Sylvia

With a sense of strange timelessness, this fable immerses us in the daily life of a child fascinated by the elusive rays of the sun that stir life on the atypical lands of Himalia.

Roya is a middle-class Muslim woman that struggles to find herself in the sprawl of urban Bangladesh. When she discovers that she will be replaced by a younger actor for the role of Nandini —a central character of Rabindranath Tagore’s political play Red Oleanders —she battles to reconstruct the part, reclaiming her identity and sexuality in the process. As she sets the play in a modern day ready-made garment factory in Dhaka, her journey to establish her individuality is juxtaposed with the journey of her housemaid Moyna, who later joins the industrial workforce.

Two estranged brothers return to the family cottage after the death of their father. Over the course of three days they must learn to let go of the man they thought they knew, and accept responsibility for the men they have become.

An awkward teenage outcast finds unlikely companions in two aged residents of the retirement home in which she works.

Lisa (Xenia Kalogeropoulou) runs away from her father at the Athens airport because she does not want to marry a rich man from Paris whom her father has chosen for her. She hitchhikes to the city, where she meets Giorgos (Kostas Kakkavas) a handsome driver. Then, she runs away from him as well and tries to find her mother’s brother (Iordanis), whom she has never seen before. Her father publishes her photo in the newspapers and offers a reward of one hundred thousand drachmas to anyone who finds her. Lisa is now afraid that everyone can identify her, and so, in order to hide, she mingles with a group of tourists. However, she is unaware that her uncle is their guide. Giorgos has followed her in order to find out the reason she left him so suddenly, takes her in his car one more time, and they spend the night together.

Italian immigrant Rudolph Valentino makes it big in silent Hollywood, but he ends up struggling between his career and the woman he loves.

After the death of uncle Olivier, his estate, a small chateau in Provence and the small town's only undertaker firm in its cellar, befall equally and jointly to his local stepson André Vidal, who runs the business since Olivier semi-retired ill, and German cousin, business consultant Charlotte. She arrives from Frankfort to sell the estate at the skyrocketing prices for such idyllic hospitality industry sites. André is shocked, determined to preserve the town's social fabric by preserving Olivier's heritage, and disappointed she doesn't even recognize him as childhood best playmate. It turns out the backward taxes are a ticking bomb, which she sneakily intends to ignite, only André's charms and the lavender-scented bucolic way of life appeal ever more even to businesslike Charlotte.

Assigned to oversee the development of the atomic bomb, Gen. Leslie Groves is a stern military man determined to have the project go according to plan. He selects J. Robert Oppenheimer as the key scientist on the top-secret operation, but the two men clash fiercely on a number of issues. Despite their frequent conflicts, Groves and Oppenheimer ultimately push ahead with two bomb designs — the bigger "Fat Man" and the more streamlined "Little Boy."

A man and woman staying in a hotel decide to end the mundanity of their day and quickly become intimate. Noteworthy as Spain’s first real pornographic short film, accompanied by a song from the Galician rock band Novedades Carminha.

In Houston, the aspirant to photographer Amie receives a complete Salsa and Mambo dancing course from her close colleagues and friends as her wedding gift. Her wedding with the wealthy and arrogant Jason is close and she intends to dance...

Sent to Afghanistan for 6 months, legionnaires Markov and Hamilton are caught in an ambush during an unauthorized expedition. Markov saves Hamilton, seriously wounded by rebel fire, but leaves the Legion without honors. Once back in Paris, Hamilton, convalescing, hopes to remain a legionnaire, while Markov, now a civilian and without working papers, tries to make ends meet with his son Khadji. Hamilton lends his identity to his Chechen friend, so that he can work legally. But one day, Markov disappears, leaving Hamiltion disorientated and Khadji alone in the world.