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Like a big baby with buttons all over. I push the buttons. Internal Affairs is directed by Mike Figgis and written by Henry Bean. It stars Richard Gere, Andy Garcia, Nancy Travis, William Baldwin and Laurie Metcalf. Music is jointly produced by Figgis, Brian Banks and Anthony Marinelli and cinematography is by John A. Alonzo. Stylish neo-noir that has Gere as Dennis Peck, a crooked cop under investigation by IAD operatives Garcia and Metcalf. Peck is a master manipulator, a devious bastard who has his fingers in so many mud pies he could start his own bakery. Gere is on fire with the role, imbuing Peck with a menacing nastiness that’s a constant throughout the entire play. Once Figgis and Bean have laid the character foundations, the plot turns into a psychological battle of wills and skills between Peck and Raymond Avila (Garcia), with Peck always one step ahead because he knows where Avila’s weakness is. Figgis slow burns the tension with great aplomb, then unleashes the beasts for the thriller aspects of Bean’s screenplay. The look and feel of the piece is that of doom, deftly positing Peck’s vileness within a city awash with crooks, hookers and hitmen for hire. 8/10
This provides the audience with quite a different role from the otherwise good looking (romantic) hero type characters usually associated with Richard Gere. In this film, he portrays "Dennis Peck", an outwardly upstanding police officer who is about as dodgy as they come underneath. When Andy Garcia is brought in to investigate goings on at his precinct, he quickly concludes that Gere's partner - the aptly named "Van Stretch" (William Baldwin) is a bit of a no good wife beater, and soon he and Gere are at loggerheads. The screenplay doesn't pull it's punches - this is an out and out depiction of domestic violence, thuggery and police corruption; and not just of one rogue officer, but of an internecine network that stretches far and wide. Gere is just OK - to be honest. He never was my favourite actor and playing the bad guy by the odd vaguely menacing glance whilst lobbing in the odd f-word didn't go anywhere near enough to remove that gentle goody-goody image. The only hair-raising thing Andy Garcia seemed likely to have ever done would have involved a heck of a lot of gel, and the whole thing has a certain professionalism about the production that neutralised, effectively, anything gritty or sordid about their behaviour. I watched it because it is freezing cold, and it was on the telly - but I'm not sure that age has helped it much, and I think maybe I won't bother again.
California, 1840s. Wealthy landowner César de Echagüe, secretly acting as El Coyote, the legendary masked hero, continues his fight against the injustices and abuses suffered by the Hispanic population at the hands of the US Army.
Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.
On his first day on the job as a narcotics officer, a rookie cop works with a rogue detective who isn't what he appears.
An ordinary man is suddenly forced into a plot to kill a politician in exchange for his kidnapped daughter's freedom.
When Hong Kong Inspector Lee is summoned to Los Angeles to investigate a kidnapping, the FBI doesn't want any outside help and assigns cocky LAPD Detective James Carter to distract Lee from the case. Not content to watch the action from the sidelines, Lee and Carter form an unlikely partnership and investigate the case themselves.
Liu Jian, an elite Chinese police officer, comes to Paris to arrest a Chinese drug lord. When Jian is betrayed by a French officer and framed for murder, he must go into hiding and find new allies.
Freddy Heflin is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.
The Driver specializes in driving getaway cars for robberies. His exceptional talent has prevented him from being caught yet. After another successful flight from the police a self-assured detective makes it his primary goal to catch the Driver. He promises pardons to a gang if they help to convict him in a set-up robbery. The Driver seeks help from The Player to mislead the detective.
A senator arranges for his son, a rich white kid who fancies himself black, to be kidnapped by a couple of black actors pretending to be murderers to try and shock him out of his plans to become a rapper.
Paul Kersey is again a vigilante trying to find five punks who murdered his housekeeper and daughter in Los Angeles.
Grand Canyon revolved around six residents from different backgrounds whose lives intertwine in modern-day Los Angeles. At the center of the film is the unlikely friendship of two men from different races and classes brought together when one finds himself in jeopardy in the other's rough neighborhood.