A Working Man 2025 - Movies (Jun 4th)
A Knights War 2025 - Movies (Jun 4th)
Henry Johnson 2025 - Movies (Jun 3rd)
Drop 2025 - Movies (Jun 3rd)
The Death That Awaits 2024 - Movies (Jun 3rd)
Karate Kid Legends 2025 - Movies (Jun 3rd)
The Fire And The Moth 2025 - Movies (Jun 3rd)
Tudum A Netflix Global Fan Event 2025 - Movies (Jun 3rd)
Royal Ballet and Opera 2024/25 Romeo and Juliet 2025 - Movies (Jun 3rd)
Freaky Tales 2024 - Movies (Jun 2nd)
Lucy The Stolen Lives of Elephants 2025 - Movies (Jun 2nd)
The Life of Chuck 2024 - Movies (Jun 1st)
The Girl in the Pool 2024 - Movies (Jun 1st)
Spit 2025 - Movies (Jun 1st)
Flow 2024 - Movies (Jun 1st)
Battle for Castle Itter 2025 - Movies (Jun 1st)
Tom Daley 1.6 Seconds of Glory 2025 - Movies (Jun 1st)
England’s Lions The New Generation 2025 - Movies (Jun 1st)
The Severed Sun 2024 - Movies (Jun 1st)
The Encampments 2025 - Movies (Jun 1st)
Without a Name 2025 - Movies (May 31st)
Britain’s Most Expensive Houses - (Jun 4th)
Casualty 24/7- Every Second Counts - (Jun 4th)
Race Across the World Sweden - (Jun 4th)
Killer at the Crime Scene - (Jun 4th)
Next Gen NYC - (Jun 4th)
The Secret of Skinwalker Ranch - (Jun 4th)
Springwatch - (Jun 4th)
Piers Morgan Uncensored - (Jun 4th)
The Tucker Carlson Show - (Jun 4th)
Garden Rescue - (Jun 4th)
Chris Jansing Reports - (Jun 4th)
Narrow Escapes - (Jun 4th)
Bridge of Lies - (Jun 4th)
The Nature of Things - (Jun 4th)
Apocalypse Hotel - (Jun 4th)
Alone Australia - (Jun 4th)
Gruen - (Jun 4th)
Train Rescue Down Under - (Jun 4th)
The Chase Australia - (Jun 4th)
Glow Up- Britains Next Make-Up Star - (Jun 4th)
Imelda Staunton is great here as the middle-aged wife, merrily living her family life with husband "Stan" (Phil Davis) and her two grown up children and their partners. She is well respected by her peers and seems to be the epitome of the hardworking 1950s British housewife. Until, that is - a policeman arrives at her door and her world starts to cave in. Now we know from fairly early on that "Vera" likes to help girls out. To be fair - there are plenty of them who are eligible. Raising a family when rationing was still around, jobs thin on the ground and their men folks usually keen to run a mile (if they even knew/or cared) was a daunting prospect to many a young woman, bereft of familial or state support. She didn't take cash for her carbolic and syringe services, she just thinks she is doing the best for all concerned. Needless to say the morals of the time did not necessarily concur, the law certainly didn't - and so we are faced with a rather well presented and written analysis of the antiquated and illiberal situation in which many women found themselves. The film doesn't attempt to moralise - it allows each of us to observe her activities and to evaluate - almost on a case by case basis - the relative merits of her interventions and I think that is particularly effective when stimulating the debate that this film is bound to create. The supporting cast including a career defining contribution from Daniel Mays as her conflicted son "Sid", Eddie Marsan and Heather Craney allow the story to spread out covering not just the actions of "Vera" but also of the complicity - sympathetically and/or venally motivated - by those in the medical profession and those in the community who had less scruples in monetising the misfortune of others. Above all, this is thought provoking - there is no simple answer to what's going on here, and for that Staunton (and Mike Leigh) are to be commended. It's not for the fainted-hearted, but the most poignant of films never are.
Maria, an unfortunate young woman, kills her rapist father in self-defense, and is later tried, sentenced, and shipped off to a woman's penitentiary where she and her fellow inmates are subjected to psychological and sexual abuse at the hands of a psychotic lesbian warden.
Renowned filmmaker John Wilson travels to Africa to direct a new movie, but constantly leaves to hunt elephants and other game, to the dismay of his cast and crew. He eventually becomes obsessed with hunting down and killing one specific elephant.
Middle-class housewife Kay Miniver deals with petty problems. She and her husband Clem watch her Oxford-educated son Vin court Carol Beldon, the charming granddaughter of the local nobility as represented by Lady Beldon. Then the war comes and Vin joins the RAF.
When two troublemaking female prisoners (one a revolutionary, the other a former harem-girl) can't seem to get along, they are chained together and extradited for safekeeping. The women, still chained together, stumble, stab, and cat-fight their way across the wilderness, igniting a bloody shootout between gangsters and a group of revolutionaries.
Aisha decides to take leave from the burdens of the house, and when her husband (Abu Bassam) refuses, she leaves the house. Then he and his son (Bassam) and his daughter (Mona) are forced to do all the homework, but they find it very difficult in it and miss the presence of their mother (Aisha).
A pastor of a small church in upstate New York starts to spiral out of control after a soul-shaking encounter with an unstable environmental activist and his pregnant wife.
A 17-year old Missouri teen discovers she has gotten pregnant, a development that threatens to end her dreams of matriculating at an Ivy League college, and the career that could follow.
Female prisoners endure the horrors of drug abuse, prostitution and rampant sadism at an island prison. When an escape attempt goes awry, the fugitives discover that escaping can be as dangerous as remaining in the prison.
When her mother dies, her attractive young daughter hungry for love moves into the dead woman's house as a quest to seduce its tenants in her desperate search for love.