Gespenster

Ukraine, 1919. The friendship of two boys, Anton and Jacob, one Christian, the other Jewish, manages to survive the prejudices and hatred that dominate the minds of adults in the aftermath of World War I and the Russian Revolution.

Amy, an 11-year-old girl, joins a group of dancers named “the cuties” at school, and rapidly grows aware of her burgeoning femininity—upsetting her mother and her values in the process.

Jin-hyeok opens a cake shop in an old antique shop, hiring Seon-woo, Korea's best pastry chef, who fell in love with him in high school. Also there, are Su-young, crushing on Seon-woo, ex-boxer Ki-beom, and Seon-woo's French ex-boyfriend.

Following the death of her wife, Ruth encounters a fearless swimmer who pushes her to confront her pain and rediscover the joy of living.

A short film about a transgender woman getting an Uber home after a night out when the drive soon turns tense.

Mifti is a teenager as beautiful as she is reckless. Mentally unstable, fed up with her dysfunctional family, oblivious to the youthful world, and aware of the sexual magnetism she gives off with her peculiar appearance, she wanders through the dark path of several bohemian adults with questionable lifestyles.

Love Me Anyway is a sun soaked drama about a filmmaker falling for a dreamy surfer, a man trying to save his marriage and a young wife exploring the greener grass of an extramarital affair with another woman.

The old farmer Ammi tries to understand the traumatic loss of his friend, who died in a mysterious way. We follow him as he gets confronted by the demons of his past and he tries to overcome his fear.

The first volume of an international collection of LGBTQ short films focusing on men. The 5 short films are: Just Past Noon on a Tuesday (2018); The Mousetrap [La tapette] (2016); The Storm [La tempête] (2017); P.D (2014); Neptune [Netuno] (2017).

As preteen, aspiring filmmaker Tomas trains his new camera’s lens on his own world, shocking family secrets around him come into sharp focus.

When adulthood looms, naivety fades, and a whole new, strange world opens up. These four beguiling European stories, from acclaimed film festivals the world over, explore these years of youthful wonder with a deftness and artistry that lingers. The short films are: Ruins [Ruines] (2019); Aline (2019); Snake [Змија] (2020); The Touching [Dotýkání] (2020).