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_**Thought-Provoking Drama with Characters You Care about**_ "Grand Canyon" (1991) is essentially about the 'grand canyon' that exists between the races and the haves & have-nots in America. It starts out powerfully with a middle-aged lawyer named Mack (Kevin Kline) taking an unwise detour in L.A.; the situation turns threatening when a group of thugs harass him, but a tow truck driver comes to his aid (Danny Glover). Thus begins a relationship that positively impacts both of their lives and the those connected to them. One subplot involves Mack's love/lust for women (like any red-blooded male). He and his wife (Mary McDonnell) are starting to experience the empty nest syndrome; he naturally veers toward an affair at work. There's an early scene where the potential "other woman" (Mary-Louise Parker) comes into his office and puts her hand on his. It's a simple yet potent scene. Is it wrong for Mack to have feelings for this woman? Should he risk destroying his marriage by pursuing a more intimate relationship? And, if he does commit adultery, can he still change his mind before it's too late? Will he? That's just one subplot amongst many. Some reviewers feel there are TOO many stories going on. I suggest they stick to lighter fare. Here’s a sampling of themes explored: Miraculous life-saving encounters; white/black relations; the rich/working class/poor divide; homelessness. Why do kids join gangs/become hoodlums? The challenges of a nigh romance-less marriage; the drive to improve one's living standards. Does violence in film escalate violence or is it simply a reflection of society? Does a filmmaker have a moral responsibility to society? Life-changing experiences that aren't so life-changing after all. How many split seconds do you have to make a left turn in downtown traffic? What do you do after miraculously finding/saving an infant? Divine intervention; matchmaking, blind dates and finding Mr. or Ms. "right”; the ripple-effect each person's actions have on others, revealing humanity's significance, which is contrasted by the idea that humanity is inconsequential compared to the Earth & Universe's timeless marvels, like the Grand Canyon itself. The picture obviously bites off a lot, but is well able to chew it. It bespeaks of real life and doesn't come off contrived at all. Take for example the teen's driving lesson: He makes a serious mistake and then pulls over. After his father explains a few things he attempts to start the vehicle which is ALREADY running. We've all done that. Another example would be the filmmaker’s beautiful redhead girlfriend Vanessa (Sarah Trigger): She's calm, happy and pleasant one moment but then suddenly starts crying (obviously provoked by a statement). A rambling and uncomfortable emotional rant ensues. It's real. Another example would be Claire's reaction when her son asks if she and Mack are getting a divorce. Shocked, she replies, "Why would you ask that?! Do we seem like a couple on the verge of divorce?" She KNOWS that her son wouldn't ask such a question unless he sensed there were problems in the marriage on some instinctual level. These are just three minor examples off the top of my head. I've heard some complain that there's no humor. Did we see the same movie? There's actually quite a bit of humor or, at least, amusing and light-hearted moments. (How could there not be with Steve Martin in the cast?). Even though the picture is essentially a serious drama I busted out laughing, snickering or smiling on several occasions. Scanning through the reviews you'll note that "Grand Canyon" is a love it or hate it piece. I love it. The acting is, for the most part, great and you really come to care for the characters; you care about the outcome of each of the story lines. One reviewer commented that "Grand Canyon" is a depressing film; he couldn't be more wrong. Yes, there are some disconcerting story elements, but watch it till the end. Other reviewers criticize Steve Martin playing a filmmaker with a beard. These people need to get a life; Martin was perfect for the role. I appreciate that “Grand Canyon" respects the intelligence of the viewer; it's not dumbed-down, nor is everything spelled out. Some things you have to read in-between-the-lines, others are left to the imagination. It also provokes you to ponder the numerous issues it addresses for days afterward. Few movies have this effect. In fact, there's so much to "Grand Canyon" that you'll get something new from the picture with each viewing. When the movie was originally released a New York Times critic it as the worst movie ever made (Why sure!). First of all, who cares what some moron from the NY Times says? The very fact that he writes for The Times tells you that his artistic judgment shouldn't be taken too seriously. Also, most critics hailed 2004's "Crash" as a masterpiece but it obviously borrowed much from "Grand Canyon”; the difference is that the latter is the better film. Although "Crash" has its merits "Grand Canyon" is more entertaining and actually inspiring rather than downbeat. "Grand Canyon" is a film of the most eminent order; a masterpiece. It runs 2 hours, 14 minutes, and was shot in the Los Angeles area. GRADE: A
A socially awkward and volatile small business owner meets the love of his life after being threatened by a gang of scammers.
A very gentle middle-aged man is married, but when he falls in love with another woman, he decides that to divorce his wife would humiliate her too much – so instead he decides to kill her.
Ben Campbell is a young, highly intelligent student at M.I.T. who strives to succeed. Wanting a scholarship to transfer to Harvard School of Medicine to become a doctor, Ben learns that he cannot afford the $300,000 tuition as he comes from a poor, working-class background. But one evening, Ben is introduced by his unorthodox math professor to a small but secretive club of five students, Jill, Choi, Kianna, and Fisher, who are being trained by Professor Rosa to count cards at blackjack.
Evelyne, a judge's young wife, falls in love with Rémy while vacationing in Italy. Upon returning home, she must decide between telling her husband and continuing to see Rémy.
After saving a Black Panther from some racist cops, a black male prostitute goes on the run from "the man" with the help of the ghetto community and some disillusioned Hells Angels.
In a small, poor village leaning over high rocky mountains, the villagers are simple and diligent people who struggle to cope with a harsh nature. They earn their living off the earth and a few animals they feed. Fathers always prefer one of their sons. Mothers command their daughters ruthlessly. Ömer, the son of the imam, wishes hopelessly for the death of his father. When he understands that wishful thinking does not have any concrete results, he begins to search for childish ways to kill his father. Yakup is in love with his teacher, and one day after seeing his father spying on the teacher he dreams too, like Ömer, of killing his father. Yıldız studies and tries to manage the household chores imposed by her mother. She learns with irritation about the secrets of the relationship between men and women.
All paths inevitably end, whether we want them to or not. This is a tale about one particular path, followed by two particular people, but this is not a tale about romance, this is simply a film about beginnings and endings. Daniel and Eve are a young couple in crisis. The film follows their relationship in reverse from the end to the beginning, starting with a break up. Daniel - a level-headed, well-meaning slacker caught between his desire to make something of himself,and his student inclinations to have fun. Upon meeting Eve at a party, Daniel finds her attractive precisely because she possesses the traits he does not. As their various differences bring them together, they are forced to acknowledge their faults, many of which are reflected in the other.
Corporate billionaire Edward Cole and working class mechanic Carter Chambers are worlds apart. At a crossroads in their lives, they share a hospital room and discover they have two things in common: a desire to spend the time they have left doing everything they ever wanted to do and an unrealized need to come to terms with who they are. Together they embark on the road trip of a lifetime, becoming friends along the way and learning to live life to the fullest, with insight and humor.
Los Angeles, California. Officer Murphy, a veteran Metropolitan Police helicopter pilot suffering from severe trauma due to his harsh experiences during the Vietnam War, and Lymangood, his resourceful new partner, are tasked with testing an advanced and heavily armed experimental chopper known as Blue Thunder.
Hollywood drama loosely based on the life of film actress Jean Harlow, with Carroll Baker in the title role. One of two feature film biographies, both released in 1965 and both with the same title, about the '30s platinum blonde movie star.