the jewels but plan to kill him and keep both the jewels and the money.
East L.A. Interchange follows the evolution of working-class, immigrant Boyle Heights, the oldest neighborhood in East Los Angeles from multiethnic to predominately Latino and a cradle of Mexican-American culture in the U.S. The documentary tells the story of how one neighborhood managed to survive the construction of the largest and busiest freeway interchange in the nation and explores the shifting face of community in the United States today arguing why it should matter to us all.
Ellie Parker, an aspiring actress from Australia, lives a hectic Hollywood lifestyle, perpetually trying to land the role that will elevate her career. Living with her lothario musician boyfriend, Justin, Ellie is far from happy, finding support primarily from her friend Sam. But when Ellie meets Chris after a minor traffic accident, she sees new potential for both romance and her life in general.
Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create - in 21st century L.A.
A rising Hollywood actor decides to take personal revenge against a group of four persistent photographers to make them pay for almost causing a personal tragedy involving his wife and son.
Christian, a hunky, 20-something, West Hollywood party boy gets more than he bargains for when he tries to seduce 19-year-old Elder Aaron Davis, a sexually confused Mormon missionary who moves into his apartment complex.